Jiang Yiyan's romance
Jiang Yiyan, a woman with all kinds of charms, has filmed more than 10 film and television works since her debut, which can be described as the process of transformation from a young girl in the flower season to a mature woman.
However, in this change, she often becomes the focus of attention and criticism from the outside world because of her troubled love.
As a post-90s generation, Jiang Yiyan was born with a desire for love and beauty, and she has had contact or love with many male stars or rich people. Facing the camera, she smiled charmingly and movingly, at first glance she was a gentle woman, but she had a dishonest heart hidden in her bones.
In the early years, Jiang fell in love with director Yin Li, who was 20 years older than herself, and relying on the other party's connections and resources in the circle, she was able to frequently show her face to film. However, just when the two were talking about marriage, Jiang secretly communicated with the crew photographer Yang Tao, and the two men who finally revealed the truth left her angrily.
In 2008, Jiang had an intimate act with the married male lead actor Wu Zhenyu in the movie "Double Food", and the photo of the two kissing on the street was once a good story. At that time, Wu Zhenyu's wife was pregnant, but Jiang still showed favor to him in his own way.
In 2010, when Jiang was filming the action movie "The Four Famous Catches", he had frequent private meetings with the married actor Deng Chao in the same crew, and was secretly photographed by the paparazzi on a date between the two, which caused an uproar again.
Deng Chao's beloved wife Sun Li couldn't bear it anymore and once ran away from home with her children. In addition to the above-mentioned sexual encounters, Jiang Yiyan also had affairs with many wealthy people and entrepreneurs such as Wu Kebo, Luo Hong and others. She is like a splendid rose, attracting the nectar from all kinds of bees.
It's a pity that her flower heart has never been able to truly be happy.
Jiang Yiyan once said that loving someone is like acting in a play. However, she has acted in countless plays, and her boyfriends have also had a long list of names. This romantic rhyme seems to be a true portrayal of her screen image.
Rely on power to climb to the female one
Over the years in the entertainment industry, Jiang Yiyan has repeatedly used the way of bringing capital into the group and relying on the power of male bosses to grab many opportunities for roles that belong to other actresses, which can be described as "a drama for a partner".
This blatant behavior makes people inevitably question her work ethic.
In 2007, Jiang became the heroine of the new drama "Our Youth with Nowhere to Place" with the recommendation of Yin Li, the director of "The Ballad of Yunshui". In fact, the play had already been finalized by the popular little flower Zhang Xinyi to play the female lead.
However, the old fox Jiang Yiyan saw that Yin Li had more say in the crew, so he abandoned him without saying a word and turned to senior actor Chen Daoming. In the end, under Chen's strong recommendation, Jiang easily grabbed Zhang Xinyi's position.
In 2009, Jiang became popular with Wang Luodan's high popularity in the play "Miranda". When she was filming the new film "Qian Xiaoxiang", she found Chen Daoming again and coaxed him to find herself a heroine of "Pretend Couple".
As a result, Wang Luodan filmed for more than half a year, but he had no choice but to give up the opportunity that belonged to him.
In 2014, Jiang Yiyan targeted Xue Kaiqi again. She colluded with investors, and on the eve of the start of "The Four Famous Catches", she suddenly announced that Xue Yuan's heroine role would be changed to herself.
Xue Kaiqi trained for action scenes for 2 months in advance for this role, but when she fell short, she was forced to personally present the award to Jiang, who took away her opportunity. It can be seen that Jiang's thick skin and deep scheming are really breathtaking.
From Zhang Xinyi to Wang Luodan to Xue Kaiqi, Jiang Yiyan has repeatedly used male power and power to deprive fellow actresses of development opportunities. Her unearned success, and her achievements are based on the pain of other artists, which is really uncommendable.
So what is the key reason why Jiang Yiyan was able to climb to the throne of the female number one so easily? Perhaps, we have to admire her for accurately using the workplace ecology that is different between men and women, and getting everything she wants through beauty and power tricks.
Although this behavior is unethical, it works.
Perhaps, in this environment, if you want to avoid damage, you must first act strongly. When we condemn Jiang Yiyan's actions, we should also reflect on the fact that it is not her problem, but that the current rule itself is wrong.
Ambiguous mode of operation
For Jiang Yiyan, developing her career and catching up with a male god has always been a perfect strategy for killing two birds. And her "ambiguous operation mode" is a powerful tool to achieve this goal efficiently.
Among them, the intensive drama is Jiang Yiyan's successful move several times. In the 2007 TV series "Our Youth with Nowhere to Place", with the full help of Chen Daoming, she became the heroine of the play.
In order to make herself more scene-stealing, she used a small method unique to women, and frequently asked the director to add shots for herself, including quite bold nude swimming scenes. In desperation, the director could only outline the outline, and was busy adjusting the script to let her give back to the audience.
As a result, Jiang's role has increased significantly, and speculation with the male boss Chen Daoming has also been triggered outside the play.
In the 2010 movie "The Four Famous Catches", she played the old trick again. As the second heroine, Jiang can always suddenly appear in the most dramatic part, snatching away all the shots that originally belonged to the female number one Liu Yifei.
It is reported that she even privately asked to increase her flute, nude scenes and other scenes, which overshadowed Liu Yifei, who should have been on the cusp. Despite this, Jiang still approached the male lead Deng Chao step by step and caused a scandal.
This can't help but make people suspect that the real purpose of her drama is to have more opportunities to meet Deng Chao privately. In this way, work and relationship are not wrong, it is simply killing two birds with one stone.
It is precisely because of this ambiguous and dramatic mode that Jiang Yiyan later pointed the finger at popular male stars such as Wu Qilong and Zhang Jin. She first invaded the married life of the two with a kiss scene, and then increased the scene to frequent intimate contact with them, which eventually led to the breakdown of the Wu and Zhang families.
Although her methods of playing with feelings have been questioned countless times, she has successfully tied the hearts of these big-name male gods, making Jiang's popularity and exposure also rising.
So, why did Jiang Yiyan calculate these male actors so much? Is her purpose really just to work hard for her career? Or is it simply a love fantasy unique to middle-aged women? Or is her natural emotional need that makes her addicted to this kind of ambiguous game with ups and downs? All of this is still difficult for Jiang Yiyan's amorous heart to be satisfied after all.
From being praised to being argued
Jiang Yiyan, a woman whose name has shone in the entertainment industry. From the initial support of many male god-level bigwigs such as Chen Daoming, to the collapse of her personality and the collective diss of netizens, her career can be said to have fallen from the peak to the bottom.
This change is so great that almost everyone who watched the excitement laughed dumbly.
Since 2007, Jiang Yiyan has been favored by Chen Daoming. In front of this forty or fifty-year-old male god-level senior, she changed from her previous flamboyance and obscenity, but turned into a well-behaved and pleasing little girl.
Chen Daoming was also moved, and publicly supported Jiang several times, allowing her to play the heroine in many plays. Under his promotion, Jiang Yi became a new Hua Dan for a while, and his future is bright.
However, the good times did not last long, and Jiang Yiyan's character began to crack a few years later. She first posted a photo of herself winning the American Architecture Master Award on Weibo. A number of netizens immediately pointed out that she was only the owner of the winning building and had no actual contribution.
This act of deliberately packaging his image made Jiang Meng infamous as "fake".
Then, it was revealed that Jiang claimed to often go to mountain villages to teach, but in fact he was teaching children photography. Netizens hit the nail on the head and pointed out that how can children in poor mountain villages afford the economic strength to buy expensive cameras? This incident once again collapsed Jiang Yiyan's public welfare personality, and the lie of artificial illusion was exposed in public.
Such negative news spread rapidly on Weibo, and soon more than 10,000 netizens participated in the personal attack on Jiang Yiyan. Words such as "copycat public welfare" and "deliberate hype" appear frequently, all condemning her moral degradation.
Once upon a time, the goddess on the altar was also reduced to the object of chewing the root of the tongue in the mouth of the keyboard man, which was embarrassing.
seems to have offended the public and keyboard warriors, but in fact, Jiang Yiyan's achievements from scratch all come from the touting created by those bigwigs. She herself has no real strength at all, and once she loses her backer, she will quickly fall and slide from the peak to the bottom.
Now, Jiang Yiyan has withdrawn from the entertainment industry.
We can't help but reflect on the origin of her tragedy, and how many social reasons and how many of her personal desires caused her from being the pride of heaven to the target of public criticism? This makes people think deeply.
Jiang Yiyan's lesson
Jiang Yiyan, a once glamorous female film and television star. She first relied on male power and power to climb to the top step by step, and then fell into the dust amid all kinds of criticism.
There are no real rules and a fair competition system in the film and television industry. Jiang Yiyan understands this, so she chooses to rely on all walks of life for male rights in exchange for role opportunities and exposure.
This realistic survival rule did work for the time being, and she became a hot new star for a while. However, it also lays the hidden danger of being "dissed" in the future.
Because there are always too many power and interest transactions involved. Jiang Yiyan's high-profile style of changing her boyfriend immediately attracted countless criticisms during the period when her charm was fading.
The general environment has not changed, only the personal graceful packaging is no longer charming, and she is destined to fall off the altar.
So, should we completely oppose Jiang Yiyan's unscrupulous behavior? Not necessarily. Because in this circle where the rules are out of balance, you have to start first to get the right to speak.
Without a foothold, no matter how noble the character and concept are, it is just empty talk.
Therefore, we must not only learn Xi from Jiang Yiyan's spirit of being smart and resolute in striving for opportunities, but also avoid her blindness of only seeking temporary power and reckless consequences. Opening up the situation in the film and television industry requires the use of strategy, but it is more necessary to be independent and have your own non-tradable principles and bottom line.
This is the lesson that Jiang Yiyan taught us. Perhaps the environment determined her final frustration and sinking, but it never erased her courage to dare to fight for her dreams. We should not simply dismiss her entirety, but rather gain insight into the thinking behind her experience about today's environment.