Song Dynasty calligraphy, inheriting the Tang Dynasty and the Jin Dynasty, shangjie five generations, created a new generation of style. He broke the strict law of Tang Dynasty calligraphy and began to pay attention to meaning and subjective emotions, which was the beginning of the "Shangyi" trend.
Appreciating Song Dynasty calligraphy is often not to see how well the characters are written, but to bring the feeling behind the calligraphy through its font, so Song Dynasty calligraphy is the most difficult to master in the history of calligraphy.
Zhang Jizhi's "Song of Double Pine Diagram"
There are many calligraphers in the Song Dynasty, the most famous is the "Song Sijia" (Su Shi, Huang Tingjian, Mi Fu, Cai Xiang), its books in addition to the Song Sijia, there are many calligraphy masters, such as Zhang Jizhi, Zhang Jizhi, although not as famous as the "Song Sijia", but its calligraphy works are indeed the most widely circulated, the most followers.
Let's take a look at Zhang Jizhi:
Zhang Jizhi (1186-1263), courtesy name Wenfu, was a native of Liyang (present-day Hexian County, Anhui) and a famous calligrapher and official of the Southern Song Dynasty. Zhang Jizhi was the eighth grandson of the famous Tang poet Zhang Zhi.
Zhang Jizhi's calligraphy patriarchal Tang Dynasty families, the knot body is neat and rigorous, the penmanship is dangerous and upright, there is a sense of pungency, the visual impact is very strong, at that time the calligraphy had a great influence, not only the people of the dynasty liked it, the jin people also liked it very much, and they had repeatedly bought their ink treasures with heavy gold.
The Tang Dynasty calligraphers mentioned above were Ouyang Qing, Chu Suiliang, and Yan Zhenqing. Zhang took the calligraphy of these three people as the basis, mastered their essence and then learned the calligraphy of Mi Fu, and then referred to the Qin and Han Lishu and Jin Dynasty calligraphy styles to add his understanding of Buddhist Zen Buddhism, and finally formed a unique style of calligraphy.
The Ming Dynasty Zhan Jingfeng said of him: "Divide the book in the Lu Gong Fa, Fang Jin is clumsy, cut the nails and cut the iron, and then pass it on to the ear"
He Shaoji commented: "Pull out Su Huang Mi Cai Wai, write the scriptures and rules to pick up the Tang people. ”
Therefore, by looking at Zhang Jizhi's calligraphy, you can see the shadow of many calligraphers. Among all the books, Zhang Jizhi's best book styles are the calligraphy and the list of books, especially like to write "big characters".
As mentioned above, with the large number of followers of Zhang Jizhi's calligraphy, the main reason is that Zhang Jizhi likes to write large characters, and practicing large characters is the most testing of calligraphy and the most able to make calligraphy progress.
And in all of Zhang Jizhi's large-character works, and count this "Double Pine Tu Song" (full name "Du Fu Opera for Shuangsong Tu Song") is the most exquisite, this work was written by Zhang Jizhi in his later years after drinking, combining lines and Kai, vigorous and powerful, extraordinary temperament, this work also caused a sensation in the book world at that time, many people said that he wrote it to the peak, praised him as "the god of war with big characters".
Later generations called him "able to smell the world with noh books", "the big characters are elegant and vigorous, and the fine books are especially handsome and extraordinary".
This volume of large-character works, full of energy, vigorous and majestic, and sometimes dangerous, has been passed down for 800 years.
Weng Fanggang praised Zhang Jizhi's way: "The magic of the pen is brilliant, and the gossamer is made of yixi." ”
Today we will make a 1:1 high-definition copy of Zhang Jizhi's "Song of Double Pine Diagram" to restore its original style and give it to all calligraphy lovers.
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Zhang Jizhi · Kaishu "Song of Double Pine Diagram" Rice paper long scroll fine mounted hand scroll ¥126 purchase
——Edited by Qian Yuan