In recent years, more and more TV series have no bottom line in refreshing the audience's three views.
Some directors put anti-war works on the market, but replaced them with creativity, presenting the audience with unbearable scenes. The silly white sweet plot, thunderous dialogue, and setting that does not conform to historical reality make the audience feel a little "spicy eyes".
In order to pursue the effect, the screenwriters deliberately designed a series of classic lines, but these lines made the audience want to wash their ears. For example, "The War of Resistance is coming to an end in another year, and everyone insists on persevering."
This kind of line that does not conform to historical facts made the audience exclaim.
What's more, in order to attract attention, the directors did not hesitate to add some "fragrant" pictures to the play, which brought severe torture to the audience's eyes.
Let's take a look at a few examples from these shocking images. The first is a group of beautiful women in military uniforms, their eyes firmly holding guns, as if they are going to battle.
It looks like a portrait on the outside, but in fact, these pictures appeared in the TV series "Battle of the Nu River". In order to promote the play, the director created a group of beautiful warriors in the play, which sold them with laughter and laughter.
However, in the scene of ambushing the devil in the forest, the heroine has not felt tired for more than a month, and her makeup and hairstyle are still intact.
The actor even has trendy curly hair and tattoos all over his body, which makes people feel a little weird.
And the three supporting actresses are not to be outdone, changing into tights to show their charming figures, making it difficult to distinguish between the male and female protagonists. What does such a body show have to do with the real anti-war drama? Another striking example is the image of female soldiers wearing miniskirts and boots.
These female soldiers are all officers, one by one, wearing sexy split military uniforms, standing on the side to attract the attention of many soldiers. There is also a female soldier wearing a suit and seductive black silk on her legs, which also aroused questions from the audience.
This outfit is incompatible with the environment of the Anti-Japanese War period, making people wonder what this has to do with the plot.
The footage then shifts to a beautiful sniper, who is crawling on the ground, ready for shooting.
Suddenly, she moved, frightening the audience into thinking she had discovered the enemy. However, she just felt that the lipstick was a little light, and hurriedly applied it while the battle had not yet begun.
Such a plot feels strange. In addition, the directors' lines in the play also caused the audience to be speechless.
One warrior held the white bun with a look of disgust on his face, and the other fighters ate hard with relish. He couldn't help but complain: "The cake is so hard, how can I eat it."
Such dialogue seems to be incompatible with the image of a soldier of that period.
Another chief held black coffee to taste, but disliked the sugar put too much, and the European-style seats and the heroine's high-heeled skirt in the plot did not conform to the actual situation during the Anti-Japanese War.
These details, which do not correspond to historical truth, confuse the audience. Of course, there are more outrageous plots.
The heroine knocks down the ghost with a punch in the play, the female soldier can fly, the pedicure master gasifies the leg of the ghost Dazo, and the heroine suddenly stands on the balcony wrapped in a bath towel, all of which make people doubt the directors' understanding of history and contempt for the audience's intelligence. The essence of the anti-Japanese war drama is to transmit positive energy to the audience and educate people about patriotism, but it has become a funny entertainment tool.