【Opinion Article】: "Goddess" Wang Shengsheng's Wei Monument: Strong with a Sense of Delicacy"
Judging from the impression of many people, calligraphers who are good at Wei monuments are generally men. But in fact, this is not absolute. For example, An Wenli, chairman of the Shaanxi Provincial Calligraphers Association, is an atypical example. In addition to her, there is also a "goddess" Wang Shengsheng, who is known for her strong Wei tablet calligraphy. However, her work not only has a strong style, but also incorporates a sense of delicacy.
As a member of the Chinese Calligraphers Association, a member of the Xiling Seal Society, a member of the Chinese Artists Society and a member of the Zhejiang Calligraphers Association, Wang Shengsheng has attracted attention for his exquisite calligraphy skills. She has won many national exhibition awards, such as the 3rd National Album Exhibition, the 6th National Women's Calligraphy and Seal Carving Exhibition, and the 1st National Youth Calligraphy Elite Exhibition. Whether in terms of strength or achievements, Wang Shengsheng is a powerful calligrapher worthy of recognition.
Wang Shengsheng's study and calligraphy are also inseparable from his family background. As a descendant of a scholarly family, she has more opportunities and resources in calligraphy than anyone else. This kind of situation of being close to the water and getting the moon first is also reflected in her. Due to his professional background, Wang Shengsheng's calligraphy cultivation is more professional and full of literati atmosphere. In particular, her Wei monument works have the charm of "Zhang Menglong Monument". On the basis of understanding, she absorbed the essence of many sages and formed her own unique style and characteristics, showing Pu Mao's strong and grand artistic atmosphere.
From her Wei tablet regular script works, we can see that she is particular about using her pen. She took the North Monument as the main tone, and skillfully incorporated the brushstrokes of "Zhang Heinu Monument" and "Zheng Wengong Monument". Her handwriting exudes a sense of grace, majesty and subtlety. In the arrangement of the dots, she is very compact, there is hardly a trace of omission, and the connection between the dots is close and subtle. In particular, the correspondence between the upper and lower brushstrokes is handled very skillfully, showing that she has put a lot of effort into the art of dot painting. On the whole, the glyph is very square, and it always exudes a positive atmosphere. It is precisely because of such efforts and strength that she has won many awards at national exhibitions.
Seeing such an excellent Wei monument work, many people may be surprised that such handwriting is actually from the hand of a "goddess". In this regard, you may wish to share your views and insights. What are your thoughts on the performance of female calligraphers? Do you have similar views or experiences? We look forward to sharing the discussion with you.
