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The "rotten film concentration camp" of the disciples of the Zhao family——— is unbearable

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When it comes to Uncle Motoyama's outstanding achievements in the field of sketches, it is actually a fact that everyone sees. His works, especially his early sketches such as "White Clouds and Black Earth, Red Sorghum", not only have a sense of humor, but also have a deep meaning. In terms of TV series, he is also not inferior to other actors, such as "Country Love", "Ma Dashuai" and "Liu Laogen", all of which are quite well portrayed. To a certain extent, these works lead the trend of rural themes, bringing laughter and thinking to the audience.

However, when it comes to film works, Uncle Benshan's performance is difficult to satisfy. In the past ten years, almost all the movies he has participated in can be classified as bad films. In particular, his works with apprentices, such as "Laughing Rivers and Lakes", even if they are relatively good, it is difficult to avoid the problem of low quality. In contrast, the apprentices of his Zhao family class perfectly inherited his true tradition. However, it is undeniable that their performance in film creation is also not ideal. This situation has led many people to want to get involved in the field of film, but most of the works created are also of poor quality, full of strange and vulgar elements, which are unsatisfactory.

The "rotten film concentration camp" of the disciples of the Zhao family——— is unbearable

Next, let's analyze in detail some of the filmography of recent years to better understand this phenomenon.

01 Poplar Grove / Treasure Hunt / 3.9 points

Yang Shulin's film debut "Treasure on the Road" reveals a trace of cottage in the title, as if touching porcelain "Treasure Hunting" and "Ghost Blowing Lamp". The storyline is also fairly simple, telling the adventures of the Great Poplar Grove involved in the sake of a treasure in a cauldron. The story is set in the same way as his master's work, but with some treasures and quacks. Although the film is full of comedy scenes, it seems to lack depth and connotation.

02 Wen Song/Crouching Mouse Hidden Worm/3.2 points

The "rotten film concentration camp" of the disciples of the Zhao family——— is unbearable

As an actor, Wen Song actually tried to direct and star in the movie "Crouching Mouse, Hidden Worm", which seems quite sudden in his acting career. However, the relationship between the title and the content does not seem obvious, and the overall story framework seems a bit copycat. This kind of copycat phenomenon is not uncommon in Chinese movies, but it is difficult to resonate with the audience. The quality of the film also suffered some negative reviews, showing a sense of confusion in the plot and characters.

03 Liu Xiaoguang / Hello, old uncle / no rating

There doesn't seem to be much connection between the title and content of the movie "Hello, Uncle", more like a copycat of the concept of other movies. The film tells the story of long-lost twin brothers reunited in a corporate snatch war, but the storyline seems a bit confusing and difficult to resonate with the audience. In addition, some plots in the movie are also a bit dragging on, making it difficult to make people happy.

The "rotten film concentration camp" of the disciples of the Zhao family——— is unbearable

04 Song Xiaofeng / I am not a god of wine / 4.4 points

Although the movie "I Am Not Bacchus" is slightly higher in rating, the title also seems to be a bit nondescript. The film tells the story between the Northeast Wine God and the South China Wine King, but the plot seems to be somewhat mediocre and difficult to arouse the audience's interest. Although the film has certain comedy elements, the overall quality still seems to have room for improvement.

05 Cheng Ye / The Strongest Second Disciple's Pig Affair / No Rating

The title of the movie "The Strongest Second Disciple's Pig Affair" reveals a sense of funny and does not seem to meet the quality standards of the film. The film doesn't seem to have a clear story framework, more like a series of plots pieced together, struggling to form a coherent whole. Although some plots may have some humorous elements, the overall quality still seems to have room for improvement.

The "rotten film concentration camp" of the disciples of the Zhao family——— is unbearable

06 Tang Jianjun / What do you see? Alien/unrated

The movie "What are you looking at?" The title of "Alien" is full of funny feeling, and seems to be pursuing a strange appeal. However, the storyline seems to lack depth and is more of a chaotic patchwork. The plot and character performance in the film are also confusing and difficult to understand.

**

07 Xiao Shenlong/Back Pot Man/No rating

Xiao Shenlong, as an all-round artist who is an actor, screenwriter and director, filmed the movie "Back Pot Man". However, the title seems a little strange and does not have much to do with the content of the film. The story describes the plot of Wu Da Tongue bravely shouldering the responsibility in order to protect his dream lover, but the storyline is relatively simple and fails to resonate with the audience. Although Xiao Shenlong's acting skills have always been highly recognized, this movie seems to lack some depth and connotation.

The "rotten film concentration camp" of the disciples of the Zhao family——— is unbearable

08 Song Xiaobao/Fortune Diary/5.7 points

Finally, let's talk about Song Xiaobao's film work "Fortune Diary". The film has a slightly higher rating relative to the previously mentioned works, but there are still some problems. First of all, the title seems too mundane to attract the eye. The film tells the history of the struggle of the grassroots in the northeast in Shenzhen, emphasizing the unyielding life of the little people, which is worthy of recognition. However, the storyline is relatively bland, the characters have not changed much, and the overall performance lacks depth. Although the film performed well at the online box office, audiences seem to be expecting more.

To sum up, these actors and directors seem to have some problems with the creation of the film, including the choice of title, the quality of the storyline, and the depth of the character's performance. Although there are some humorous elements and hilarious plots, overall, these films struggle to meet the audience's expectations. I hope that these actors can continue to improve their creative level, create more and deeper comedy works, and bring real joy and thinking to the audience. In the highly competitive situation of the Chinese film market, not only humor, but also quality and depth are needed to really leave a deep mark.

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