The beauty of the gorgeous Xiangjiang has just won the award when she debuted, and now she is still hanging domestic entertainment

I watched "I Love You!" the other day! 》。

Attracted by the theme of love for the elderly and entered the theater, the film did not poke me much, but it also shocked me for a long time.

In a word: nothing new, only acting skills.

In Ni Dahong, Hui Yinghong, and Liang Jiahui, you can see with the naked eye a splendid human nature that breaks through the shackles of age, and even every hair is performing the unceasing pursuit of love.

But what I remember the most is that there is another person:

Ye Tong.

At the age of sixty, goodbye to her was already gray-haired and amiable.

She plays a woman with Alzheimer's disease who is dependent on her husband who picks up rags.

The difficulty of the performance is that she is in a confused, stupid mental state most of the time.

And to act a chaos "precisely" sounds contradictory.

But Ye Tong still did it.

The world only said that she was the strongest Xu Immortal in the national service, but not many people realized how legendary she was. She once used her hue to amaze Xiangjiang, and she once overwhelmed the group with her strength.

Now that he has returned, he still makes this circle brazen.

In front of this woman, Neiyu still only has the part to rub his face on the ground.

Ye Tong was either born as "Xu Xian".

In the early days, she was a gorgeous and solid "sexy girl".

Ni Kuang once said: "Ye Tong is really strange, no matter how you look at her, she is not a very, very beautiful woman, but how you look at her, she is a very, very beautiful woman." ”

There are countless sexy goddesses in Hong Kong in the 80 and 90 years, and they are "100 Meisheng".

And Ye Tong has few ravines, quite a wild and murderous beauty, but the heroic spirit is not strong, but the carnal desire is not out of line, breaking the bottom plate of gender.

In one word, it is, rigidity and softness.

Even in the group photos of the goddesses of the Hong Kong circle, you can still smell her unique temperament.

If in "Agni Youth", Xia Wenxi is responsible for the fiery desire, then the kind of floating waves and innocence that Ye Tong exudes is a natural youth.

"Fire Youth" is her first contact with the big screen, and Leslie Cheung, who plays with her, is surprised: "This girl is a genius, and she is very free." ”

Sure enough, at that year's Academy Awards, she and Xia Wenxi were both nominated for the Newcomer Award.

And this is just a starter for her to win the award "open hanging".

In the early days of his debut, Ye Tong had an extremely expansive vitality: casting at will, acting from heart.

Perhaps because of the new wave of Hong Kong films, experimental scripts and breakthrough roles emerged one after another in those years, which just catered to Ye Tong's daring to challenge.

In "Seven Days of Love", the married young woman Yang Naidong played by her is pure and reveals a bit of enchantment, which can be described as the originator of pure desire in her early years.

Yang Naidong and the security guards who were sent to guard him were in the same room, and gradually developed a personal relationship. At first, she cursed at the other party constantly, as if she hated it deeply.

But the next second, he walked forward curiously and played with candles.

Just 20 years old, she not only took a script beyond her age understanding, but also performed the subtlety of the humidity and heat between a lonely man and a widow, and this wonderful and bold performance won her first Academy Award.

Since then, Ye Tong has been favored by many directors and producers, and films have come and gone.

Before Maggie Cheung opened the second line of Rendu in 92, she became the first actor in Hong Kong to win two Academy Awards, and all thanks to her talent and wisdom.

Ye Tong's acting wisdom lies in daring to make a play, and the second is in daring to make a play.

In "Waiting for the Dawn", as the traction of the triangle drama, she not only leaves room for the two male protagonists to reflect the true colors of heroes, but also performs the iron-clad spirit of a woman in the turbulent years.

After the second seal, "Marriage Don't Talk" is like a reincarnation, Ye Tong once again challenges a frustrated woman in marriage, Xin Keer, but this time she interprets this role with almost three face-changing performances, the domineering and strong in marriage, the fragile neuroticism during marriage change, and the confidence and generosity after regaining a new life.

The most wonderful is like a marriage change. When she learned that her husband was cheating, her first reaction was anger, and she vented and cried on the highway regardless of life and death.

But the next moment, she fell into a deep dazed and melancholy state.

Obviously, after the emotions settled, she did not know what her next step should be.

Ye Tong is an actor who is very good at mobilizing expressions and body language, facing the different crying scenes of "Marriage Don't Talk", when to be hysterical, when to be pitiful, and when to cry silently, it seems that they all need some skillful scenes, but she acts like a primitive reaction.

One moment was still working seriously, the next second the customer left, she directly went crazy without warning, but it was not surprising, she only felt distressed.

This innate sensitivity to human nature made her the brightest color of that era.

Life is like a revolving door, and you can never know whether there is a situation or a predicament behind the door.

The early 90s were a turning point for Ye Tong's career.

In terms of popularity, she has undoubtedly reached the highest point of her career. But in terms of artistic achievements, she almost gave up the rivers and mountains she worked hard for.

At the end of 91, "Ruan Lingyu", which played with Maggie Cheung, was released, Maggie Cheung played Ruan Lingyu, and she played Lin Chuchu, the wife of Hong Kong's original director Lai Man Wai.

Her drama is not much, but it is still scary. As an actor, Lin Chuchu is the most standard image of a good wife and mother and an oriental woman in film history, and Ye Tong's interpretation discovers the sorrow and sorrow under her shell, and every smile is sad.

But in front of Maggie Cheung, who had entered her peak, her light was suppressed for the first time.

I still remember watching the original film of "Ruan Lingyu", interviews, behind-the-scenes and performances interspersed with a whole promotional period, and my heart was shocked.

Maggie Cheung's smile and every move make it impossible to tell whether it is Ruan Lingyu or Maggie Cheung. When she played Ruan Lingyu finished work, she still cried under the quilt, and in an instant she couldn't tell whether she herself couldn't play or Ruan Lingyu couldn't play.

The few taps in the play seem to have become the handover ceremony of the two film goddesses.

Relying on "Ruan Lingyu", Maggie Cheung won the Golden Horse Film, and also entered the Berlin Film Festival in one fell swoop, winning the first A-class film, and since then she has opened her road to ascension.

At that time, Ye Tong chose to cultivate in the field of Taiwanese TV dramas.

So in this year, the two queens, known as double film queens spanning the 80s and 90s in Hong Kong, embarked on completely different paths.

But even if he starred in TV series, Ye Tong still didn't want to do "good cards".

In Wanwan Migrant Worker's first TV series "Blue Sea Love", she dressed up as a man.

Don't pretend not to know, pretend to be scared.

Ye Tong, who wears men's clothing, is both handsome and handsome, like a son from a scholarly family.

In fact, as early as the 90-year movie version of "Smiling Rivers and Lakes", Yue Lingshan, played by her, already had a plot of a woman pretending to be a man. And this time men's clothing has allowed many directors and producers to discover the potential of her menswear.

Later, we all knew that Ye Tong received a role that changed her life - Xu Xian.

"Anti-string" requires a great sense of faith, and Ye Tong is precisely a person who is meticulous about the play. When she receives the role of "Xu Xian", she will check the character information to figure out the conversation, expression and actions of "Xu Xian".

Looking closely at the Xu Xian she played, it is actually very elegant. Xu Xian is a cowardly scholar, so the Yan Muzhong she plays is always mixed with a trace of decline, and she is definitely the kind of serious funny artist now.

When a fitness trainer forced me to do cardio I was like

Every time he called "Niangzi", he felt a ghostly stupidity, and at the Dragon Boat Festival, he was frightened by Bai Suzhen's real body and lost his expression management.

"Spoiled wife and decaying boy" and "dazzling wife crazy demon" are such novelties in the 90s, and the explosion of the drama seems to be expected now.

But this explosion made Ye Tong fall into the throes of his acting career.

After acting in "The Legend of the New White Lady", many directors did not dare to find her to play the heroine because they were afraid that the audience would make a play.

She also tried many interesting roles later, but she never got past the stagnation of "Xu Xian".

Some people say that "after Ye Tong, there will be no more Xu Xian".

But more people say that she may become a fairy, and defeat may be a fairy.

The cheers brought by the golden sign of "Xu Xian" once covered her in a huge shadow.

However, looking at it today, Man Shen has closed the mountain, and all the beauties of Xiangjiang at the same time have basically retired.

Leaving the last silhouette and leaving is the proud mind of most beauties.

And it is Ye Tong who still guards the last dignity of Hong Kong's golden age.

In 2021, Guan Jinpeng remade "Rouge Button" in a variety show, and Ye Tong became his second "Ruhua"

Many people praised Ye Tong for his role in "I Love You! When performing, the four words "self-destructive image" are used.

But let me say that Ye Tong's career has never cared about "image", and this is why her vitality is so vigorous.

Whether it is the actress "Xia Fan" acting in a TV series, or the beauty "playing ugly" playing an old woman, what she has been doing is to let go of the burden and return to acting.

Because he was willing to be broken, Ye Tong personally plucked off the former aura; But also because she was willing to break, she carved herself into a beautiful diamond that refracted everything.

The gains and losses of life should not be paranoid and regarded as cruel. From Ye Tong, I read this peaceful elegance.

When Ye Tong switched to the field of TV dramas, her friends and fans in the industry were puzzled and puzzled, while she calmly explained that she just wanted something new.

She said: "I am willing to face this unknown, there is nothing for me to worry about.

So looking back at her role on the TV screen, it is basically a bold attempt to subvert the industry.

In "The Legend of the New White Lady", she played the first half of Xu Xian, the second half of Shilin, one weak and the other strong, these two characters with almost different temperaments were played by her into classics that cannot be surpassed.

After "The Legend of Relying on the Sky and Slaying the Dragon", she played the roles of Zhao Min and Yin Susu, and Jin Yong praised her after watching it: "Only she played Zhao Min is the best, performing the characters in my novel, thank her very much." ”

Ye Tong has always been like this, looking down on success or failure, and daring to think and live.

Whether it's career, or love.

Talking about her and Chen Guoxi's love story, it really responds to the saying "happiness is the result of two independent souls operating together".

The two have been married for more than 30 years and have always insisted on Dink's life.

Ye Tong has always believed that a woman's life is not only an option to go home with children, and her husband is also very supportive of her idea.

Ye Tong is willing to be ordinary, and therefore extraordinary.

In the glitz of the entertainment industry, she has followed her heart's will all her life and is unwilling to bow to the world.

This tenacity, and her indistinguishable beauty, are symbiotic.

The media always compare her recent situation with that of actresses of the same generation, saying that she no longer looks good.

But in her naturally aging face, I saw endless vitality.

Life is in a hurry, and the beauty of connotation can pass through the fog of time to reach people's hearts. Such beauty is like an empty valley and a beautiful orchid, which is naturally noble.

Image source | Weibo @614

Because of such a face, she is enough to make the entire entertainment industry overshadowed.

Ye Tong's body hides a glorious era.

She is both the protagonist and the spectator of this era.

18 years ago, she and Chow Yun-fat starred again in "Peace Hotel", which was the last time the two collaborated and the last movie that Chow Yun-fat went to Hollywood to develop.

She is accustomed to seeing such scenes, and has also witnessed and watched one after another superstars in the limelight, walking towards a broader world stage.

But I didn't feel like she was left where she was.

In the condensation of the years, she has become an intermediary to bridge an era, she has achieved too many works in the past, and the value of these works is eternal.

Perhaps by personal choice, or perhaps by chance, she failed to become a "legend" like Manshen.

But she chose to become a more hidden "legend". You only remember her when you overhear her, but you are always moved by it.

Ye Tong's story is never short-lived, but a long stream that will not be broken.

I love you! She reminds me of how performing is an art that consumes the soul:

Her character suffers from cancer and is consumed by severe illness. And this "pain" performed out of thin air can rush straight out of the screen from her physical demeanor, shocking your and my senses.

At the end of the act, she is exhausted and exhausted.

Ye Tong's performance has a kind of fortitude, she is not afraid to temper herself, and she does not hesitate to exhaust her strength.

And in the last scene, she suddenly sobered up with tears in her eyes and recognized her lover in front of her. The light and tenderness that suddenly appeared in her eyes added a soul-like stroke to this character.

Now she has few leading roles to play, let alone the filters and halos of the goddess. But the light emitted by her burning soul could no longer be ignored with just a glance.

This is the power of a woman who is both strong and soft.

To know:

Only "Xu Xian" is remembered, and it was never Ye Tong's loss, but the loss of you and me.