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60-year-old aunt back to work? Internal entertainment finally someone filmed!

author:The old king who loves to talk about gossip

"My Assistant is Not Simple": Redefining the rules of the workplace Have you ever wondered what it would be like for a sixty-year-old aunt to return to the workplace? In the TV series "My Assistant Is Not Simple", this question finally has a completely new answer. This drama not only breaks the routine of traditional mother-in-law and daughter-in-law dramas, but also shows the struggle stories of women of different ages in the workplace in a new way. Let's take a look and feel for the first 5 episodes of the show. First, let's focus on the unusual setting of sixty-year-old Aunt Wu's return to work.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

Aunt Wu, played by Deng Jie, returned to the workplace at the age of sixty, which seems absurd at first glance. However, if we think about it from another angle, what if there is really an old aunt who wants to find a new job? Thinking about it this way, Aunt Wu's behavior no longer looks ridiculous. On the contrary, it is a new way of life that makes sense. Aunt Wu and her "old bastard" (as her own sister calls it) are in a cooling-off period for divorce. She moved back to Suzhou from Sichuan, reluctant to live with her nephew, choosing to rent a small yard nearby.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

Although she can't drive, she bought a bright red car. She bought the car because for decades, everything has been arranged by her husband, and now she has finally made up her mind to say, "I don't want to serve people anymore." She began to look for a job seriously and became an assistant to young girls. Although Aunt Wu's behavior may seem strange, the logic, emotional fulcrum, and value needs behind it are all reasonable. Second, let's talk about the pair of supportive assistants and heroines.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

Aunt Wu is already sixty years old and has no high education, beautiful resume or professional skills, so she naturally encounters obstacles everywhere when looking for a job. And the heroine's company is willing to recruit Aunt Wu, but not for charitable purposes, but hopes to use her as a publicity gimmick. Such an arrangement may seem unexpected, but it is actually designed to meet their needs at the same time. The heroine in the play is not a professional master, she is a withdrawn and straightforward girl who lacks social skills.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

However, she gave Aunt Wu comprehensive support and help in her work, helped her adapt to the new working environment, and also gained a lot of valuable life wisdom from Aunt Wu's experience. This mutually supportive relationship makes two women of different ages form a special tacit understanding and dependence in the workplace. By watching "My Assistant Is Not Simple", we can see that this play brings a new perspective and way of thinking to the audience.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

It not only tells us that age is not a factor that limits women's development in the workplace, but also calls on society to pay more attention and support to women of different ages. Finally, let's end the article with a question: how do you think the story of Aunt Wu and the heroine will develop? How do you think women in the workplace should balance work and family? Welcome to leave a message to share your views! This drama tells the story of two women in the workplace. Jiang Tian is a young woman with strong business skills who was assigned to the branch because she told the owner about the supplier kickback.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

Aunt Wu is a 60-year-old elderly person who has zero foundation in design and has re-entered the workplace. Together, these two very different women have some unexpected complementarities. The details such as the generation gap, contradictions and ways of getting along between the two generations presented in the play have universal commonalities, reminding us to pay attention to the elders who have been abandoned by the rapid iteration steps. In the play, details such as the huge font that is particularly eye-catching on Aunt Wu's mobile phone, the need for her to learn routine operations in front of the tutorial little by little, and getting up early in the morning to make breakfast are all very common.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

The moving thing about this drama is not the truth or falsehood of the sixty-year-old aunt's return to the workplace, but a reminder that we need to pay attention to the elders who have been abandoned by the rapid iteration steps. They may not all want to change the status quo, they may not all have to go back to the workplace to fight, they may not all experience marriage changes, and they are not far away, but they are all facing the rolling wheels of Dingge acceleration, and they are just as easy to be left in silent corners. In the workplace, Jiang Tian's business ability is very strong, but his personality is a little lonely, and he likes to be more real and direct.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

Unlike her, although Aunt Wu does not know design, she has rich social experience and experience. At the dinner, Jiang Tian would directly stiffen the suggestions that were made by all his tongues, while Aunt Wu was able to deal with these half-hung customers and friends well with the wisdom of the old jianghu. The two women's very different personalities and experiences, but together there is unexpected complementarity, perhaps in a sense to redeem each other and support each other.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

In addition, this drama also involves the interests of the company, although it does not really expand on how the company uses Jiang Tian for publicity in the first five episodes, but logically avoids the audience's suspicions, which is a more reasonable way to deal with it. In this workplace, although Jiang Tian's business ability is extremely strong, her personality and direct expression may make her lose points in interpersonal relationships. This also reminds us that we need to pay attention to our words and deeds in the workplace, and not lose the trust and support of others because of momentary excitement.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

In general, this drama starts from the different life experiences and personalities of the two women, tells a series of stories in the workplace, and triggers the audience to think about the workplace and the relationship between the two generations. Finally, we also need to seriously think about how to pay attention to the elders who have been left behind in a rapidly iterative society, how to do proper words and deeds in the workplace, and win the trust and support of others. Jiang Tian and Aunt Wu are the two main characters in the TV series "All Very Good", they have experienced various setbacks and difficulties in the workplace, but finally succeeded in counterattacking.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

In this story, we see the differences in age, background and personality, as well as the routine routines and relationships in the workplace, but also warmth and friendship. Below, let's re-sort the logical structure of this story. At the beginning, we introduced the workplace background and problems of Jiang Tian and Aunt Wu. Aunt Wu is old and has no professional skills, while Jiang Tian is ostracized because of personality problems, and they are both marginalized in the company. This sets the stage for the story that follows.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

Next, we mentioned the contrast between Aunt Wu and Aunt Wu, pointing out the shortcomings of Aunt Wu, while Aunt Wu learned the practices of some young people with the help of Jiang Tian, proving that she also has the potential to learn and improve. This section emphasizes the differences and possible changes of the characters in the story. Then, we talked about the attitude of young people in the company towards Aunt Wu, which involved some routine routines and interpersonal relationships in the workplace, and revealed some of the dilemmas of the elderly in the workplace.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

However, Jiang Tian and Aunt Wu were not defeated, they formed a weird squad and began the road of workplace counterattack, which emphasized the progress and efforts of the characters. Finally, we told the story of Jiang Tian and Aunt Wu's successful counterattack, they won the competition and successfully won the project. This section highlights the power of camaraderie and cooperation, as well as the importance of effort and courage. At the end, we summarize the main points of the whole story and ask a question that guides the reader to think and comment.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

The question can be: Have you also encountered problems with age or background in the workplace? How did you solve it? Or other related issues. By reorganizing the logical structure of the story, we can understand the themes and characters more clearly, and at the same time explain the plot and details of the story more vividly. The quality of a TV series often lies in the design of the plot and the performance of the actors. The recent hit "Dear, Love" is not unsuccessful in ratings, however, from the perspective of plot construction and character shaping, there are also some flaws that we need to think about.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

First of all, regarding the twists and downs of the plot, the heroine knocks over the milk and breaks the computer at a critical moment, the male protagonist helps repair the computer, and delivers the file to the heroine at the last minute to help her turn over against the wind. However, the traces of intention set artificially by obstacles in the early stage are too heavy, the "difficult setting method" used is too conventional, and the routine of "reverse and counterattack" in the later stage is also suspected of being light and vulgar. But it is undeniable that the story of the old aunt and the thorn head fighting seriously, the tone is still warm. Secondly, there are shortcomings in the play, and the play relies too much on coincidental stacking.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

It is not so much a lack of competence as a laziness of inertia. For example, Jiang Tian accidentally scraped Aunt Wu's car, and at the same time wondered Aunt Wu "Why did you move into my house". In such a situation, it is normal for the two to have an argument, and the focus is on how to argue. But this quarrel seems too accidental, and the play here takes both characters to extremes, typical of "sacrificing texture to create more intense dramatic conflict".

60-year-old aunt back to work? Internal entertainment finally someone filmed!

For example, Jiang Tian's reluctance to rent a house is relatively consistent with her personality characteristics in all her subsequent actions, but after she refunded the rent, deposit, and damage fees according to the contract, and proposed that "you can live here temporarily until you find a new house, I will not collect rent", Aunt Wu insisted on not moving, and the prickly texture was very different from her regular base color. Jiang Tian is a lonely personality, although Aunt Wu has a particularly hard breath in her bones, she is not so prickly in her dealings.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

The two of them transfer a treasure, spin around, and focus on a consumption, and people feel that they lose the coherence of their personality traits in order to create "conflict + light comedy color". The character relationship path, the main one is a clever and more clever, the more "clever", in fact, the more far-fetched the cornerstone. Not only is this at the level of character relationship setting, but also the way to encounter obstacles and solve problems in the story advancement mode in the play also has the drawbacks of being very mechanical and routine. In general, "Dear, Love" is still very successful in showing humanity and warmth.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

However, the design of the plot is somewhat clichéd, and the shaping of the characters is a bit far-fetched. In the creation of future TV series, it is hoped that the producer can pay more attention to details, create a more realistic character image, and let the audience be more involved in the world of the character. "My Assistant is Not Simple": Warm and cute, elderly women are not simple, the recent hit drama "My Assistant is Not Simple" resonates with the audience in a warm and cute way. The characters in the play are uneven in execution, but they can show unique warmth in the perspective mode of the play.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

In particular, the play focuses on older women who are particularly easily overlooked. They are not simple, they all deserve more attention and love. The male protagonist of the play, Xiao Zhou, is played by Bai Jingting, although there are not many scenes, but the role performance is pleasant. He runs a "for everyone to decompress" shop, and is ridiculed by acquaintances every day: if there is not a single customer, why hasn't it closed down? Although at the moment he seems to be under no financial pressure. Xiao Zhou has a good temper, and the mode of getting along with the female protagonist is interesting, and he has kept the old love at the mouth of the alley for many years, and he is more like the male protagonist of an idol drama than the male protagonist of an idol drama.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

The action when going online is to test the "new device", which is glued to the wall and can't come up, and the main one is embarrassing and cute. was mistaken by the heroine for a girlfriend's regular dish of cards, and here he helped the boy Jiyou sort out his wig, bumping into a hug. This boy is wearing a loli skirt and his back is quite difficult to say, which is really a little miserable and funny. Sitting at the door of the store at night, waiting for the heroine to thank her, coquettishly saying "it's too tired to repair the computer all night", and was pushed back by the other party's "too tired of drawing all night", I don't know for a while whether to continue to be proud and angry or to be considerate, a little cute.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

The way to cheer up my aunt is to wear pajamas early in the morning, sleepy-eyed and expressionless and dance with cute and loving cheers. These warm and lovely details provide emotional value. The heroine Xiaofeng in the play is played by Zhang Tianai, she is an excellent assistant with excellent work ability. However, her family life is very troublesome. Her mother moved her family to Xiaofeng's city, but the family did not get along harmoniously. Xiaofeng's parents often lost their temper with her, which made her very tired. In addition, Xiaofeng has to deal with the power struggle within the company, which is full of challenges.

60-year-old aunt back to work? Internal entertainment finally someone filmed!

However, she is admirable for her ability to cope with the difficulties in life with an optimistic and positive attitude. Xiaofeng's mother Wang Qiuqin is played by Zhao Yingmin. She is a typical elderly woman who likes to shop in the neighborhood and communicate with her neighbors. She took a fancy to Po, a security guard in the community, but Po did not like her, which made Wang Qiuqin very anxious. However, she is not a simple character, she has her own story and emotions. She used to be a singer, but because of her family, she gave up her musical dreams. After her husband's death, she fell into a heavy psychological dilemma.

In the play, through communication and exchange with Xiaofeng, she gradually released the depression in her heart and rediscovered her musical dreams. The story of this elderly woman is deeply touching. In addition to the above characters, there are many details worth mentioning in the play. For example, the various challenges and difficulties Xiaofeng encountered in the company show the real problems faced by women in the workplace. For example, the long-distance relationship between Xiao Zhou and Xiao Feng makes people feel that reality and warmth coexist. These all give the play a deeper meaning and value.

As a TV series with a workplace as the background, "My Assistant is Not Simple" does not emphasize too much on utilitarianism and success, but pays more attention to showing the warmth and preciousness of human nature. In this era of materialism, we need more such works to let us see the beauty and warmth of human nature. At the same time, the attention and care for elderly women in the play is also very commendable. They are not simple, they all deserve more attention and love.

Finally, we can't help but ponder the question: in this fast-paced, utilitarian society, can we still maintain our attention and care for human nature?

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