"Scorching Wind" premieres tonight! Jing Tian Feng Shaofeng leads, this time the costume drama is going to explode

For a long time, costume dramas have been the trump card of national dramas.

However, domestic costume dramas are often so-called male protagonist dramas.

The most classic domestic costume dramas, "Romance of the Three Kingdoms", "Yongzheng Dynasty", "Daqin Empire", and "Daming Dynasty 1566", all depict male talents vividly.

In these plays, women often become embellishments.

Even if there are so-called big heroine dramas, they are often palace fighting dramas such as "The Legend of Zhen Huan", and there are very few women-themed costume dramas such as "Know No" and "Menghualu" with women as the core.

When will the audience be able to see another hearty costume drama of the big heroine?

In the tail of the summer file, when "Sauvignon Blanc" finally ushered in the finale, "Lotus Tower" became the dark horse of the summer file, and the fairy tale drama "Seven Times Auspicious Luck" received a mediocre response, and a new drama known as a middle-aged ancient puppet drama finally appeared -

Tonight, Goose Factory, "Scorching Wind".

But I am optimistic that this costume drama that has not been broadcast has been questioned because the starring actor is older.

What's the matter, 35-year-old Jing Tian, 45-year-old Feng Shaofeng, 38-year-old Wang Likun, can't act in costume dramas?

Compared with age, what I see from it is more solid costume drama acting skills.

What's more valuable is that this big drama is very likely to be really filmed, the ancient heroine's - scorching wind.

Highlight 1: Jing Tian's fairy, Wang Likun's Yan, Chen Zihan's beauty

Among the actresses in domestic entertainment, there should be only 2 actresses who can conquer audiences of all ages without distinction based on beauty alone: one is Liu Yifei and the other is Jing Tian.

A beautiful immortal, not a square thing. A picturesque beauty with fairy air.

Such a beautiful actress is most suitable for playing a beauty in costume.

35-year-old Liu Yifei performed "Menghualu",

Jing Tian, also 35 years old, took out "Burning Wind".

Jing Tian is probably the most special actress in the entertainment star.

When her resources were at their best, "Special Identity", "The Great Wall", "Macau Vice", "Pacific Rim: Thunder Rises", "King Kong: Skull Island" and so on, are all blockbusters, but the audience can't get up.

The first time she turned her reputation was "Glory of the Great Tang" with Ren Jialun, in which she played Shen Pearl, the daughter of a gentle and beautiful family.

This is the first time Jing Tian has found the right way to play for himself.

In 2021, the 33-year-old Jing Tian's resources are no longer at their peak, but he became popular with the noble and cold, and poisonous and arrogant Si Ten in the fantasy drama "Si Ten".

This time, Jing Tian's Miri has a little more wind bones.

Some people may ask, after the transformation is successful, why do you come back to play ancient puppets?

Because "Burning Wind" is not an ordinary ancient puppet drama.

This play is adapted from Sui Yu'an's novel "Zeng Fengliu", the story is set in an overhead world, where women can take the imperial examination and become officials.

And after the middle move, you can marry freely.

The heroine Mu Zhuohua played by Jing Tian is the daughter of the richest man in Jiangnan, who won the exam at the age of 17, but was favored by the old county order, and had to run away from marriage to participate in the scientific examination in Dingjingcheng.

In order to scrape together the travel expenses to work as a medical girl in the Qinglou, he met Liu Yan, the secretly calculated Wang Ye played by Feng Shaofeng, Mu Zhuohua thought that it was Qinglou's mother Sang who used aphrodisiacs in order to force him.

But he was wounded and married to this God of War King.

After getting entangled in Beijing to rush for the exam, she won Tanhua in one fell swoop, and was also adored by Liu Yan, who respected her ambition to become an official in the imperial examination, not only provided her with opportunities to display her talents, but also tolerated her occasional "careful machine" of playing pig and eating tiger.

Unfortunately, the good times did not last long, and when the two were about to get married, according to the law, after the marriage of a woman, she could no longer hold an official position.

When Mu Zhuohua was forced to choose between career and emotions, Liu Yan stood up and carried the ridicule of everyone who considered himself "outer room", not allowing Mu Zhuohua to give up his ideals.

In the end, the two walked side by side, and also went to Haiyan Heqing, which also created a new situation in which women can marry and become officials.

After reading the story, I know why Jing Tian returned to the ancient puppet, because this script is too suitable for her to play.

Jing Tian in the play, skin as white as snow, eye waves, more dignified and atmospheric classical beauty, six years have passed, ordinary people have aged for a round, but Jing Tian's appearance dreams back to "Glory of the Great Tang".

In addition to beauty, Mu Zhuohua's character is also excellent.

As the daughter of a concubine, in order to break free from the fate of a traditional woman, she fled marriage and entered Beijing to study and seek employment, not stupid and sweet or demon, and became an official with her ability.

When I encounter the right character Jing Tian's play is often amazing, I especially like the men's style in her play, which does not hide the beauty of Jing Tian, but rather has the aura of a handsome and handsome son.

This character will definitely explode.

But it's not just Jing Tian.

For example, Wang Likun, who returned to the role of white and black many years later.

Over the years, Wang Likun has had many costume dramas, or the familiar face of spy war dramas, and she is also the heroine of "Infernal", but the role that impressed the audience the most may be the ruthless Nie Shener in "Beauty Heart Scheme".

This time, she played Princess Roujia, beautiful and dignified on the surface, is a popular princess in the dynasty, but in fact, she is full of scheming and is bent on pulling down her younger brother to become the empress.

This role is very handy for Wang Likun, and I am waiting for her to surprise the audience again.

There is also He Hongshan, who has always been expected by the audience to become popular.

He Hongshan is the kind of actress who should be popular but always lacks luck, and there is no shortage of appearance and acting skills.

The appearance of "Above the Clouds" is pure, Shen Yan, who has a fierce black belly, Yuan Yuan in "The Golden Years", and A Zi in "Dragon Babu", have all been shaped by her inside and out.

With big eyes and a round face, she is the so-called chosen costume beauty, and every costume style is amazing, and this role is no exception.

I always wanted her to be out of the loop.

Finally, Chen Zihan.

Chen Zihan is the kind of actress who is recognized as having excellent acting skills, but what is even more amazing is that people can still amaze everyone with their appearance in middle age.

When she was young, she was a spider in "The Legend of Relying on the Sky and Slaying the Dragon", Lu Hei in "Mythology", and Princess Pingyang in "The Great Han Tianzi".

In recent years, she has successively appeared in costume dramas such as "Qing Qing Daily", "Moon Song Xing", "Micro Swift Double Flight", "Jade Bone Yao" and so on, although her youth is no longer there, but it gives people a feeling of becoming more and more beautiful.

These actresses with good acting skills and good looks encounter such a good story of the rise of women, and this drama has something to watch.

Highlight 2: Director Wen Deguang + screenwriter Wang Hong, the ace combination of the costume heroine drama is here

If in the current domestic entertainment, Yang Yang is the female director who is the best at making women's dramas, Wen Deguang is probably the male director who is best at making women's dramas.

Over the years, "Yanxi Raiders", "Brocade Like Jade", and "All About Doctor Tang" were all written by him.

Qin Lan, Tan Songyun and other actresses, under his lens, all their acting skills and appearance bloomed in an all-round way, dazzling.

What's more, women's dramas are easy to exert too much force and cause disgust.

And Wendeguang is good at using the method of moisturizing and silent to tell the delicate and layered sense of women.

And the photography of Wen Deguang, the photography technology and picture of each drama are excellent, the classical aesthetic composition is pleasing to the eye, and there will never be many ancient puppet dramas like the spicy light and shadow shape.

Supplemented by a vivid market story and a super high degree of compatibility with the characters, a costume drama and a female theme have achieved a perfect combination, grounded without levitation, inspirational but not bloody, pleasing and pleasing to the eye.

Just looking at the several encounters of the male and female protagonists in the trailer, the heroine either sighed that Wang Ye was "old and decaying", or took the initiative to give him strong medicine, and the trailer was very funny.

Screenwriter Wang Hong's masterpiece is "Si Ten" that made Jing Tian popular, and with this screenwriter who knows the roots, Jing Tian should be able to play the charm of the role to the best again.

The screenwriter and director are all on the right path, the actresses are all amazing, but the red flowers must also have green leaves.

Highlight 3: Many powerful people and old drama bones joined, and this acting skill is stable

Although it is a big heroine drama, the male cast of this drama is not simple.

First, Feng Shaofeng.

Feng Shaofeng has been famous for a long time, and he has reached the peak of costume dramas since "Palace Lock Heart Jade".

After several ups and downs in his career, he came out of the circle again with the role of Gu Tingye in "Do You Know If It Should Be Green, Fat, Red and Thin" cooperated with Zhao Liying.

Although there have been many doubts about his acting skills in recent years, I think he will still be invincible as long as he returns to the ancient puppet drama he is good at.

Feng Shaofeng has his own nobility, the ancient costume is the so-called cultural relics are complete, the shape in this play is still heroic and elegant, sword eyebrows and stars.

After watching his role as Zhu Di and Gu Tingye in "Mountains, Rivers and Moon Ming", I know that it is no problem for him to play a role like the God of War.

This time, Liu Yan can not only fight in battle, but also the ideal male character who respects women very much.

Feng Shaofeng and Jing Tian's CP sense is not bad, one is Wang Ye, who is worth the force but is deflated when he sees the heroine, and the other is a naughty and cute female official, with a combination mode of movement and quietness, which is very pleasing.

This character, who looks very domineering on the surface, but has been repeatedly teased by the heroine on the street + spit on "old age and decay", should be another classic role after Feng Shaofeng's "Know No".

Second, the male god in ancient costume, Huang Haibing.

To talk about the ceiling of the male god of domestic costume dramas, I cast Shen Lang of Huang Haibing.

Although he is older, Huang Haibing's play in costume dramas is still very stable, and in recent years, he has played roles such as emperors in many ancient puppet dramas, and he has not played much, but "The Legend of Yunxiang" gives him a little more drama, and the performance is very eye-catching.

In "Burning Wind", he plays the father of the heroine Jing Tian.

It is clear that he is playing a small official, but he has the aura of the emperor at that station, this kind of old actor in ancient costume always has a good demeanor and a strong aura, and his appearance is a highlight. Even if it is a supporting role, it is just as brilliant.

Third, Xu Haiqiao.

Xu Haiqiao is also a costumed male god in Chinese dramas, from Meng Xuanlang in the fairy drama "Flower Thousand Bones" to Ouyang Xu in "Menghualu", whether it is a positive angle or a villain, Xu Haiqiao is free to control.

Xu Haiqiao's ancient costume has a strange demeanor.

Shen Xianhong, played this time, is the world's beautiful son Zhuangyuanlang, and is also a bitter person who is addicted to the villain female second played by Wang Likun, "the altar under the sky is only one stone, Shen Xuanhong occupies nine fights", the role has a drama, Xu Haiqiao will not play badly.

Fourth, Zheng Guolin.

is still a veritable beautiful man in ancient costume in Chinese dramas.

Zheng Guolin, who is getting older, has mostly played roles such as his father and emperor in costume dramas over the years.

The summer files "Sauvignon Blanc" and "Seven O'clock Auspicious "have him.

This time, he still plays the role of the father and emperor, a look back, warm people's hearts.

Although Li Zhi, who has seen him play, knows that such a role is somewhat a waste of his acting skills, as long as he plays it, the role is very stable.

Fifth, post-00s actor Zhou Yiran.

Zhou Yiran's first role in the circle was the youngest son of the Qiao family with a rugged fate in "Children of the Qiao Family", the role is difficult to play, and his performance is very good.

When it came to Daydream Me, he finally started to catch fire, and I wasn't surprised at all.

This time he played the nephew of Liu Yan, the young man ascended the throne, and Wang Likun's role is the opposite.

This role is given to him, which is reassuring.

Written at the end: How to make a big heroine costume drama out of the circle again, I am optimistic that this drama can make a sample

After introducing these powerful actors, you can probably see the director's vision for selecting actors, which is accurate enough.

You can also feel from the story line that this drama is different from ordinary ancient puppet dramas.

Especially the heroine played by Jing Tian, the biggest difference from the cookie-cutter in costume dramas is that she really relies on herself to counterattack.

From the courthouse to the value choice, to the identity transformation of power and love.

The heroine in "Burning Wind" reveals an anti-routine everywhere.

In the play, the female protagonist takes the merit test to become a female official, relying not on the male protagonist, but on her own ability.

The male protagonist Liu Yan just stood up when the female protagonist was forced to choose between fame and emotion, and people who watched such a story were comfortable.

The essence of the drama is a modern cool drama dressed in ancient costumes, the values are modern, and the characters carry classical beauty, it can be said that it is a big heroine drama tailored for contemporary audiences, as long as it is filmed, it is difficult not to go out of the circle.

Whether you can recreate the scorching wind of the costume heroine drama depends on tonight.