Wu Wei was a native of Jiangxia, his father died early, and when he was young, he was adopted by Qian Xin, the envoy of Huguang, and came to Changshu, Jiangsu Province. Wu Wei has shown a talent for painting since he was a child. He is better than white characters. Shi was on a par with Du Yan, Shen Zhou, and Guo Yi. With the pen unrestrained, the ink splashed like a cloud when painting, the onlookers were horrified, the big and small twists and turns, each with its own order, everyone was impressed.
Liu Hai Toad Figure Ming Dynasty Wu Wei
This picture of the old Pine, the immortal bangs toad bent head obliquely sitting on the rock, looking at the lower right of the canvas three-legged toad, the toad as an open eye gaze, as if there is a posture ready to attack, when moving, the four eyes intersect, very vivid.
Pipa Beauty Figure Ming Dynasty Wu Wei
This figure depicts a lady with her head bowed on her side, holding a pipa with a sad look. The author uses a short brush and ink sketched in near white to outline the figure, and the lines of the clothing are smooth and smooth, like clouds and flowing water, and only in some parts are slightly rendered in light ink. The picture does not have any background, the main body is prominent, concise and bright.
Figure of the displaced people ming dynasty Wu Wei
This volume depicts the various situations of displaced people in the city with a sketch in general. Displaced people are not only beggars who have lost their homes, but also the nine streams of the lower strata of society. The Palace Museum has a blind painting of a group of willow shades that can be said to be an early painting depicting this subject. Wu Wei's scene of blind singers fighting with musical instruments in this volume can be seen to be in the same vein, and this volume depicts the lowest level of the city figures, reflecting the social reality at that time, which is really rare.
Beihai Zhenren Portrait of Wu Wei in the Ming Dynasty
This painting Beihai Zhenren sits on top of the spirit turtle, free from nature, and the shape is very leisurely. The characters are vivid and the lines of the clothes are strong and powerful, which is a masterpiece of Ming Dynasty figure painting. There are Shen Zhou's long questions on the canvas, with steady penmanship and upright posture. The two paintings and calligraphy are brilliant, super elegant.
Song and dance figure Ming Dynasty Wu Wei
The picture shows a group of people dancing around the ground, but the 10-year-old girl named Li Nunu. The fox either savors on the side, or stares down, or raises his eyes to contemplate, or twists his whiskers to meditate. The female prostitute who sits with her or mechanically plays the accompaniment, or sits absent-mindedly with her sleeves.
Reading under the tree Figure Ming Dynasty Wu Wei
The content of the picture shows the traditional theme of secluded cultivation, a middle-aged scribe rests under the tree after farming and pasture, reads books on an exhibition, and enjoys himself. After the middle of the Ming Dynasty, politics became increasingly corrupt, and the road to the imperial examination was full of uncertainty, so many literati developed the idea of escapism and chose to live a leisurely life away from the officialdom. Wu Wei went to and from the court twice in his life, and he had a profound understanding of the officialdom and the people, and such subjects appeared in his pen many times. This role of the pen is dashing and vigorous, mostly with the side of the pen, sharp and exposed.
Fisherman Figure Ming Dynasty Wu Wei
Wuling Chuntu Ming Dynasty Wu Wei
The picture depicts WuLing Chun sitting in front of the stone case, bowing his head and contemplating. The background and furnishings are very well-groomed, and there are pens, stones, books, and pianos on the case. With a very simple symbolic technique, it sets off the noble sentiments of this talented woman. Wuling Chun, passed down as a famous prostitute in Jiangnan at that time, whose original name was Qi Huizhen, liked to read since childhood, could write poetry, and could compose music.
Qingjin Tu Ming Dynasty Wu Wei
Confucius led his disciples to seek out the world to spread the idea of benevolence and morality, and when they encountered a river and got lost on the way through the old street of Xinzhou, they asked Zilu to ask the two hermits where the ferry was, but they were ridiculed by the hermits. The whole width is done on the sprinkled gold note to do the white drawing method, the line drawing is sprinkled, not on the mortar, it looks like a cursory, and it is really pertinent.
Iron Flute Scroll Ming Dynasty Wu Wei
In the ancient pine edge of the pictured courtyard, the Yuan Dynasty poet painter Yang Weizhen sat on a chair, wearing a Huayang scarf, bowing his head sideways and contemplating, his eyes were downward, his long beard was hanging down, he was wearing a wide robe, his waist was wideband, and his right hand seemed to be pressing his fingers to deliberate on the score. On the left side, there is a stone table, on which are displayed vases of flowers, books, pen holders, pots and other stationery supplies. The three ladies before and after sat or stood, with different looks.
Woodcutter Figure Ming Dynasty Wu Wei
This picture depicts a treeman Peach Chai homecoming, the mountain breeze is refreshing, the characters are pleasant, this or not the ordinary firewood shooter, may be Zhu Maichen and the like, have a fixed state plan, the face is wide-eyed, or it may be the author's own portrayal. Its pen is turbulent, it has opened the white sun, and the wind of the green vine yi pen.