"The Legend of Yunxiang" is finally broadcast! As Chen Xiao's last costume drama inventory, how many people are waiting with expectation and reluctance, for Mao Xiaotong, it is also a long-lost martial arts drama, and there are many realistic dramas that have been watched, and many people are looking forward to her ancient costume.
After watching the six episodes of the premiere, you know that this taste is right, and the audience has not seen such a sensual martial arts drama for a long time!
The setting of "The Legend of Yunxiang" is that the woman is strong and the man is weak, the male protagonist Yunxiang is the jianghu version of Mei Changsu, a strategic-type son, the female protagonist Shuya is full of chivalry, is a female hero with both martial arts and wisdom, the two join forces to break into the rivers and lakes, meet God to kill God, meet Buddha and kill Buddha.
The progress of the plot is also powerful, and the two episodes are two wise and brave to solve the problem and completely join forces, both serious and serious rivers and lakes, and sometimes humorous plots, which are not boring or overly dramatic.
The lens picture has texture, the scene is not fake, the lens is not shaky and has a composition, the picture is very eye-catching, which is a rare level in domestic dramas.
In terms of action scenes, Mao Xiaotong has undertaken more than half of the scenes, and it seems that Mao Xiaotong's actions are not protracted and clean, although there are still some cases of chassis instability, but the excellent action pictures still help a lot, and the overall look is comfortable and natural.
Chen Xiao's trick in the play "Escape Ten Breaths", like a very Lingbo microstep, can only use ten moves, it can be said that it is powerful and brings a little joy.
The performance and lines of the two did not disappoint, Mao Xiaotong's lines are really excellent, Chen Xiao's small designs in the performance are also very accurate, and the two are considered to be a top match in the acting skills.
There are also the blessings of Wang Jinsong, Hui Yinghong and other drama bones, and Huang Haibing and Qin Lan, who are very popular in the country, also came. But Qin Lan, why did you open dermabrasion alone?
After the premiere, "The Legend of Yunxiang" unsurprisingly received a large number of praise, but under this praise, some viewers expressed other opinions, that is, this drama is not so good.
Whether a martial arts drama is good or not depends not only on the action scenes and the feelings of home and country and the morality of the rivers and lakes in the plot, but also on the performance of the two protagonists in the play.
Chen Xiao is still handsome and outrageously handsome in the case of no filter and no dermabrasion, but his state is indeed not as good as back then, his tired eyes cannot be hidden, and the dark circles under his eyes are seen at a glance.
It seems that he suddenly understood why the 35-year-old Chen Xiao would say that he would not consider Xian Xia, after all, age and state are in front of him, and he also knows that his best choice now is to transform, rather than continue to be a so-called costume beauty in costume dramas.
After watching his state in "The Legend of Yunxiang", I understand better that he now makes two rough men to reward a costume, and there may be fewer costume dramas after that.
The tired Chen Xiao did not have much impact on his appearance, and even this messy appearance showed a different kind of handsomeness.
However, what I didn't expect was Mao Xiaotong, who captured many audiences with her sweet looks in the early years, how can she be like this now?
This handsome shape does not match her own appearance, round face with thick eyebrows, small face with high bun, next to the two locks of hair also appear square and big, there is a deliberately unnatural feeling.
In particular, the side face line is not smooth, and the full forehead and protruding chin make people feel a little weird.
Under some expressions, the filling on the face was seen clearly by the audience.
For the audience, the CP sense and emotional line between the protagonists is also particularly important, but "The Legend of Yunxiang" seems to be designed too simply and tacky.
At the first meeting, there was a design of "10,000 years" and "intimate contact", and the follow-up plot also made the male protagonist reminisce.
After that, the words between the two are mostly communication tasks, so how to promote emotional development, it is still the use of clichéd intimate contact many times, and the high-level sense of the whole drama is instantly reduced by half.
The male protagonist's side took turns to provoke after "seeing the color", which can be regarded as adding a little personality characteristics to the character, but the character on the female protagonist's side has almost no logic.
Shu Ya men are all bold and neat women in the world, but is it logical to treat Yun Xiang as a little girl? Shu Yanan heard Yun Xiang trick her into asking for a debt, and then pulled her ears and the two of them lay on the table, just... People also feel outrageous when they see it.
When she saw Yun Xiang give her beautiful clothes, Shu Yanan's fallen expression, this design is also a familiar scene in many ancient puppet dramas.
It's not that you can't have these designs, but love for no reason is really not attractive, what happened in front of it is progressing so fast, purely based on appearance? For this kind of high-level martial arts drama, isn't the emotional line of thin water and long flow better?
However, in general, "The Legend of Yunxiang" still pinched the audience's aesthetics, knowing what the audience likes to watch, even if it has a tacky emotional line, it can't stop the audience's praise for this drama. The flaws are not hidden, and I look forward to the stable play of the subsequent plot.