"Stalker" finale, rearranging actor acting skills: Wan Qian third, Huang Xiaoming second

Finally, the first season finale of "Stalker" is over.

Yes, it was the season one finale. Because the last episode is no longer a hint, but a clear indication that there is a second season, and with a high probability, the plot will be built with Leyan as the main character.

Let's talk about the ending of the main villain first: first, Silver Fox became the second villain to go offline after Li Lixing, and the reason was indeed the infighting of the military commander.

This ending is indeed not unexpected, but unexpectedly, Su Ya showed her eyes and stabbed this unworthy boss after so many episodes before making a move.

Secondly, Su Yalu escaped safely and continued to lurk at No. 76. And Ye Xingcheng, who had already been accepted by her, not only received a promotion within No. 76 after Li Lixing went offline, but also officially joined the military system.

Look at our personnel again: First of all, Tao Yuling fell into a long grief after the sacrifice of Old Zhao, so that he took the child directly in grief, don't ask Fang Jiashu how to explain the past, in the past, this family created much greater dangers than this have been avoided, not worse this time.

But after a while, she came back and said that she wanted to take over the job of Old Zhao.

Then there was Fang Jiashu, who finally managed to solve all the big pits left by the old Zhao family and continued to lurk at No. 76. But new dangers are already online.

This danger comes from Happy Words.

After Fang Jia Shushe successfully rescued Lao Zhao, and then Lao Zhao died, Leyan not only burst into tears at the thank-you meeting held by the Japanese side,

He also directly told Fang Jiashu that he would live well and "kill you."

Let's not talk about the ridicule of netizens, "Avenge your father and apologize for the shark first", the point is that if she really takes revenge on the other party in the second season, then the harm caused is far more dangerous than the most dangerous enemy.

Of course, if the plot really develops like this, it will also be a matter of the second season.

At least in the finale of the first season, "Cuckoo" calmly pulled up the iron fence of elevator 76 and continued to sneak.

After watching 37 episodes, I want to say what makes the deepest impression. In addition to the unique plot of the family spy war drama, it is the actors' performance in the play.

At least in my opinion, in addition to the performance of individual actors, the performances of actors represented by Huang Xiaoming, Wan Qian, and Wu Xiaoliang are the biggest highlights of the series.

The first season has ended, the fate of the characters has settled, and it's time to re-discuss the best actors in the show, the advantages and disadvantages of their acting skills.

Tenth place, Li Nian (as Zhu Yu)

The biggest difficulty for Li Nian to play this role is that this is probably the weakest silver fox in previous spy war dramas.

So what she wants to play is not the strength of the role, but the strength of the outside.

If you understand it like this, Li Nian's performance is actually very accurate.

The passage lurking in the early stage pretending to be a dancer is very calm, and the later flaunting of martial arts is annoying.

Among the main characters in the whole play, only Fang Jiashu and Silver Fox are wholeheartedly engaged in their careers, but Silver Fox's IQ strength is far from our cuckoo.

As Wan Qian finally concluded: Do you have a better brain than me, or are your marksmanship more accurate than mine? If it's neither, it's someone behind it, but the episode doesn't reveal it either.

As a result, even if he took the initiative to dedicate himself, Ye Xingcheng only bought Su Yalu's account, and did not obey her nominal upline at all.

The ending of the characters is also reasonable: if virtue is not worthy of the position, it will be eaten back.

Li Nian's performance is not lost, but it is a pity that the audience's desire to see the powerful femme fatale in the spy war drama has finally failed.

Ninth place, Ma Yan (as Zheng Feixiong)

Although this character is inconspicuous, it is a rare character in the whole drama whose combat power and position match.

If No. 76 is like him, Fang Jiashu's lurking may not be so smooth.

Zheng Feixiong can be described as the first person in the No. 76 Intelligence Department, he was the one who arrested our agents, it was he who searched overnight, he was the one who tracked Fang Jiashu, and he was the one who ambushed at Fang Jiashu's door with special agents waiting to break the door.

In short, as soon as he appears, something always happens.

Ma Yan played this small person inside No. 76 accurately, especially the scene where the child was kidnapped by the military commander and bargained with the other party, talking and laughing on the surface, extremely nervous inside, and every detail of the emotional reaction was on the point.

I think he played a great job.

Eighth place, Shi Wenzhong (as Zheng Nanyan)

As Li Lixing's secret weapon in the play, Zheng Nanyan is somewhat thunderous and rainy.

In the action of identifying the cuckoo, he took every step right, but Fang Jiashu, the opponent, could always cleverly avoid every trap he set.

And we all almost forgot Zheng Nanyan, the old fox, but I didn't expect Fang Jiashu to remember to use him to back the pot and avenge the 24-hour stalk.

Compared with the wonderful performance in "Infernal", the role creation of this old drama bone is decent, not very outstanding, and will never drag his feet.

He ranked in this position, not because his acting skills were not good, but because he suffered a loss in the role.

The audience originally thought that this character representing the villain's IQ ceiling would be a little smarter, but unfortunately in the end it was - but so.

Seventh place, Song Jiateng (as Ye Xingcheng's younger brother)

After coming out of the circle with the role in "Crazy", Song Jiateng has become a golden supporting role in spy war dramas, and "Thin Ice" has a general reputation, but his performance is no problem.

His role is still very small this time, but every time I see him being reprimanded by Wu Xiaoliang's Ye Zhi, I want to laugh, and even the scene where he finally talks more goes offline, he also acted very excitingly.

This kind of character is like the seasoning of the series, without his taste, the main story line is not affected, but it will always feel almost tasteful.

At this point, I think he's done a good job.

Sixth place: Jiang Xin (as Tao Yuling)

Jiang Xin just started very well.

The earthy taste of the characters is performed, and the laughter can also be performed, and the character's hearty and open personality and straightforward way of doing things are reminiscent of Cuiping played by Yao Chen in "Lurking".

But realistically speaking, the more the character goes behind, the less energetic, the problem is not in the actors, but in the script setting.

The good thing about Cuiping's role is that she has always grown, began to be reckless, has already played a role in the wife's group in the middle of the term, and in the end she is already a calm and rational undercover officer, which can be called Yu Zecheng's "virtuous helper".

And the role of Tao Yuling is extremely screwed, has an emotional line with Old Zhao, and has to pretend to be husband and wife with Fang Jiashu, and has to face two children who are not sensible and think they are very sensible.

Almost every episode of the character enters the later stage, and Jiang Xin's crying scene is indeed good, but it can't withstand such a performance, and the audience will have aesthetic fatigue.

If the crying scene after Lao Zhao's sacrifice of holding back tears and gritting her teeth can still make the audience empathize, then the reaction of her once saying that she would not sing to the Japanese and suddenly disappeared in the ending is really difficult to understand.

What the performance plays is the emotions of the characters, but first of all, the logic of the characters.

If you put aside logic and act directly into emotions, then there is only self-touching.

I think Jiang Xin's acting skills are not inferior to Yao Chen, but the character shaping at the script level of "Stalker" is probably far from the classics.

Fifth place: Wang Zhifei (as Old Zhao)

Wang Zhifei obviously suffered from the loss of character setting, and Old Zhao's final capture and sacrifice is too incomprehensible.

It can only be said that the role of Old Zhao did not give Wang Zhifei more time and space to play his acting skills.

But in some parts of the play, Wang Zhifei still played his powerful acting skills, especially the rivalry with his wife and daughter, and his every subtle expression in front of the camera was full of tension, playing the character's desire and guilt to the slightest.

The audience's doubts about Wang Zhifei's acting skills are actually mainly due to the lack of understanding of the logic of the character's behavior, as an underground worker who has been lurking in a dangerous environment for a long time, the character of Old Zhao has a strange sense of relaxation, and finally magically falls into the hands of the enemy.

It can be compared to Wang Zhiwen's old Gu in "Rebel", the audience can fully empathize with the character, of course, Wang Zhiwen plays well, but also every step of the character is logical, reasonable, but where it can not be sacrificed, the character will not easily sacrifice himself.

But if the sacrifice in the play is too unreasonable, then no matter how heroic the sacrifice is, it will lose its due weight.

I believe that if the character of Old Zhao is written a little better, Wang Zhifei's performance will not stop there.

The fourth place, Feng Hui (as Li Lixing)

This is probably the most hasty villain in spy war dramas in recent years.

But Feng Hui's performance is actually no problem.

The characteristic of Li Lixing's role is that he is suspicious and sleeps in the bathing room.

Feng Hui performed the character's smile and did not smile, and when he looked at him, he had a creepy feeling, and the villain's sense of déjà vu came to his face.

As long as the plot can keep up, it should not be difficult to create a villain boss image that is extremely deep and difficult to figure out.

In the middle of the plot, Feng Hui does have a highlight scene, taking the special agent to test the scene of the cuckoo, from the gloomy cold at the corner of the eye to the relaxation at the corner of the mouth, for a second, two completely opposite states can be expressed.

Plus Huang Xiaoming can also catch the play, it should be the most spy war scene in the whole drama.

It's a pity that as the biggest villain of the show, he got up in the morning to answer a phone call and was killed, and such a way of taking the character offline inevitably made the audience shout outrageous.

It can only be said that the character's IQ is really not worthy of Feng Hui's unfathomable expression.

Third place, Wan Qian (Su Yalu)

Facts have once again proved that Wan Qian is the one who is best at playing "stunning bad women" among the current actresses, and there may not be one.

It can be seen that the director's favor for this role, when he first appeared, he was fashionable and lustful, and his charm was bursting, no wonder Jiang Xin's characters were curious about why Fang Jiashu could resist temptation.

But when confessing Fang Jiashu, she was shy with a bit of a little woman's pure love, and the previous coldness was all hidden, and Chief Su seemed to be not the sassy female agent of the military commander at this time, but a little girl in love.

Seeing this, I thought that the character was really in love brain, but I didn't expect that she PK Silver Fox was really full of aura in the finale, and when it was time to be ruthless, she was not soft at all, and directly shot the other party, and finally said ruthlessly to the other party, and her eyes seemed to spew fire.

Su Yalu solved the silver fox, one is unbearable, the other is to protect herself, and the third is to protect Fang Jiashu, she should never give up suspecting that Fang is the cuckoo, but because of this, the silver fox must die.

In addition to being beautiful from beginning to end, Wan Qian also performed the contradiction of the character, she wanted to revive the military system, and on the other hand, she wanted to get out of this cage, loved Fang Jiashu, and had to commit to Ye Xingcheng, which also laid the groundwork for the reversal of the second season of the role.

This role is a model that becomes more and more popular in the future, although it takes advantage of the likability of the role, but the biggest key is that in the face of such a complex role, Wan Qian's acting skills are still at ease.

The second place, Huang Xiaoming (as Fang Jiashu)

Before the start of "Stalker", many people questioned whether Huang Xiaoming was qualified for this role, but at the end of the play, you can also see that Huang Xiaoming's performance has actually become the anchor of the series.

Think about how dangerous Fang Jiashu's situation is, the people of No. 76 doubt him, Ye Xingcheng wants to get rid of him, the military commander also doubts him, and later the silver fox does not doubt it, and he is sure that he is a cuckoo.

But these can be handled, and what is even more difficult is that the old Zhao family who came to support him needed him to rescue from beginning to end, although Old Zhao always said that our job is to protect the cuckoo, but the result is that every time it is Fang Jiashu who gives them a family to finish.

Huang Xiaoming's interpretation of Fang Jiashu is sometimes ruthless, sometimes playful, sometimes gentlemanly, always calm and wise, not exaggerated, nor pretentious.

Several rivalry scenes with Li Lixing, the speech is dripping, the eyes are in the eyes, the tone of speech, seemingly modest, but in fact hides the edge.

In the face of Leyan's killing intent, he was sometimes silent, sometimes helpless, and full of powerlessness.

Huang Xiaoming not only performed the handsomeness of the character, but also let everyone see the heart of the character, especially the finale, when Fang Jiashu dodged the gun and the arrow and walked in the snow, not only handsome to the slag, but also exuded a stalker's belief, which is handsome with acting skills.

Strictly speaking, Huang Xiaoming's whole drama actually lacks an absolute highlight scene, but it always performs appropriately, perfectly interpreting what is atmospheric forbearance and what is tenacity to move forward.

Whether it is acting skills or appearance, he should be the one that best meets the requirements of the role.

The first one, Wu Xiaoliang (as Ye Xingcheng)

Wu Xiaoliang always seems to have an ability to play the villain charmingly.

Ye Zhi's role can be said to be gradually getting better and running away.

The opening of this character is just evil, Wu Xiaoliang's laugh is weird and charming, although it is often bad, but not annoying, but very pleasant, and many laughs are on him.

But Wu Xiaoliang's performance is like a mille-feuille, shaking open layer after layer.

When he fought with Fang Jiashu, he hid a knife in his laughter.

Chasing Su Yalu and turning into a pure love warrior.

It's tough with the Japanese, and it exudes pure hormones.

Betrayed by his brother-in-law Li Lixing, let the Japanese slap and run to the confrontation, one looked up, emotions were written in the eyes, no need to explain more, the anger, suppression, unwilling resentment and suppressed anger, suddenly overflowed the screen.

The actor is powerful, the character logic is also online, Director Ye can not only carry the burden, but also put the spy war plot on the right track after the IQ warms up, and finally the military commander relies on him to complete the task, and Old Zhao is also found out by him.

Wu Xiaoliang's performance is good in that the role can make the audience understand from beginning to end, Mad Dog City, if you want to go crazy, you will be crazy to the end, it doesn't matter who you do with it, it doesn't matter who the cuckoo is, as long as Miss Su likes herself, you can do it with whomever you want, but whoever dares to move Miss Su can't.

This is pure love warrior.

This also makes the character of Ye Xingcheng a ruthless evil person at the beginning, unambiguous when he moves, like a mad dog, but the more he looks, the more he finds that he is the most tender one.

The most memorable thing is that when he had a showdown with the silver fox, he looked at the other party's eyes and told the other party that he didn't recognize any military commanders, but only Miss Su, and that kind of evil nature made people empathize and immerse themselves.

Therefore, please allow me to rank Wu Xiaoliang in the first position, not because the character creation of Huang Xiaoming and Wan Qian is not perfect, but Wu Xiaoliang's performance has exceeded the maximum value of Ye Xingcheng's character creation.

The actor uses his own actor charm to add points to the character.

It can be said that the whole drama is performed to the end, and the performances of these ten actors, even if they are placed in Liu Yunlong's excellent spy war dramas, are compared.

Watching a good performance of spy war dramas is a pleasure, because they will not let the audience play, nor will they embarrass the audience, and more importantly, we can see the core of the entire work from the characters they create, and understand the emotions and expressions of the entire drama.

But an excellent spy war drama performance should be based on a wonderful script, with a logical and rigorous fighting wit plot, character settings that do not let the audience respond, a costume production that does not let the audience play, plus the excellent performance of the actors, that is the finishing touch.

But a good story should always come before a good show.

Just like the old Zhao family in the play, they should have gone to support Fang Jiashu, not let Fang Jiashu cover their actions.

And no matter how good the performance is, it can't cover the story of a spy war drama.