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Cao Yunjin's "Gentleman's Revenge": Ten years later, how did Guo Degang deal with it?

author:Share life, love sports

In recent years, the grievances and hatred between Cao Yunjin and Guo Degang have been a hot topic in the entertainment industry. Ten years ago, Cao Yunjin left Deyun Club for various reasons and parted ways with Guo Degang. However, Cao Yunjin recently counterattacked with a ruthless move, making Guo Degang face an unprecedented challenge.

Cao Yunjin's "Gentleman's Revenge": Ten years later, how did Guo Degang deal with it?

Cao Yunjin's revenge plan

Cao Yunjin's revenge plan is not groundless. Over the years, he has been silently accumulating strength, striving to occupy a place in the cross talk world. Today, he has his own cross talk team and has toured all over the country, gaining the support and recognition of many audiences. In addition, he has also been involved in many fields such as film and television, variety shows, and has shown his versatility.

Cao Yunjin's "Gentleman's Revenge": Ten years later, how did Guo Degang deal with it?

Guo Degang's coping strategy

In the face of Cao Yunjin's counterattack, Guo Degang needs to adopt an effective response strategy. First of all, he should find the reason from himself, reflect on the problems existing in Deyun Club, and strive to improve and improve. Second, he can consider having a dialogue with Cao Yunjin to resolve the conflict and rebuild the relationship. After all, the two used to have a master-apprentice relationship, and now they should value harmony and jointly contribute to the development of cross talk.

Cao Yunjin's "Gentleman's Revenge": Ten years later, how did Guo Degang deal with it?

The future outlook of the cross talk industry

As an important representative of traditional Chinese opera, cross talk has a wide influence at home and abroad. Although the grievances and hatreds between Cao Yunjin and Guo Degang attract attention, the future development of the cross talk industry is more important. I hope that they can resolve the contradictions, work together, and contribute to the inheritance and development of the cross talk industry. At the same time, I also hope that more outstanding young talents can emerge in the cross talk industry to inherit and carry forward the cross talk culture.

Cao Yunjin's "Gentleman's Revenge": Ten years later, how did Guo Degang deal with it?

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