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"Jade Bone Haruka": Break through the traditional concept of fate of fairy tale dramas
Since its launch, "Jade Bone Haruka" has experienced great pressure from the whole network, but it has maintained its position as the champion of three platforms for 6 consecutive days in terms of popularity. This shows that this drama has a unique charm, different from traditional fairy tale dramas, and has attracted the attention of the audience.
The image of the little priest Shiying is picturesque, and his light makeup and plain clothes set off his cold and extraordinary beauty, as if he is a legendary fairy. However, Xiao Zhan, the starring of this drama, has a large number of fans and is often besieged by black fans because of his top traffic identity. In the early days of the show's broadcast, criticism was endless, some people called it "a bad review", and some people said that "the appearance has declined, and the expression is flying".
However, the official media People's Political Consultative Conference Network stood up at this critical moment and published a long article with an objective and in-depth analysis of "Jade Bone Yao". Unlike the blind praise of fans and the malicious misinterpretation of Kuroko, this article coexists with criticism and praise, presenting a sharp and objective point of view.
New viewers expressed their admiration after watching 12 episodes in a row, which is a testament to the quality of the show. Today, this article has been widely disseminated, and one of the most recognized points is that "Jade Bone Yao" breaks the dilemma of traditional fairy tale dramas and is no longer limited to one person's "three realms of persistence".
In past fairy tale dramas, various gods and demons often involved the three realms, and the protagonist often had to slaughter sentient beings for one person, treating sentient beings as tools for love. In "Long Moon Ember Ming" broadcast not long ago, the fairy Li Susu fell into a love entanglement with the demon god Tangtai Ember in the name of saving the world's great cause, and this setting has received a lot of criticism because it obviously lacks the core of fairy tale dramas.
In contrast, "Jade Bone Haruka" presents new ideas. The heroine Zhu Yan and the male protagonist Shi Ying should be opposites, but Shi Ying, as a god officer, respects the way of heaven but does not blindly follow fate, and the play also emphasizes the symbiotic relationship between yin and yang.
The 18-year-old boy has always maintained a kind and upright character, and he firmly believes that "prophecy is far away, but the virtue of being a human being is ahead", showing the true colors of immortal cultivators. Even if framed and imprisoned, he did not resent the world, maintained a broad mind, strong but not indifferent.
Therefore, the love line of "Jade Bone Haruka" is not sadomasochistic and deep, but gradual. Shiying is a young master who teaches apprentices for the first time, so he is a little rusty. And Zhu Yan is a cute, enthusiastic vitality girl, the two gradually germinate emotions in daily life, the audience can clearly feel the emotional fluctuations of Time Shadow, he is not a cold facial paralysis, but a mortal with flesh and blood.
Once he realized that he had moved his true feelings, he admitted without hesitation: "The gods are on top, and the disciples have moved their hearts, and they know that they have had it, and they are willing to be punished by the law of impurity." ”
The long article on the CPPCC website also pointed out the second major advantage of "Jade Bone Yao", that is, the traditional mythical view that man conquers the sky and confronts destiny. Shiying and other characters in the play show an attitude of resignation to fate, they do not accept fate, and believe that people can change their destiny. This concept of disobedience to fate runs throughout the plot, not only in Shiying and Zhu Yan, but also in other characters such as Qinggang and Bai Xuelu.
Zhu Yan, the lord of the Qing County, wants to break through the old ideological shackles and personally go to the Jiujiang Mountain to learn the technique, which is her resolute resistance to identity and gender. Bai Xuelu did not want to become a tool of her mother in order to fight fate, and she actively fought for high positions. As a representative of the Qing clan, Qinggang is not willing to be at the mercy of him, and he firmly believes that he can change his destiny.
In "Jade Bone Haruka", everyone has the courage to resign themselves to fate and rebel against the gods. Time Shadow's life is influenced by prophecy that causes him to suffer and love, but eventually he realizes that he is a pawn of the gods playing with all living beings, and he breaks the limitations of this trick.
The show shows the idea that "
He is not accustomed to useless, harmful gods." The protagonist Shiying chooses to kill the gods, ostensibly rebelling, but in fact it is a counterweight to fate.
However, the People's Political Consultative Conference website also pointed out a shortcoming of "Jade Bone Yao", that is, the male and female protagonists have noble identities, both are the son of the world and the county lord. This begs the question: Are ordinary civilians also qualified to guard the life? Traditional fairy tale dramas should reflect class resistance, emphasizing that "Wang Hou will have a kind of peace?" ". However, in recent fairy tale dramas, the protagonists are often born noble and have extraordinary talents.
In addition, the complaints about character modeling on the Internet are not unreasonable. Zhu Yan's wig cover looks stiff and ugly, while the Organza mosquito net style clothing looks bloated and redundant, which does not match her not fat body type. Compared with the fairy tale drama more than ten years ago, the makeup of this drama shows obvious homogenization, coupled with highly saturated filters and some strange shooting angles, even the beautiful Wang Churan looks inferior to before.
Nevertheless, overall, "Jade Bone Yao" is a high-quality fairy drama, and the reason why Xiao Zhan took over this drama may be precisely because of the protagonist's attitude of not succumbing to fate. His character Shiying said in the play: "Everything has a fixed number, and everything cannot be forced", but he adheres to the belief that "Hugh said that the sky is not by the sky, and my life is not by the sky", which is a major feature of the play breaking through the traditional fairy tale drama.
To sum up, "Jade Bone Haruka" presents a concept of unwilling fate and rebelling against fate by breaking the traditional view of fate. Although there are some shortcomings, this drama shows new creativity and breakthroughs in the field of fairy tale dramas, presenting the audience with a unique fairy tale journey. The persistence and courage of Time Shadow, as well as the indomitability of other characters, make the audience think new about the possibilities of life. This may be the real charm of "Jade Bone Haruka", which makes people look forward to more fairy tale dramas that can break through tradition and present more innovation and profound thinking.
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