After 6 episodes of "Imperfect Victim", Lin Yun's acting skills are not good? The script is problematic, and the actors do not back the pot

On July 19, the TV series "Imperfect Victim" has been updated to episode 6. Regarding the first 4 episodes of this TV series, I have already published a review opinion, believing that this TV series is more like a film and television creation for entertainment gossip reports, and it is relatively poor in terms of story and humanity.

After 6 episodes of the plot, I saw that some friends thought that this TV series, as the most important heroine, is also the role of the female victim in this case, because of Lin Yun's acting skills, and could not suppress the scene. I think this is the opinion of unthinkable fans, and although the understanding is not correct, it illustrates some of the problems in this TV series.

First of all, the female victim in "Imperfect Victim" really can't suppress the play, or the character itself has a twist in narrative logic in the creation of the script and film and television dramas. After the plot content of the first 6 episodes, which character in the show is determining the trend of the plot?

We generally believe that it is the role of the female victim that determines the plot. Whether she determines that the male protagonist has violated herself is determined by the subsequent plot trend. However, in the play, many of the heroine's choices are unreasonable. Therefore, the audience will feel that this character is weak.

Then, let's seriously analyze whether this character's weakness is caused by Lin Yun's insufficient acting skills, or is it caused by a congenital defect in the script? It is difficult for a clever woman to cook without rice. Even if Lin Yun is a top actor, under the premise that the script bridge is not set, she cannot rationalize the character's will to act through her performance. Therefore, hastily saying that Lin Yun has no acting skills, that is bullying young actresses.

Throughout the content of the first 6 episodes, the character of the female victim has a mental journey clue. Just after being violated, the police arrived at the scene, she was in a "delicate" psychological state, when the police recorded, there was another subtlety, later, she thought that she was not affected by that, the police temporarily ended the record, and in the next few days, her mentality wavered, especially in the other direction. The "boyfriend" beats people, which is one of the reasons why the heroine swings. The man in black, the car and the plane, etc., are another reason for her sway.

By the end of episode 6, the female victim officially decided to change her position and determined to the police that the male protagonist had violated herself. This mental journey can basically be described through the plot. However, in terms of script bridges, the description of this process is not clear enough, and many heroines have emotional, emotional and intellectual changes, which require the audience to help the script story to make up for it. Therefore, many simple audiences felt that Lin Yun did not perform this effective process of transformation.

In fact, the script does not give effective bridge content for transformation, so how can Lin Yun act? In script creation, every time the protagonist chooses his behavior, he needs to establish behavioral motivation through the way of bridge story, and accumulate momentum for each change of behavior through effective screenwriting techniques, and realize the process of quantitative change to qualitative change. What "Imperfect Victim" lacks is the accumulation of bridge content from the quantitative change to the qualitative change of the heroine's mental journey.

In the first 6 episodes, this TV series spends a lot of narrative time on useless scenes. These scenes, we can even say irresponsibly, are almost water-filled scenes. The really useful scenes are the various changes in the heroine's mental journey, and there are too few scenes in this regard. The narrative focus of the play shifts. The more abrupt scene, and even the scene that made the fans laugh, is that in episode 5, the characters of Dong Jie and Liu Yijun actually began to dance in the office.

This is actually a waste play.

Similar scrap dramas are widespread in the first 6 episodes of this TV series. Therefore, after 6 episodes of the plot, when the audience went to sort out the plot content, they found that they had chased 6 episodes, and they were only told one thing, after the female protagonist was told what the male protagonist did, the female protagonist did not admit that it was involuntary at first, but later, she said that it was involuntary. 6 episodes, only one sentence spoken. The narrative rhythm of this play is poor.

The main narrative impetus for the first 6 episodes of the show comes from the transformation of the female victim's mental journey. However, the script does not focus the narrative here, but on a lot of nonsense scenes similar to office dancing. In this way, the whole TV series seems to have a very poor story. At the same time, the consequence is that the audience feels that the change in the female victim's mental journey is abrupt.

In the narrative of TV series, many "fake fast" and "fake lively" are wrong and will cause harm to the entire TV series. For example, the part where Zhou Xun's character and his male partner check the monitoring is typical of "fake fast" and "fake lively", the rhythm looks quite fast, but it lacks the necessary connection with the main story, this kind of fast, it seems fascinated and busy, and cannot find the narrative focus. Therefore, I think that the "imperfection" of "Imperfect Victim" does not come from any actor, but from the script of this TV series, and there are many hard and wounding problems. These problems are not solved here by the two screenwriters Gao Xuan and Ren Baoru, and later, their other film and television works will still be the same.

"Time Knows" 5.1 points, "Return" 5.3 points, "Untouchable" 5.5 points, why do the works of Gao Xuan and Ren Baoru, the two screenwriters, continue to remain at the failing level? Script, script, script of a play. This time, "Imperfect Victim" is still a problem with the script. The screenwriter is technically not good, there is no way. (Text/Ma Qingyun)