Peking opera inheritance so far relies on the efforts of generations of Peking opera actors, but there are two periods of Peking opera actors who have the most serious losses, and today Xiaobian will talk about it.
<h1 class="pgc-h-arrow-right" > the Cultural Revolution</h1>
The Cultural Revolution can be said to have dealt more blows to peking opera art than to meritorious deeds, and the merits are nothing more than the creation and rehearsal of such classics as model plays, and even far exceed the status of traditional plays in the minds of the people.
But there are also many blows, the biggest blow is the "internal friction" of Peking Opera actors, and many famous Peking Opera artists have passed away during this period.
Like Peking Opera masters Ma Lianliang, Yan Huizhu, Zhou Xinfang, Gai Mingtian, Qiu Shengrong and so on.
In fact, these Peking Opera masters are indeed very old, but their deaths have also caused the loss of some repertoire, and they have not done a good job in inheritance.
<h1 class="pgc-h-arrow-right" > today</h1>
Nowadays, many actors in the Peking Opera circle also leave the stage, and the reason for leaving the stage is mainly exclusion, which is what we commonly call "literati are light, and artists are lowly".
Why is this happening? The main thing is the existence of "drama bully", these people are flattered and pressed down to specifically and some Peking opera actors loved by opera fans, which eventually led to many people leaving the stage.
In fact, this is extremely wrong, when the "drama bully" can be, but it should depend on what kind of drama bully you are. You can dominate the stage by your own artistic level, because there is no way for the audience to welcome it, but there is something wrong with relying on your wrist.
There were originally a few actors in the Peking Opera circle who were popular with the audience, and there were many fans of the opera, and then many people were not used to squeezing them out.
In this way, how can the art of Peking Opera develop, and in the end, it is difficult to escape the bad luck of entering the museum. Therefore, Peking Opera actors should not exclude each other but should praise each other, so that the art of Peking Opera can get better and better!