Most of the entertainment industry has fallen into "semi-permanent", whether it is Zhang Yi Jin Dong, or Liu Mintao Zhang Kaili
Recently, there are really new dramas, this is not, Ju Jingyi's new drama "Hua Rong" started in early June, as a 4,000-year-old beauty, she doesn't say anything else, this appearance is indeed very beatable, but is she too beautiful to be the same?
You know, Ju Jingyi has acted in a total of 8 costume dramas in 6 years from 2017 to now, and almost every one of them has the same shape, and it is even difficult for you to tell which style is which drama, it is simply to the point of watching it repeatedly.
It stands to reason that the actor should adjust the makeup in combination with the performance of the character's state, but in her here, there is no existence!
In these dramas, whether it is kidnapping or the death of a loved one, her makeup will not change in any way, and she is still exquisite.
Ju Jingyi's makeup semi-permanent is terrible, but if you think about it, most of the entertainment industry seems to have fallen into "semi-permanent", and just one makeup can no longer set off any storms.
First, some big coffees have fallen into the trap of "character homogenization"
Take Zhang Yi, who recently won the Huabiao actor, his acting skills are of course undoubted, and now he is simply the leader among the "Mesozoic" male stars.
But no matter how good Zhang Yi's acting skills are, he can't escape the powerlessness brought to him by constantly creating the same role. The blockbuster drama "Crazy" at the beginning of the year allowed all the members to enjoy the role dividend, although the character image of the policeman Anxin played by Zhang Yi was not as plump as the villain, but it was still a mess.
But only three months later, Zhang Yi played the policeman Wei Guoping in "Who Is He", and the similar image makes no difference, and even the audience will be bored by the lack of freshness.
In fact, for Zhang Yi, who was born as a literary and artistic soldier, playing a righteous policeman is simply easy. This led to Zhang Yi becoming a police professional, and from his entry into the industry to the present, the police officers he has played can even see the evolution of police uniforms from him.
Obviously has been deeply complained about because of the role solidification, Zhang Yi still has no idea to jump out, on the red carpet of the Huabiao Awards, director Zhang Ji revealed that Zhang Yi will play the role of a police officer again in his new movie "Three Major Team", Zhang Yi is not tired of our audience.
The late bloomer Jin Dong became a household name at the age of 39 with the calm and responsible Ming Lou in "The Pretender", and the elite image he showed with elegant demeanor and capable temperament was recognized by many audiences.
But Chengye elite, defeat elite, since then Jin Dong's role began to solidify, forever big back with suit and tie, anytime and anywhere with a shelf, with a preaching tone, anyway, it has nothing to do with the word poor.
The congratulatory letter in "My First Half of Life", Luo Bin in "Elite Lawyer", and Tan Zongming in "Ode to Joy" are all exactly the same image, without any new meaning.
Later, even the fans who followed him couldn't stand it, and Jin Xing, as a fan, once complained in public that Jin Dong's role was too similar, which disappointed him very much.
Doesn't anyone want change? With Li Yunlong in "Bright Sword" Li Youbin, who is popular all over the country, because of this role, he was invited by many military-themed films and television, and he turned his head into period dramas when he wanted to transform, but finally disappeared quietly.
The image of many people in the entertainment industry has been shaped in our hearts.
(Huang Jingyu's soldier)
(Yuan Quan's female elite)
(Tong Dawei's husband)
That explosive character has made them, but at the same time bound them, if they want to transform, they have to face unknown risks, which makes them willing to be "solidified".
Second, some actors "solidify their acting skills" and apply templates handy
Once you act a lot, then the actor will not think about it himself, and the acting skills will stagnate, just habitually apply their own set of acting templates, when the popular little flower Zhao Lusi is like this, she has already exaggerated staring pouts shaking her head and smoking and engraving her lungs.
Zhao Lusi applies the Korean glaring rule to every drama she starred in, regardless of three seven twenty-one, all of them can be stunned.
Therefore, whether it is a costume drama, a modern drama or a period drama, you can see her pompous performance to the extreme, which not only makes the actors who play the opposite drama unable to catch it, but also makes the audience feel very dramatic, which is really a disaster scene.
But this kind of patterned performance is not only available to young flowers, there are more old actors who are not enterprising because they have figured out the routine, so that they have become "old drama bones" and become "drama bastards", which is very embarrassing.
When she was young, Zhang Kaili became popular all over the country with the kind and virtuous Liu Huifang in "Longing", but as she grew older, there was more moisture in her acting skills.
Zhang Kaili, like Zhao Lusi, adopts a startled performance method, she only needs to lock her brows, widen her eyes, raise the volume, crackle the lines for a burst of output, and then with the gestures she thinks are very powerful, the appearance of pretending is annoying.
With the blessing of high-scoring dramas such as "The Pretender" and "Langya List", Liu Mintao has become an "old drama bone".
But she seems to have begun to float because of the explosion of the song "Red High Heels", and the road towards pompousness is gone.
In the play, Liu Mintao is always exaggerated, shrugging his eyelids, putting on a look of disdain for everything, and even rolling his eyes.
And Liu Tao, who is one word different from Liu Mintao, is now even more "10,000 suspects", and her sleepy acting skills have long been not tolerated by the audience. In "The Beginning", she habitually raises her chin, her eyes are slightly narrowed, and she looks like she has not woken up.
In "The Courtyard of the County Party Committee", she still can't open her eyes, as if she was glued, and her face is full of exhaustion.
Third, the protagonist is always the protagonist, and the supporting role cannot come out
The protagonist seats in film and television dramas have actually been fixed, high popularity and national popularity are the key factors in casting, and the solidification of resources makes the protagonist always the protagonist, and the supporting role is always a supporting role.
The entertainment industry has formed an invisible barrier, turning on the TV back and forth with just a few people.
One second, Wu Lei and Reba's "Long Song Line" made everyone kowtow a sibling CP, and the next second, Wu Lei reorganized the CP with the female second Zhao Lusi in "Long Song Xing", and let everyone knock to death.
Wang Hedi and Yu Shuxin, who were on fire with "Canglan Tips", were also the same, pairing up in pairs and playing with the real couple Bailu Zhang Linghe.
In fact, the protagonist monopoly has always been like this, this is simply 85 flowers playing the rest, as long as it is a well-known actor, it cannot escape the CP mix.
But this kind of "changing love" has made many netizens begin to disgust, entering this cycle to dominate the screen, not only makes the audience feel tired, but also makes others less opportunities.
Take Zhao Lusi and Ju Jingyi, their acting skills are completely unable to support the role, let alone be the protagonist, even if the starring TV series has a poor reputation and low rating, it still does not affect their continuous resources.
And like Guo Xiaoting, who played a supporting role in "Canglan Tips" but was exceptionally brilliant, even if her acting skills were praised, she still couldn't be the protagonist, she couldn't squeeze that seat at all, and the same is true for all-round supporting roles like Tian Yu and Liu Lin.
Because the allocation of resources also has the "law of two eight", many powerful actors can not show their talents, the old actor Pu Cunxi once said with emotion that he has no opportunity to work, and there is no place for him in the film and television market, which makes people feel very sad.
The more trafficked artists are, the more they care about the order of positions, and they habitually dominate this resource and become one, and fans will be complacent. Therefore, when the TV series "Harbin 1944" announced that Qin Hao was the first and Yang Mi was the second, it also caused heated discussions.
Fortunately, in the end, Yang Mi stood up and said that the shaping of the role is the most important thing for the actor, and those empty positions should make way for the role, which calmed the turmoil and broke the tacit rule of the top improper second time, and made a good start.
If the stars just want to lie in the comfort zone of "semi-permanent", play the same role in front of the protagonist, and use the same performance method, then they will eventually become procedural robots and the audience will lose their freshness. Instead of this, it is better to try diversified roles, study acting skills attentively, and get out of this comfort zone, maybe there will be new changes.