Traditional Chinese painting has lasted for thousands of years and has developed to this day, and if there is any discipline that is most likely to achieve new breakthroughs, it is mostly figure painting.
The artistic standards achieved by the predecessors in traditional landscape and flower and bird paintings have been quite unattainable, and it may be difficult for today's people to reach them before the emergence of cross-era masters.
Figure painting is somewhat different, in modern times, the aesthetics of human appearance have undergone several changes, new aesthetic standards have also spawned a new style of figure painting, especially after the founding of the People's Republic of China, Xu Beihong integrated the Western realistic modeling concept into the Chinese painting teaching system, which has had a profound impact on the development of Chinese painting.
This post-80s beauty painter Liu Yao, not only looks very beautiful herself, but also her contemporary gongbi characters are equally beautiful and amazing.
The first sight of her works gives people a sense of beauty that washes the soul and the vibration of the spirit.
The picture is otherworldly clean and spotlessly clean.
The girl's bright eyes and faint eyes in the painting look so pure, permeated with a rhythm of life.
Delicate brushstrokes, light lines, light and elegant coloring, and rigorous composition all show the painter's profound modeling and expressive ability.
The creation of the artistic conception of the picture is the true portrayal of her "mental image" and the natural expression of her personality and emotions. It is a sentimentality for the beauty of fleeting youth, and an aria for a good life and human nature, real and euphemistic, subtle and profound.
Needless to say, the painting is like a person, from her works, we can judge that this is a talented female painter who loves life, has delicate emotions, has a heart and blue nature, and exudes spirituality.
It is undeniable that the artistic feeling expressed by Liu Yao's gongbi figure paintings in terms of techniques and colors is very distinctive and distinctive characteristics of the times, which is more in line with the aesthetic tastes and requirements of modern people. The picture is exquisite, fresh and elegant, with both style and strong interest, which is refreshing.
Although Liu Yao's painting style belongs to hyperrealism, she uses multi-layered blending and simple outline to attach a hazy atmosphere of truth and illusion to the clear and delicate realistic human body.
It's like the orchid of the valley in the red dust world, emitting a faint fragrance! It brings a subtle poetic mood to the viewer.
"The sense of purity and tranquility of the figures in the paintings is what I want to convey to the viewer, which is also a summary of my personal aesthetics and own tastes in my artistic creation, and it is also an important entry point for the value standards that distinguish women's subjects from the previous male perspective." ——Liu Yao