Guo Qian
Oracle bone is a font engraved on the bones of tortoise shells and beasts in the Yin Shang period, which has a history of more than 3,000 to 4,000 years. This kind of text stroke is relatively simple, stretching up and down, the line is straight and strong, and the square is easy to round, which is the calligraphy style characteristic of the single knife carved oracle bone.
Since the oracle bone was discovered by epigrapher Wang Yirong in 1899, it has a history of more than 100 years, how many oracle bones have been unearthed? Professor Hu Houxuan, a famous oracle bone scientist, believes in the article "Recount of Oracle Bone Materials in the Past Eighty-Five Years" ("History Monthly", No. 5, 1984) that since the discovery of the oracle bone in 1899, the total number of excavated pieces has totaled about 150,000 pieces. The amount of words is about 5,000. From the perspective of the number of fonts and the way they are structured, Oracle is already a relatively strict writing system. According to the 2017 announcement of the Chinese Character Museum's collection of cracked oracle bone scripts from the whole country, it can be known that so far experts have cracked more than 1500 words, and there are more than 3500 words waiting to be deciphered.
(Oracle Images)
Among the oracle bone researchers, Luo Zhenyu occupies an important position, is one of the "four halls of oracle bones", and is the founder of oracle bone science. Luo Zhenyu (1866-1940), a native of Huai'an, Jiangsu Province, has been immersed in the study of scripture history and exegesis since childhood, paying attention to the famous objects of gold and stone, especially in the study of scripture and history, and studying the scripts of scripture and history. From the age of 20, he devoted himself to studying ancient stele posts and wrote a "Small Biography of Reading Steles", and thus began to write books and lectures. He collected, preserved, and printed a large number of oracle bone original materials. In the 1920s and 1930s, he wrote more than 100 kinds of books such as "Fifty Days of Dream Records", "Yin Xu Shu Deed Pre-Compilation", "Yin Xu Shu Qi Jinghua", "Tieyun Hidden Turtle Yu", "Yin Xu Shu Deed Post-Compilation", "Yin Xu Shu Deed Continuation" and other books, laying the foundation for the study of oracle bone philology, so that the study of oracle bone script has become a huge view. In 1915, he released nearly 500 words in the "Yin XuShu Qi Examination Interpretation", many of which were recognized by the academic community.
(Luo Zhenyu oracle bone calligraphy)
Luo Zhenyu is good at true, line, seal, and calligraphy. Because he studied oracle bones after middle age, he continued to speculate and study, writing oracle bones with seals, and finally created an unprecedented oracle bone calligraphy. Luo Zhenyu oracle bone calligraphy features: round and vigorous, tight and stable, solemn and tidy. His Jiyin Ruins Script 楹聯 is the earliest example of oracle bone calligraphy. He integrated and wrote more than 170 paintings, thus leading the ancient and difficult oracle bones to the temple of calligraphy art and promoting them to society.
After Luo Zhenyu, some paleographers such as Dong Zuobin, Ding Fuzhi, Ye Yusen, Wang Xiang, Jian Jinglun, Wang Guowei, Ding Foyan, Shang Chengzuo, Guo Moruo, Shen Jianshi, Hu Xiaoshi, Rong Geng, Chen Bangfu, Tang Lan, Yu Shengwu and others were also studying oracle bone writing, and at the same time, they carried out the creation of oracle bone calligraphy, they did not write strictly according to the characteristics of oracle bone, but also synthesized the characteristics of various ancient scripts such as Jin script and Warring States script. They regarded the oracle bone as an inspiration, drawing on the characteristics of the oracle bone and creating their own works to form a modern oracle bone calligraphy work with a sense of the times.
Dong Zuobin (1895~1963) was a native of Nanyang, Henan, an oracle osteologist, ancient historian, and one of the "Four Halls of Oracle Bones". His contribution to oracle osteology lies in the fact that he presided over or participated in the excavation of the oracle bones of The Yin Ruins in Anyang eight times between 1928 and 1934, using modern archaeological methods and excavated oracle bones and documentary records to conduct comprehensive research, and he was the first to discover the phenomenon of the name of "Zhenren" in the oracle bones of the Yin Ruins. His book "Oracle Fracture Study Examples" puts forward 10 criteria for Oracle fracture, and he believes that the 5 period styles of Oracle are:
(1) Majestic: magnificent and magnificent, very energetic. (Oracle bones from 1384-1280 BC)
(2) Carefully decorated: abide by the law, moderate size, and evenly matched. (1280-1240 BC)
(3) Decadence: (1384-1280 BC)
(4) Strong: steep and towering, copper and iron bones. (1226-1210 BC)
(5) Strict rectification: strict rectification, square and straight. (1209-1112 BC)
(Dong Zuobin oracle bone calligraphy)
Dong Zuobin's 5-issue classification of Oracle bones is extremely precious and has the merit of opening the mountain. It can help future generations to learn research. After Dong Shi, there are Hu Houyi's "four phases" said, Chen Mengjia's "three phases" and "nine phases" said, and Li Xueqin and others' "grouping and generation breaking" standards. The study of oracle bone dating is of great significance to the construction of the history of pre-Qin calligraphy, and is also of great significance for grasping the characteristics and style characteristics of the original ecological oracle bone calligraphy of Yin Shang. Dong Zuobin created a large number of oracle bone calligraphy, which is collected by many cultural institutions and celebrities around the world.
Ding Fuzhi (1878--1949), a native of Hangzhou, Zhejiang, was one of the founders of the Xi'leng Printing Society. He is the author of the "Shangbu Anthology of Joint Poems", during the Republic of China period, he spared no effort in the collection of oracle bones and the promotion of oracle bone calligraphy. The oracle bone calligraphy he wrote was characterized by rectangular or square glyphs, straight and delicate strokes, and clear and clear. Therefore, some critics believe that the Ding's oracle bone calligraphy is more than enough with a pen, hurt by winning weakly, and has lost the simple and natural style of oracle bone.
Ye Yusen (1880-1933), a native of Zhenjiang, Jiangsu, was a calligrapher of the Republic of China, who wrote oracle bone monographs such as "Yin Qi Hook Shen", "Talking About Deeds and Studying Contract Techniques", "Compilation and Interpretation of Yin Ruins Before and After the Book Deeds", and "Interpretation of the Examination of The Turtle in Tieyunzang". The oracle bone he wrote, with a brush as a knife pen, the lines are extremely delicate and delicate, quite a rhyme of the words, and Dong Zuobin's oracle bone calligraphy Hongyi rigidity, once wrote and merged a volume of "Tianyi Collection".
Wang Xiang (1876-1965), a native of Tianjin, a paleographer, was one of the earliest appraisers and collectors of the Yin Ruins Oracle bone in China, and his "Yin Qi Class Compilation of the Yin Chamber" was the first collection in the history of oracle bone science, which was published in 1920. In 1925, he published the "Essay on the YinQi of the Chamber", which published the fine works of more than 5,000 oracle bones in his collection. Its oracle bone calligraphy is thick and simple. His Meng Dingsheng YinQi is regarded as the first model in the history of oracle bone calligraphy in the twentieth century.
(Simplified Oracle Bone Calligraphy)
Jian Jinglun (1888-1950), a native of Panyu, Guangdong, was born in Vietnam, lived in Shanghai before the War of Resistance Against Japanese Aggression, and later moved to Hong Kong. Calligraphy was instructed by Kang Youwei, starting from the seal, re-immersed in Qin Zhao, Jin Ti, Wei Stele, etc., and then traced back to the oracle bone, gold text, brick tiles and quicksand pendant Jane, copying the famous traces all over the place. He is the author of "Qinzhai Nongzhi Seal", "Qinzhai Calligraphy and Painting Seal Collection" Second Series, "Oracle Bone Collection Ancient Poetry Association", "Qinzhai Imprint" First Collection, "SengokuZai Seal Knowledge" and other publications. His "Oracle Bone Collection of Ancient Poems" was published, and its influence was widespread during the Republic of China period. The small oracle bone characters he wrote with a pen were steep and steep, in line with the meaning of the knife carving, and were quite successful.
Hu Xiaoshi (1888-1962), a native of Nanjing, Jiangsu Province, was a philologist, writer, historian, calligrapher and artist. In the study of ancient characters, rhymes, exegesis, Qunjing, historical books, Hundred Sons and Hundred Schools, Buddhist classics, Daozang, Jinshi, calligraphy and painting, as well as lexicography, poetry, songwriting, novels, and dramas, everything is known, especially in paleography, calligraphy, Chu Ci, Du poetry, and literary history. He was also an early oracle bone writer. In 1924, he wrote "Oracle Bone Examples", which pioneered the study of Oracle grammar. In 1930, another book, The Oracle, came out. The "Oracle Bone Golden Scroll Long Scroll" he wrote has a very ordinary significance, and he wrote oracle bone and gold script in a stele style, which produced a stronger pen and ink charm of the oracle bone script, which was recognized by the calligraphy community.
Rong Geng (1894-1983), a native of Dongguan, Guangdong, was a professor at Yenching University, the editor-in-chief of Yenching Journal, and later lingnan university and Sun Yat-sen University in Guangzhou. He has long been engaged in the study of gold and oracle bones. His major dissertations include "The Discovery of Oracle and Its Interpretation", "Catalogue of Oracle Books", "Introduction to Oracle Bone Science", and "Yin QibuCi". His oracle bone calligraphy is neat and elegant, and ancient.
Chen Bangfu (1892-1977), a disciple of Jiangsu Sultan, was an oracle bone expert. His monographs on oracle bones include "Yin Qi Trivia", "Yin Qi Discernment", "Yin Xi Li Qi Kao", "Yin Qi Shu Cun" and so on. His oracle bone calligraphy has a strong knife flavor, straight lines, and less ink interest.
Tang Lan (1901-1979), a native of Jiaxing, Zhejiang, was a famous philologist, historian and bronze expert. He has been engaged in teaching and academic research throughout his life, and has written a lot of papers, and has made great contributions to many fields such as ancient philology, phonology, exegesis, and ancient historiography such as gold and oracle bones, and is rigorous in his studies and has made great contributions to the fields he has. Important works in the field of oracle bones include "Hagi Bai Tu Kao", "On the Tail Right Jia Bu Ci", "Literature of the Bu Ci Era and Bu Ci Literature", "Yin Xuan Character Record", "Yin Virtual Character Second Record", "Tianlang Pavilion Oracle Bone Cun", "Introduction to Paleography" and so on. In 1945, he held a solo calligraphy exhibition in Kunming, with exhibits ranging from oracle bones to seals. His calligraphy is full of vigor, and his profound knowledge is integrated into the calligraphy, which is unattainable by ordinary calligraphers.
(Shang Chengzuo Oracle Bone Calligraphy)
Shang Chengzuo (1902-1991), a native of Panyu, Guangdong, was a paleographer, archaeologist, golden stone seal engraver, and calligrapher. Born in the family of Scholars, he studied oracle bone script from Luo Zhenyu in his early years. He was a professor at Sun Yat-sen University. At the age of 23, he published the Oracle Bone Dictionary "Yin Virtual Script Compilation", after which he not only studied and interpreted the existing materials of the Oracle, but also actively sorted out and interpreted the new materials of the Oracle. He has successively published papers such as "Examination of Yin Ruins Characters", "Research on the Use Points of Yin Ruins Characters", "Questioning of Standing Characters", "Shi Wu", "Shi Shen", "Yin Shang Wu Four Sayings", "Yin Ruins Characters", "Oracle Bone Script Research", "Oracle Bone and Zhong Ding Character Studies", and edited and published "Fu's Hidden Oracle Bone Script" and "Yin Qi's Existence". Written in 1933, yin qi an archive of six oracle bones and three expanded editions, a total of 1,000 pieces, and interpreted them, making it an indispensable book for the study of oracle bones. This book not only preserves a large number of precious historical materials, but also expounds on the interpretation of the exposition, which can be described as a masterpiece of the study of oracle bones. He is also the author of 15 monographs, including "Compilation of Stone Carved Seal Texts", "Ancient Texts in The Sayings", "Outline of the Warring States Chu Shu Shu", "Ejun Qijie Examination", and "Compilation of Warring States Chu Jian". In addition to his studies, his calligraphy and seal engraving are also well-known at home and abroad, including the "Shang Chengzuo Seal Album" and the "Shang Chengzuo Qin Li Album". It includes his oracle bone, jinwen, small seal, and Qin Li calligraphy. Contemporary scholar Ma Guoquan believes that Shang Chengzuo's oracle bone calligraphy is beautiful and simple, and Jin Wenhun mu is condensed, and he has done his best to achieve the true transmission of Luo Shi.
The oracle bone scribes of the early twentieth century were also accomplished oracle bone experts, and they were also generalists and generalists in multiple humanities. In terms of calligraphy, most of them are both comprehensive and comprehensive, and they are particularly good at seal writing. In an extremely harsh environment, they shouldered the historical responsibility of the modern transformation of oracle bone calligraphy, and made indelible contributions to the entry of oracle bone calligraphy into the modern calligraphy pattern. In the mid-twentieth century, due to frequent political movements, the study of oracle bone science and oracle bone calligraphy was not paid attention to, especially during the "Cultural Revolution" when a large number of cultural experts were ruthlessly persecuted, and the oracle bone calligraphy continued with difficulty in political life and was unusually deserted. In the late twentieth century, reform and opening up led to "a hundred flowers blooming", and the loose cultural policy made the oracle bone calligraphy enter a period of prosperity again. However, due to the needs of social development, the discipline differentiation is becoming more and more detailed, the training of specialized talents has become the main goal of education, oracle bone science and oracle bone calligraphy have gained independence in disciplines, it seems that the oracle bone science is more academic, the oracle bone calligraphy is more artistic, and the oracle bone writers and oracle bone clericals are gradually separated.
In order for modern oracle bone calligraphy to flourish again, many scholars and scholars have played an active role in the practice of oracle bone calligraphy. Such as You Shou, Sha Man weng, Pan Zhonglan, Situ Yue, Xu Wuwen, Qin Shiwei, Liu Jiang, Yang Zhongzi, Wang Youyi, Yang Luan and others.
You Shou (1909-1994), a native of Xiapu, Fujian Province, was a professor at Harbin Normal University. When she was a graduate student at Jinling University, she studied under Hu Xiaoshixiu Primary School, poetry and calligraphy, and once personally sketched the "Oracle Bone Front and Back Compilation", which integrated gold stone qi and book volume qi, and her oracle bone calligraphy was rigid and soft, bathing and moist, deep and simple, natural, high style, and did not let eyebrows be raised.
Sha Man Weng (1916-2011), Manchu, a native of Zhenjiang, Jiangsu Province, is a calligrapher with all four bodies, especially in the world of books. His oracle bone calligraphy won the first prize in the 1979 National Mass Calligraphy Competition. The pen is like a knife carving diligently, and the ink is firm and freehand in the changes, which has a deep oracle bone charm.
Pan Zhonglan (1909-2001), a native of Fuzhou, Fujian Province, has been teaching at universities for a long time and has devoted his life to the study of Oracle script and its application to practice. He has created a large number of oracle bone calligraphy works, solved the problem of using words in the creation of oracle bone calligraphy, and broadened the way of oracle bone calligraphy creation. His academic works include "Selected Prints of Pan Zhonglan", "Prints and Calligraphy of Pan Zhonglan Poems", "Records of Modern Indians", "Spring and Autumn of Minzhong Painters", "On the Art of Engraving and Printing" and so on.
(PanJuran Oracle Bone Calligraphy)
Xu Wuwen (1931-1993), a native of Chengdu, Sichuan. Famous contemporary scholars, calligraphers, seal engravers, and professors. He is an expert in the fields of philology, oracle bone science, epigraphy, calligraphy and seal engraving, poetry, painting and other fields. He is a representative figure of Bashu calligraphy and seal engraving in the twentieth century, which has greatly promoted Bashu culture and represents the typical image of scholar-type calligraphers. His editor-in-chief of the Jiajin Seal Li Da Zidian and the Selected Oracle Bone Calligraphy of Yin Ruins, co-edited with Huang Renchong, contributed to the popularization and improvement of contemporary oracle bone calligraphy. He creatively wrote oracle bones with small seal pens, thin and straight, quaint and simple without losing the true color of oracle bones.
(Xu Wuwen Oracle Bone Calligraphy)
Chen Heng'an (1909-1986), a native of Guiyang, Guizhou, was the deputy director of the Guizhou Provincial Museum of Literature and History. Rigorous in his studies, Tunguska philology. He has studied oracle bones, golden scripts, bamboo tablets, and shushu scripts. The calligraphy is salty, especially the great seal and the book, the oracle bone calligraphy is exquisite, the knot is exquisite, the simplicity is thick and deep, and the elegance is appreciated. There are "Linshu Shu Shicun", "Spring Tea Words", "Yin Qi Calligraphy Narration", "Chen Heng'an Calligraphy Selection". Wait for the rest of the world.
(Chen Heng'an Oracle Bone Calligraphy)
Qin Shiwei (1922-1999), a native of Huai'an, Jiangsu Province. He is a retired cadre of Nanjing Vegetable Company and an honorary librarian of Jiangsu Provincial Museum of Culture and History. From the early 1960s to try to print with oracle bone, lifelong commitment to the study and creation of oracle bone calligraphy seal engraving, created a cursive writing style of oracle bone, its oracle bone calligraphy posture is longitudinal and open, the gesture is gentle and smooth, the lines are flexible and free, which can not only show the knife interest of oracle bone inscription, but also produce a strange posture in the pen, rigid and soft, and the artistic effect of arrogance and exuberance. His calligraphy works are collected by the Central Museum of Culture and History, the Liaoning Museum, and the Former Residence of Premier Zhou of Huai'an.
At the beginning of this century, with the prosperity of the economy, people's demand for art appreciation has increased, the speed of information dissemination has accelerated, and the expansion of oracle bone calligraphy in a larger scope and level has also seen the following changes in the field of oracle bone calligraphy: First, reference books such as "Oracle Bone Collection" and "Oracle Bone Dictionary" have been published successively, providing a foundation for the popularization of oracle bone culture. Second, people's artistic concepts have been greatly liberated, and they have promoted their individuality, pursued innovation, and become fashionable. Oracle calligraphy has been expanded to varying degrees in terms of penmanship, ink and spatial composition, and the artistic value of oracle bone calligraphy has been recognized by people, and it has also stimulated people's demand for oracle culture. Third, oracle bone calligraphy has established its own position in national exhibitions and media publicity, conforming to the trend of popularization of contemporary art, and the number of oracle bone calligraphy civil groups is increasing, providing realistic soil for the sustainable development of oracle bone calligraphy.
After the oracle bones were unearthed in Anyang, Henan, the "four halls" of oracle bone research and creation were first achieved: Luo Zhenyu (Xuetang), Wang Guowei (Guantang), Guo Moruo (Dingtang), and Dong Zuobin (Yantang). Since then, oracle bone calligraphy has blossomed in many parts of the country. After the founding of New China, Anyang was the archaeological site of Yin Ruins, and in the Anyang area and even the whole of Henan Province, a large number of calligraphers of oracle bone calligraphy and calligraphy emerged, among which the outstanding ones were Zhu Hanyu, Liu Shun, Liu Jixian, Jin Xinguo and others.
Zhu Hanyu, born in 1944 in Luquan City, Hebei Province, graduated from Nankai University in the 1960s. He served as the vice mayor of Anyang City, Henan Province. Professor, oracle bone writer, calligrapher. Since childhood, he has loved calligraphy. Because of his working relationship, he has heard and heard a large number of oracle bone pieces, gold texts, as well as oracle bone scholars' writings and oracle bone calligraphy treasures, and is deeply influenced by the Yin Shang culture. He has certain achievements in lishu and seal calligraphy, especially good at writing oracle bones and stone drum texts. His major works include long scrolls, banners, horizontal batches, bucket squares, fans, albums, and oracle bone seal engravings. Its oracle bone calligraphy, with the pen instead of the knife, with the "knife and pen flavor" as the keynote, with the rich expression of the brush soft and its brushwork as the dominant, showing the oracle bone's strong, sharp, staggered, simple, natural and natural effect, forming a personal style. In particular, the long scrolls and albums of oracle buddhist scriptures written in letters and seals are deeply loved by collectors at home and abroad.
(Liu Shun oracle bone calligraphy)
Liu Shun (1950-1998), a native of Anyang, Henan, served as the deputy director of the Anyang Museum and the vice president of the Anyang Oracle Bone Literature Society. Because it grew in Anyang, the hometown of oracle bones, he saw a lot of oracle bones, and after years of practice, he was able to get the oracle bones in the three ambiguities. His oracle bone calligraphy is ethereal and simple, flowing and flying, and has a unique style. Most of his writings are self-written poems. His characteristics are that he weakens the sharp and dangerous characteristics of the oracle bone, and adds his original elegant and decorative charm. Before his death, he participated in many major calligraphy exhibitions at home and abroad. His works are collected by Zhongnanhai, Shaanxi Provincial Museum, Qinghai Provincial Museum, Xi'an Forest of Steles Museum, Henan Provincial Research Museum, Shenzhen Museum and many other museums and art galleries. The stone is carved in the Taibai Stele Forest, the Yellow River Stele Forest, the Hanyuan Stele Forest, the Shenmo Stele Forest and many other stele forests. In 2000, "Liu Shun Calligraphy and Seal Engraving Collection" was published by Henan Fine Arts Publishing House as one of the "100 Collections of Mohai Lane Chao". Dong Yujing, a Taiwanese oracle bone writer and son of Dong Zuobin, believes that oracle bone calligraphy is roughly divided into three artistic styles: First, the classical style of calligraphy with Luo Zhenyu and Shang Chengzuo as representative figures. The characteristic is that with a relatively deep foundation of seal books and Zhong Ding script, the oracle bone is written in the shape of a seal book. Second, the original style of calligraphy with Dong Zuobin and Yan Yiping as representative figures. It has the characteristic of directly imitating the beauty of Chinese painting lines, and writes hieroglyphs as beautiful as paintings. Third, the innovative style of calligraphy with Liu Shun as the representative figure. The penmanship characteristics of the writing are integrated into the oracle bone calligraphy, showing the characteristics of flexibility and changeability and free atmosphere.
(Liu Jixian oracle bone calligraphy)
Liu Jixian, born in August 1942, is a native of Caowa Village, Fuji Town. Former Deputy Secretary-General of Anyang Municipal Government, Vice President of Anyang University for the Aged, Honorary President of Yin Qiyin Society. He is currently the vice president and secretary general of the Chinese Oracle Calligraphy Art Research Association. Over the years, he has a unique style in the study of oracle bone calligraphy, and his works have participated in many international and domestic exhibitions, and many calligraphy enthusiasts and collectors at home and abroad have collected his works.
(Jin Xinguo Oracle Bone Calligraphy)
Xiao Yan (Jin Xinguo), born in 1969 in Anyang, Henan, has been fascinated by Oracle since junior high school. For more than thirty years, he has studied a large number of Oracle bone monographs, immersed in the study of Oracle bone techniques, his Oracle bone calligraphy, the body is changeable, simple and clumsy, clumsy and clever, unique, simple and elegant, exquisite, ancient and modern, unique and innovative. He published the "Xiaoyan Oracle Bone Calligraphy Collection", and his works have been collected by many domestic enterprises and institutions and groups and individuals in Japan, South Korea, Taiwan and Hong Kong. He is currently the executive director of the Beijing Institute of Mindfulness and Righteous Chinese Studies and Culture, a member of the Religious and Cultural Committee of the Chinese Traditional Culture Promotion Association of the Ministry of Culture, a director of the China Oracle Bone Calligraphy art research association, the deputy secretary-general of the Beijing Writing Society, the editor-in-chief of the Chinese Culture and Education Network, and the editor-in-chief of the 315 Journalist Photographer Network.
With the transformation of historical context, in the context of modern culture, people can look at oracle bones from the perspective of art form. Oracle's artistic identity has received unprecedented aesthetic attention, and its artistic value has gradually been stripped from the original mixed form. The loss of its application value in religious occasions makes its artistic value prominent. Because of this, it directly entered the field of modern calligraphy, it has pure artistic value, gained new life and vitality, and is favored, obsessed with and chased by the vast number of chinese and foreign calligraphers and calligraphy enthusiasts, resulting in a wave of enthusiasm.
Taking the international Yin Xu Pen Conference held in Anyang, Henan Province in 1984 as the precursor, the International Exhibition of Oracle Bone Calligraphy and Engraving Works (Anyang in 1994), the First Sino-Japanese Oracle Bone Calligraphy Exhibition (Nanjing in 1997), the First Cross-Strait Oracle Bone Calligraphy Joint Exhibition (Nanjing and Taiwan in 1998), and the Oracle Bone Calligraphy Exhibition at Home and Abroad (Nanjing, Beijing) have been launched one after another, and the oracle bone calligraphy has made great progress in the twentieth century.
Oracle is known as one of the "Four New Discoveries" in China's modern academic history. In 2013, Oracle entered the National List of Precious Ancient Books for the first time. In 2017, UNESCO announced that Oracle was successfully inscribed on the Memory of the World Register, marking the establishment of Oracle's important international status and becoming a symbol of cultural self-confidence in our country.
In this century, the comprehensive protection, collation, research and bibliography of oracle bone materials have entered a new stage, carrying out the inventory of oracle bone collections at home and abroad, building an electronic digital oracle bone glyph library, and the 2016 National Social Science Fund major commissioned project "Big Data, Oracle Bone Script Interpretation Research under the auspices of the cloud platform" was approved... For more than 10 years, with the development of one large project after another, Yin Xu Oracle has entered a new period of comprehensive collation and research. Nowadays, we conduct in-depth discussion and systematic summary of the change law and development trend of oracle bone calligraphy from the perspective of the history of calligraphy, which will promote the entry of oracle bone calligraphy into a continuous generation and evolution of the art field, and achieve greater development.
Ganquan Book House i30tsw 24 originals
concern
Guo Qian is the author of books such as "History of the Interaction of the Ten Poets of the Sheng Tang Dynasty" and "Overview of Hundred Body Calligraphy". He is good at literati painting and hundred-body calligraphy, and the Museum of Modern Literature and the Qingzhou Museum hold his public welfare donations and solo exhibitions of calligraphy and paintings. It has been continuously publicized and reported by more than 500 media such as CCTV.