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After the release of "If You Are the Truth, Do Not Disturb 3", the performance of the famous actor Ge You was questioned and criticized by the audience.
Some viewers felt that Ge You's performance in the film was too exaggerated and deliberate, inconsistent with the character's image, and frequently involved in the plot of the bed.
This series of questions has sparked widespread discussion and controversy, and the audience expressed their disappointment that Ge You was too exaggerated and deliberate when he played the role in "If You Are Honest Do Not Disturb 3".
They point out that in a movie, in addition to the script, a character needs to be authentic and natural.
In this movie, the characters created by Ge You give people the feeling of deliberately pursuing effects without paying attention to details and lacking deep exploration of the inner world.
In addition, under the trend of youth, "old drama bones" are also facing the problem of how to adapt to age and character image.
The audience believes that Ge You's character image in "If You Are the Truth, Do Not Disturb 3" is quite different from his real age, which also makes his performance a little embarrassing.
Another issue that has caused controversy is the frequent use of bed scenes in the film.
Some viewers felt that this was too commercial and vulgar, and that it didn't add any value or depth to the film as a whole.
They pointed out that in modern society, film, as a literary and artistic form, should pay more attention to content and ideology, rather than attracting the audience's attention through nudity, teasing and other techniques.
Some have questioned whether the domestic film industry has fallen into the dilemma of putting commercial interests first, lacking the spirit of innovation, and catering to the tastes of the masses.
Some people also said that further exploration is still needed on how to self-break and adapt to the old drama bones.
The audience expressed that they were troubled by the performance of the leading actor Ge You, and thought that the character image he presented in the film was not in harmony with the plot.
I have to mention Feng Xiaogang and Ge You, as one of the most well-known and respected artists in the Chinese film industry.
In this new film, they clearly pay more attention to traffic and popularity, and put it above artistic quality.
Nowadays, with the diversification of audience demand and increasingly fierce market competition, "making money" has become a way for many producers and even directors to realize the profit target behind the chase numbers.
The "star effect" is overemphasized, compressing the spiritual core in the business environment.
It can be seen that although Ge You, as a powerful actor, has shown his excellent acting skills and emotional expression ability in his past works.
Now in the context of the traffic era, he has to face the absurd demand for performances, this phenomenon is not an isolated case, and it has gradually become the norm in the film industry.
So, do successful actors and directors really need to rely on traffic to maintain their status?
In the current environment of fierce competition in the film market and changing tastes of audiences, "high box office" seems to have become the only criterion for measuring the quality and value of a movie.
Artistic creation itself pursues the transmission of spiritual core, arouses resonance, and shapes the image, which has a broader and richer significance for the industry and society.
For directors, if they only pay attention to the return on investment and meet the needs of the audience while ignoring their own ideals and artistic creation spirit, they are likely to fall into the vicious circle of "commercial routines".
Producers should encourage and support directors who dare to innovate and pursue artistic quality, and help them realize their dreams.
In addition, the audience should also develop a deeper thinking and aesthetic ability for film works.
It is not only necessary to pay attention to the surface value brought by the high box office and star effect, but also to appreciate the life wisdom and emotional resonance contained in a movie from a broader and deeper level.
With the box office slump of "Do Not Disturb 3", whether director Feng Xiaogang's golden years have passed has become a hot topic among the audience.
Feng Xiaogang's films are increasingly losing the heart-warming charm of the past, raising questions and discussions about whether he should retire sooner.
Looking back, "Fanghua" is a highly anticipated but disappointing work, the film seems bland in terms of story, lacking novelty and emotional resonance.
Compared with the previous works that were hailed as classics, "Fanghua" left the audience with deep loneliness and regret.
"If You Are the Truth, Do Not Disturb 3" is even more shocking.
The series of movies that once swept the country, had a good reputation and a bright box office, but in the third part, it lost its original charm and sense of humor.
The plot drags on, the laughter is scarce, and the character image is thin, which makes the audience say that they can't see the demeanor of director Feng Xiaogang back then.
These successive frustrations made the audience begin to question Feng Xiaogang.
Many people believe that he has lost the sharpness and insight of the past, and can no longer surprise and move the audience.
Moreover, in today's changing times and changing movie viewing tastes, there is still an old shooting technique and subject matter selection, which cannot resonate with the current audience.
In the face of widespread attention and discussion, Feng Xiaogang did not ignore it.
He admits that he has faced some challenges in recent years, and says he will rethink his approach to filmmaking and rediscover the inspiration and creativity that captured the audience's attention in the first place.
Whether this will actually solve the problem remains to be seen.
In short, in today's fierce competition in the film market and the supremacy of word of mouth, it is difficult for a director or artist to gain a long-term foothold in the industry if he cannot keep up with the pace of the times and maintain creativity and acumen.
Although we once loved the images he created to arouse our emotions, in the context of the rapid development of film art, whether Feng Xiaogang should retire early is also a topic of discussion.
Perhaps for many people, this is very cruel and unforgiving, and there are ups and downs, ups and downs, and substitutions in any industry.
Only by maintaining sensitivity and building a strong connection with the audience can you achieve a more brilliant career.
I believe that the audience is looking forward to seeing more fresh, excellent and resonant works, and is willing to give directors who truly have the strength and passion to embrace the future of art and move forward bravely.
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