"Sister Lang" Wugong: Eliminate the only professional dancer? Xu Huaiyu actually wins if he loses?
There have long been rumors that "Sister Lang's fifth gong Xie Xin was eliminated".
As the only professional dancer in the audience, Xie Xin waved goodbye to the five dukes, how outrageous it sounded.
However, under the trade-off and compromise of multiple factors such as the format and the popularity of the topic, the appearance of such a "bizarre" result can be regarded as cause and effect.
From this point of view, Sister Lang is a kind of epitome of the pain points of your circle.

Come, briefly talk about the five public perceptions.
One, "I Want You to Be Good"
A common drawback after multiple episodes of singing and dancing shows is that the reality show part of the practice room cannot find a real "effective" attraction.
Walking the progress bar without waves and pains can neither generate cute laughs nor pry controversial issues.
(Put a stage picture of the town building first)
This set of practice room parts is quite good-looking and belongs to the effective progress bar.
At first, I saw such an old-fashioned and deliberate bridge of "helping my teammates/captains celebrate their birthdays", and silently rolled my eyes.
Fake and cheesy, why bother.
As a result, it's funny and warm?
Let's talk about Cai Shaofen, who has been bouncing around, the actor's sense of faith and ability, it is seamless.
Didn't focus on "Look!" There is a laugh here", but it's funny instead.
Cai Shaofen pretended to have a stomachache to "adjust the tiger away from the mountain" to create a surprise, and walked in with his stomach covered and said "uncomfortable", which is very small and true.
Ella is eager to help her get medicine (in other words, Ella has everything, Doraemon setting)
Although I know that this is a birthday celebration of a variety show, I still think almost uncontrollably at the moment that product placement is going to be broadcast here!
I feel that the two of you are about to turn back and smile and take the medicine "XXX makes your stomach ache and no troubles"!
After that, there is the "dance of demons".
Ella heard the movement in the door and turned around to change her emoji in seconds.
A group of people wearing chickens, little frogs, all kinds of cute cute cute hoods, hula poured in.
They are all cute and cute, but inexplicably there is a sense of "dancing with demons".
A few people held up toy pistols and said "rob away all unhappy", rounding up the same earthy blessings as earthy love words, which sounds very cents, but the whole texture is cute.
In addition, it is particularly worth mentioning the sense of proportion that really spits.
In this section of the practice room, everyone writes handwritten cards.
Gong Linna looked at them one by one, and when she complained, "there was no acting skills, it was all feelings."
After reading it seriously for a long time, Cai Shaofen wrote, and finally frowned with a look of disgust: "What is this."
Turning to what Zhang Jiani wrote, he complained that "I don't even know where to start."
Gong Linna Benna, of course, did not escape the fate of being spit on, and was loudly debunked by Zhang Jiani "love", "love" and "love", each of which is love.
One of the core of complaining lies in the sense of proportion.
If it is too light, too fake and too deliberate, the perception will be very rusty and greasy, and it will lose points;
In the first half, the "sweet" spit of a female idolin in the next group caused discomfort in minutes.
In addition, (in this kind of show), the real landing point of spitting is always light and disparaged, and complaining that artists write cards badly, so as to present everyone's good feelings, good atmosphere, cheerfulness and naturalness.
This paragraph is also natural at this point.
Another example is Gong Linna's saying "I find that the longer it is, the more like Zhang Jiani", being besieged "What misunderstanding do you have about yourself", which is also very lively.
The most important thing in this set of stages is the emotional card.
The ultimate use of the emotion card is to make the emotion card imperceptible and have no trace of motivation.
For the short preparation and direct output mode of the variety show stage, this is too difficult, and on the whole, "I Want You to Be Good" is already good.
The background picture of the stage presents the past moments of all the sisters in "Riding the Wind" one by one.
(It is better to eat with the picture of many sisters crying in the audience)
For the show, the two sides of N seasons and episodes are "the exhaustion of repeated bottlenecks" and "the long love accumulated over time into the atmosphere".
In a sense, just like the episodes after N seasons, it is difficult to come up with new ideas and frequent surprises, but on the other hand, the sense of companionship along the way will form inertia and stickiness.
"I Want You to Be Good" starts the scenes of various sisters in this season, although the emotional radiation dimension is limited, but it has a sense of "graduation ceremony" that is in love.
When the stage costumes of several sisters are like wedding dresses and the streamers fall in the sky, people feel: rounding up is a bit like the perfect ending that should be there when the final group is formed~
From a singing point of view, this group is also considered to be a good finish.
Cai Shaofen's sister is working as a comedian in every episode, and she has actually improved a lot? The tail note of "late" is beautiful;
Sister Qu Ying's first paragraph is delicate, heartfelt, and very beautiful (although one part of the subsequent singing section feels particularly old).
Needless to say, the professional Gong Linna and Ella needless to say.
Although the chorus part sounds slightly "over-trimmed and trimmed the grainy details" of "too neat", the completion is good inside and out, from the song to the stage, from the people to the emotional cards.
二,Lonely Dance
How to describe the transliteration of "Longli Electric Wire", I can't even look directly at the original English words
Amber and Chifu, both dance professional abilities are online, style and presentation, I personally prefer Amber's part.
Maybe it's because it's very different from her previous performance, or maybe it's simply because this paragraph is in place from jumping to choreography to interaction, and it's very tense.
On the internal entertainment stage, there are not many stages that truly present the sexy texture.
Either bound by shy and nervousness, or overwhelmed by excess and greasy.
But Amber's section, it feels just right.
Loose and moderate, staggered and smelly.
The expressions of Xiaomei, Liu Xijun and Amber are also cute.
Hahaha The action of covering your eyes is very essential!
Surprisingly, Amber scored relatively low.
If we talk about existence, she has a high proportion of existence;
It's just two episodes up and down Wugong, whether it is presented on stage or in the offstage practice room, it is full of Amber space;
Not only many shots, but also story lines and interactive lines;
However, there is a deviation between the "sense of existence" and the "sense of surprise", and it is difficult to be cute and brilliant in a large number of practice rooms;
But the stunning presentation on the stage is different from the result of the votes.
It's a bit hard to review.
A-Lin tamed her hands and feet to dance, and while her forceful expression somehow always reminded me of Gai, it didn't matter.
A-Lin was ridiculed by netizens after the song: What happens after becoming a golden song? It's not about going back to Changsha to practice singing and dancing.
At that time, the focus of everyone was that a person He De He could sit on the three golden movies and always love to "challenge himself" after the song, but this point has been diluted a lot in the Five Gongs and there is almost no trace.
From A-Lin's personal point of view, she is willing to step out of her comfort zone and challenge singing and dancing, and there is nothing wrong with it.
A-Lin is willing to break into the "non-comfort zone", one, there is no "moral unworthiness" problem that raises questions about fairness or professionalism;
Second, she previously belonged to the state of "having a dragon slaying knife but not giving full play" in the show, although it cannot be said to be a pearl dark cast, at least it will definitely not cause a negative perception of "singing, dancing, cuteness, why is it always her".
Of course, I personally prefer "Don't Be Alone Again" in which A-Lin and Xu doubtfully collaborated in the first half.
Xu Huaiyu from a strange paddling when he was a gong, to tears in the practice room after that, and now the practice room is full of jokes "I have no dead ends", which is a complete re-luminous story line.
Program presentation, review fermentation, and audience feedback are all important links.
Previously, Xu Huaiyu sang "Midnight to the Morning", which was considered to recover half of his strength, and he could hear "Oh, he turned out to be a singer", and now he is partnering with A-Lin and has gained a sense of smooth wind.
Being able to walk a few kilometers is not entirely proportional to the "effective presence".
Xu Huaiyu came to Sister Lang, from the city to the state of "riding the wind", this can be regarded as really riding the wind.
Third, "Starlight Party"
The practice room part and stage part of "Starlight Party" are presented with the main line clip of "Amber boss supervises/monitors/pushes everyone to practice".
In the front, there is the practice room Amber and everyone to make a strange sense of "mopping the floor per capita", and then there is a meme of "hanging up the boss Amber's phone" in the stage screen.
From the perspective of production ideas and material trade-offs, the core line of this part is very regular and clear.
The artists in the practice room are also enthusiastic and cute, but the presentation is average whether it is the practice room or the stage.
(Personal perception of the clothes worn outside the underwear is a bit ugly, I have no objection to this way of wearing, nor do I intend to interfere with the freedom of dressing, simply think that the selected several bodies are visually not good-looking)
From the perspective of moderation, Chen Yihan's vitality girl + sweet and cute sense of both visual and song stage painting style.
(Although she herself denied this label when the first episode was launched, what she actually presented on stage was still Genki Sweet)
Liu Xijun is very stable, but her characteristics are slightly suppressed under this sweet and brisk route.
Originally, wanting "personal characteristics, track style adaptation, growth line highlights, and stepping out of the comfort zone" were all online, which was a problem for people at the right time and place.
Xiaomei's ability is online and her painting style matches, but the presentation of her on this stage seems to be slightly scattered.
Gina's match with this number is moderate, and it is also higher than the handsome power type she has tried before, but her sense of presence is low.
It is a case where cross-border professionals have not found the right way to open it.
There are no obvious grooves in this section of the various sisters, but the overall effect is slightly flat.
Singing and dancing are lively and lively, and the atmosphere is good.
But there is no appeal to express dimensions;
There is also no entertainment dimension of the "out of the stem" material library;
There is also no real singing and dancing infectious power.
Not up or down, not salty or light, after many periods it looks dull and boring.
Over time, it is easy to enter the internal friction cycle, and probably fans say to themselves, hoarse "so cute progress, so good", empty and unechoed.