After watching the recent costume dramas, do you have the same confusion, in order to highlight the handsome image of the hero of the story, the heroine will always show a "thrilling", "amazing", "a face of worship", "full of pink bubbles" in the plot fragments of the first encounter.
But when the camera gives the hero a close-up, it will always make people disappointed, full of doubts, is this the first beautiful man in heaven and earth, the world and the world?
Many viewers even complained on social platforms that "nowadays, when you open the costume drama, eight out of ten are ugly men." ”
In addition to the image is inconsistent with the description of the story, the expressiveness in the series also makes the audience quite excited, pompous, handsome, burdensome and the characters have no layers and no connotations... As early as "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", Zhao Youting has made up for the inconsistency with the role through his superb acting skills, and conquered the audience and obtained the reputation of "plastic surgery-like acting", which shows how important the temperament charm of the role-playing actor and the strength of the acting skills are to the blessing of the character's charm.
Does the audience appreciate the beauty and ugliness of the characters that the costumes they talk about are really the beauty and ugliness of the characters? Obviously, it is not a simple beauty and ugliness, but the fit of the actor's personal conditions and roles. And the positioning of the male god in the costume role is not single, the style of the hero is handsome, the gentle and dashing is handsome, the dilemma is handsome, and the spirit is also handsome... In short, the role lies in how the actors master it.
In "Plugged in the Wind and Clouds", the handsome and prominent Wang Ming once again conquered the audience with his own strength, in which he played the role of Lü Gui, an ancient costume character, a character who grew up with the young master in the play, and then Yang Fengyin rebelled against the young master, and was also an important figure who played a turning point and finishing touch in the whole play.
Although he is a small character in the play, in order to make the role more full, layered, and able to resonate with the audience, Wang Ming studied and analyzed the character personality of the character and the logic of the character behavior in the story event very carefully, and finally presented the life of a small person in a long historical volume through comedy.
Such a villain, after watching it, the audience has said that the bad is a little special, and it feels a little cute.
Lu Gui sleek social scene
Lu Gui fancy throw money on the scene
Lu Gui, who is a small follower
The humble "expensive" who carries the pot for the young master
Playing a little clever is also full of joy
Cute moments for villains
There is also the famous scene of the black rebel lord
When powerful actors such as Zhao Youting and Wang Ming, who have been polished for many years, meet the "plastic" actors who have just entered the industry and are quickly "packaged", the value of Han Yangxiu in the creation of works will immediately be seen.
The charm of role shaping lies in the actor, and the actor should always take the role as the background, the creator should also have confidence in the work, the work and the actor should achieve each other, rather than pursuing the superficial white "fast food" drama, only "trafficism" to make quick money. At present, the costume drama that is confused, if you want to find a way out, you have to start from the creation of the work itself.