Wu Changshuo: Thatched eaves style
Vertical scroll, ink and color on paper
143×34.5 cm
This "thatched eaves style" is painted with the old spicy brushwork of molten seal grass in a furnace, and the vines are intricately entangled like dragons and snakes galloping, which is completely completed in the state of writing, with the dry and wet shade of ink and color, all in one go.
Wu Changshuo, Fence chrysanthemum diagram
Vertical scroll, ink and color on paper
247×61 cm
This "Fence Chrysanthemum Picture", with the pen is old and spicy, the color is pretty and bright, the two complement each other, complement each other, can be described as a divine product.
Wu Changshuo, Zhenlong
Gengshen (1920).
173×42.5 cm
This "True Dragon" combines a sense of rigor with a sense of willfulness, and integrates various painting methods, which not only has Xu Wei's brushwork, but also does not lose his personal style, which is a masterpiece of Wu Changshuo in his later years.
Wu Changshuo, Coral branches
Vertical scroll, ink and color on paper
Written in 1924
151×40.5 cm
This painting "Coral Branch" was painted in 1924, when Wu Changshuo was 81 years old. Wu Changshuo compared plum blossoms to "coral branches" to describe his life, which comes from the poem "Ancient Plum" by the Song Dynasty poet Xiao Dezao: "The Hunan concubine is in danger of standing on the back of the frozen Jiao, and the sea and the moon are cold hanging on the coral branches." The ugly monster is amazing and charming, and only Xiao Han knows how to break the soul. His life has gone from obscurity to fame inside and outside, and it is precisely "only Xiao Han knows how to break his soul".
Wu Changshuo "Lotus Pond Fun"
Ink and color on paper, vertical scroll, 1915
135.5×66cm
Title: Avoiding the flames once sat on the lotus incense, and the bamboo bound lake water surrounded the wall. The lotus leaf is now spread out on paper, and it is difficult to give birth to lotus root and be cold. Scribbling and smearing is absolutely like the brushwork of Huanghua Dao, when it is in Yimao winter, Wu Changshuo.
Wu Changshuo, full of spring breeze
Ink and color on paper, 1910
137×63 cm.
Created in 1910, the painting is full of ink and ink, full of fun and flowers, with bright carmine colors and dense foliage, making it more and more vibrant. The outline lines of the stone are smooth, the layers are clear, and the flavor of gold and stone is full.
Wu Changshuo "Cangke Cuizhu"
Ink on paper, vertical scroll, 1920
134.5×33cm
This work was made by Wu Changshuo at the age of 80, and the composition of the picture is unique, with a vigorous ancient cypress rising from the ground, slightly bow-shaped and winding down to the ground, and the old branches are either happy or shy and moaning.
The whole picture is open and straight, the branches are coiled, the cypress leaves are dotted, the unique wet brush is dry and dry, and the thick seal is revealed in the vertical and horizontal, reflecting the painter's extraordinary mind.
Wu Changshuo "Caixia Cages Sea Coral"
Ink and color on paper, vertical scroll, 1922
136×34.5cm
Painted in the autumn of 1921, this painting depicts the autumn of autumn with red geese and stubborn stones, which is a masterpiece of his later years.
Wu Changshuo, Peach Longevity Millennium
Ink and color on paper, vertical scroll, 1916
146.5×78.5cm
Title: The thousand-year-old peach is bigger than the bucket, and it will become my good hand in an instant. The immortals are full of salivation, the east king father and the west queen mother. Bingchen Lantern Festival, Kehai went to the Suiyuan room, Wu Changshuo.
Wu Changshuo "Apricot Blossom Spring Rain Jiangnan"
Ink and color on paper, vertical scroll, 1914
76×52cm
This "Apricot Blossom Spring Rain Jiangnan" is Wu Changshuo's gift to Ye Zhenjia's work, the whole article is painted with seal brushwork, the color is fresh and bright, bright and vulgar, the whole picture forms an organic combination of points, lines and surfaces, like a rhythmic symphony, which is really a proud work of the Silk.
Wu Changshuo, rich eyebrows, longevity map
Vertical scroll, ink and color on paper
132×38.5 cm
Inscription: Rich eyebrows and longevity figures. Li Futang writes it from time to time, and it can also be used as a Qing Dynasty offering. Wu Junqing.
Wu Changshuo "Proud Frost"
Ink and color on paper, vertical scroll, 1915
113×46cm
Title: After the rain, the east fence is cold, and the people often eat chrysanthemums. Zhumen wine and meat are stinky, and the swallow appreciates the yellow flower as a peony. Yi Mao year 11 Oh frozen written, Anji Wu Changshuo.
Wu Changshuo, Tianzhu stubborn stone
Ink and color on paper, 1916
126x40.6cm
Heavenly bamboo, like bamboo but not bamboo, its fruit is as red as dansha, and its leaves turn red in autumn and winter. Tianzhu is resistant to frost and snow, endures for a long time, and is regarded as the "gentleman" among plants like the "Three Friends of the Cold Year", and is favored by literati and ink writers.
Wu Changshuo's paintings of Tianzhu often combine poetry and painting, and are more literati. The collocation of the old stone and Tianzhu is described as "Kunlun slave serving red silk".
Wu Changshuo, Ammonite Diagram
Ink and color on paper, vertical scroll
By Ding Mi (1917)
136×33cm
Title: There is no vulgarity in the wilderness, and the old chrysanthemum is unique in autumn. Ascend and smile as a heavy nine, and Ruchicheng Xia meal Luoying. Ding Sichun, Wu Changshuo.
Wu Changshuo, peony
Ink and color on paper, vertical scroll
Painted in 1919
131.5×33cm
Title: Yesterday I saw Zhu Jiaotang, the painting will leave the flowers, and the hair will be excited. Ji Weichun, Wu Changshuo.
Wu Changshuo's will
Mirror Heart, ink and color on paper, 1926
151×41 cm
Title: The cliffs are towering, and the flowing water is gurgling. But smelling the flowers, there is no boat to cross. Looking at the river and not being clumsy, it is better than the stone Weng and owes it strength. The old pen is decadent, but what can I do. Bingyin Zhan Chongyang Hua'an floor drunk and came back to do this. Wu Changshuo, aged eighty-three. The last will of the champ. Great deafness
Wu Changshuo, loquat impatiens
Vertical scroll, ink and color on paper
134×34 cm
Title: Proposed Zhao Wubo. Pegatron Chronicles.
Wu Changshuo, Man Qian, come
Ink and color on silk, vertical scroll, 1917
137.5×41.5cm
Title: Man Qian is coming. Ding Sixia, Wu Changshuo
Source: Chinese Painters Art Research Institute