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The sixth princess once commented that "Long Moon Ember Ming" has immortals and no heroes, feelings and no righteousness, indeed today's costume dramas, either
Come in love in the shell of a fairy!
Either yes
Fried cold rice over and over again
! Tsui Hark wants to shoot "The Legend of the Condor Heroes", and "The Condor Heroes" is going to be remade!
This is boring, so when "The Legend of Yunxiang" premiered, the audience was full of expectations, after all, this is a typical costume martial arts film, however, after watching more than ten episodes, many people began to feel disappointed, "The Legend of Yunxiang" did not seem to be as expected, and the heroine became the focus of criticism from many viewers.
Many netizens said,
Mao Xiaotong once again proved that some people are really not suitable to be heroines!
She didn't have a heroine, almost alone ruined the entire drama, not only that, "The Legend of Yunxiang" also appeared in the limelight and was snatched by the female partner,
Business war is not business war, martial arts is not martial arts
of an embarrassing situation!
Mao Xiaotong has no heroine
One of the biggest problems is the age of the hero and heroine,
The male protagonist Chen Xiao is 35 years old and Mao Xiaotong is 35 years old
, however, they look obviously too mature in the play and do not match the age setting of the characters. Especially the nasolabial folds on Chen Xiao's face, even after fine repair, can not be covered, and Mao Xiaotong has also lost her previous aura, once she had a pair of bright big eyes, and her performance was full of tension and explosiveness.
However, in "The Legend of Yunxiang",
Her eyes lost their light
, strange eyebrows and lack of filtered lighting greatly diminish her image. In order to fit the heroine's role, her costumes and makeup were designed to be simple and straightforward, but these efforts could not hide the fact that she was not suitable for the heroine.
Not only that, Mao Xiaotong's role was also stolen from the limelight by supporting actress Ke Menglan,
Ke Menglan's costumes and accessories are colorful and eye-catching
, in stark contrast to the heroine. Mao Xiaotong's costumes are monotonous and do not have a prominent aura, which disappoints the audience. As the saying goes, people rely on clothes and horses on the saddle, and Mao Xiaotong's character lacks the blessing of clothing, and it is difficult to show the charm of the heroine due to the limitations of the role setting.
Although Mao Xiaotong has debuted for many years,
But there are usually more opportunities to play a supporting role
。 In many classic TV series, she plays a supporting actress or female number two, such as Er Xi in "A Slight Smile is Very Alluring", just the roommate of the heroine, and Li Changru in "Splendid Weiyang", who played a sinister role for the first time and showed excellent acting skills. However, when she had the opportunity to play the heroine, her performance was not satisfactory, and she could not show the aura of the heroine.
This phenomenon is not only in Mao Xiaotong,
Some actors also perform mediocre when playing the heroine
。 Although actors such as Yang Rong and Yang Tongshu are excellent in supporting roles, it is difficult to show enough heroine style when they play the heroine. This shows that the aura of the actor is innate and difficult to change.
Some actors are able to pass their aura,
Snatch the scene of the protagonist from the supporting role
。 Di Li Gerba's outstanding performance in "Cara Lover" allowed her to successfully steal the limelight from the heroine, and her cute appearance and powerful aura made the audience like her more. Similarly, her performance in "Three Lives and Three Lives and Ten Miles of Peach Blossoms" also made her recognized, and her tacit understanding with the male protagonist Gao Xiaoguang impressed the audience. However, this also shows that the actor's aura cannot be ignored, whether it is a heroine or a supporting role, it needs to have enough aura.
Mao Xiaotong's embarrassment is not limited to acting skills and aura,
Age and role targeting are also involved
。 She is neither as good as older first-line actresses such as Tang Yan, Yang Mi, Liu Shishi, nor young little Hua Dan such as Ju Jingyi, Song Zuer, Wu Qian, Zhao Lusi, she is in an embarrassing age. Although the current film and television dramas are no longer popular for big heroines, Mao Xiaotong's attempts in the role of heroines are not the same
Not fully recognized. Actors of the same age as her, such as Ju Jingyi and Song Zuer after 95, have long emerged and become a new force for costume idols, and Mao Xiaotong seems to have fallen into this awkward age level.
Despite this, her performance in "The Legend of Yunxiang" still has highlights. The production of this drama is very strong, the cast is full of confidence, the fight scenes are smooth and natural, the rainy night scenes do not need to be processed in slow motion, and Mao Xiaotong's performance is also quite good. The green leaf character in the play has gained enough face, but whether Mao Xiaotong can seize this opportunity makes people look forward to her future roles being more brilliant.
Mao Xiaotong's embarrassing situation is also reminiscent of Yang Mi, who recently terminated her contract with Jiaxing Media, and her attitude is impressive. She said that the name should make way for the role, indicating that she is no longer limited to the consideration of whether she is a heroine, and she can freely choose the role and show more possibilities. This attitude makes people look forward to Yang Mi's future works, especially her role in "The Fox Demon Little Red Lady", her aura and heroine style are highly anticipated.
To sum up, Mao Xiaotong's embarrassment is not only an isolated case, but also exists in other actors. Aura is an actor's talent, and age and role positioning will also have an impact on the actor's development. However, through hard work and experience, actors still have the opportunity to counterattack and move from supporting roles to protagonists. I hope that every actor can live his or her own wonderful life, no matter what kind of role he plays, he can show his best self. The growth of actors is a process of constantly breaking through their own limitations, and they are expected to achieve greater success in future works.
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