The girl leaned over slightly, looking down intently at the man lying in front of her.
Her careful movements, her serious gaze without blinking, all showed her sincere feelings. The man lay his head against the window, resting his bent legs on the girl's side.
This is a third class carriage. Their seats are not directly opposite the shimamura, but diagonally opposite. So only half of the face of the man lying on his side was reflected on the window glass.
The girl was sitting diagonally opposite, and Shimamura could have seen her directly, but when they first got into the car, her charming beauty surprised him and he couldn't help but look down.
At this moment, Shimamura saw the man's sallow hand tightly grasping the girl's hand, and he was embarrassed to look at the opposite side again.
The man in the mirror only looked at the girl's chest when his face looked serene and calm. The thin body, though weak, carries with it an atmosphere of comfort and harmony.
The man rested his scarf under his head, went around his nose, tightly covered his mouth, and then wrapped his cheeks upwards. It's like a way to protect your face.
But the scarf sometimes falls loose and sometimes covers the nose. At the moment when the man's eyes were about to move but did not move, the girl used gentle movements to re-wrap the scarf.
The two innocently repeated the same action, making Shimamura look a little anxious. In addition, the hem of the coat wrapped around the man's feet was loosened from time to time and pulled down.
The girl also immediately noticed this and re-wrapped him. It all seems very natural. That gesture almost makes people think that they have forgotten the so-called distance and gone to the boundless distance.
Because of this, Shimamura did not feel bitter when he saw this sadness, as if he had seen an apparition in a dream. Probably these are all illusions in the illusory mirror.
The twilight view moves behind the mirror. That is to say, the virtual image reflected in the mirror and the real thing behind the mirror are shaking like the superimposed shadows in the movie.
There is no connection between the characters and the background. Moreover, the characters are a transparent illusion, and the scenery is a hazy undercurrent in the night mist, and the two dissolve together, depicting a world of transcendent symbols.
Especially when the lights in the mountains reflect on the girl's face, the indescribable beauty makes Shimamura's heart almost tremble.
Above the distant peaks, there is still a faint remnant of the sunset. The silhouette of the scene seen through the window glass of the car retreated into the distance, but it did not fade, but it had faded.
Although the train continued to run forward, it seemed to him that Yamano's ordinary posture became more ordinary. Since nothing attracted his attention very much, there seemed to be a huge current of feelings looming in his heart.
This is naturally due to the girl's face appearing in the mirror. Only the part of the figure reflected on the window glass obscured the twilight outside the window, but the scenery was constantly moving around the outline of the girl, making people feel that the girl's face was also transparent.
What about transparency? This is an illusion. Because the twilight that kept passing behind the girl's face seemed to flow from the front of her face.
Fixed on the eyes, but confused. The carriage was also not very bright. The image on the window glass is not as clear as the real mirror. The reflection is gone.
This made Shimamura see the god, and he gradually forgot the existence of the mirror, only to feel that the girl seemed to float in the passing twilight.
At this moment, the girl's face flashed with lights. The sharpness of the image in the mirror does not diminish the light outside the window. The lights didn't erase the image either.
The light flashed from her face like this, but it did not illuminate her face. It was a cold light cast from afar, vaguely illuminating the area around her eyes.
The moment her eyes overlapped the lights, she was like a glamorous and beautiful luminous worm flying in the afterglow of the setting sun.
Ye Zi naturally did not pay attention to others observing her in this way. Her heart was devoted to the patient, that is, she turned her face to the side of the island village, and she would not see her own figure reflected on the window glass, let alone pay attention to the man looking out the window.
Shimamura peeked at the leaf for a long time, but he did not think that doing so would be rude to her, and he was probably attracted by the illusory power of twilight in the mirror.
Perhaps Shimamura, who showed a little too seriousness when he saw her calling for the stationmaster, has developed an unusual interest in her since then.
By the time the train passed through the signal station, it was dark outside the window. As soon as the view flowing on the window glass disappears, the mirror loses its appeal completely.
Although Leaf's beautiful face was still reflected in the window, and her expression was still so gentle, Shimamura found in her that she seemed to be particularly indifferent to others, and he did not want to wipe the blurred mirror.
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