Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
author：Ikkiki
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges.
In the second episode of "The Legend of Youkai", the protagonist is the mountain god, also called mandrill (xiao, a sound), and his appearance is a little cute, that is, he steals the crab of the fish catcher, and wants to be released, but is burned.
Later, there was a legend that the mandrill secretly called the child's name and could not let him know the name. Even the "firecrackers" of "one year old in the sound of firecrackers" are related to him.
However, it is the story of "Taiping Guangji" that is the most tragic, when the mandrill goes out, the family is killed by a neighbor, and although he seeks revenge on the tiger, he still becomes alone.
People have loved and killed the mountain god for so many years, although it is only a legend, but it is still a good hope to look forward to peaceful coexistence, after all, when reading that Ji Xiaolan is looking for the mountain god, he has to settle in a corner, and his heart is still desolate.
#中国妖怪故事会 #
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
Writing ghosts and writing monsters is not only Pu Songling's practice, Qing Dynasty Ji Xiaolan's "Notes on Reading Micro Caotang" is also an interesting existence, needles and drawbacks, but also full of joyful bridges. "The Legend of Yokai"
