Tang Wei took the queen again.
After winning the Blue Dragon Award, one of the three major Korean film awards, last year with the movie "Determination to Break Up", she won the Best Actress of the Baeksang Art Award last night, as she said, it has been exactly 12 years since the last time she won the award with "Late Autumn", a reincarnation.
With this award, Tang Wei has won two hundred thoughts, once won the green dragon, there is one big bell award left is the grand slam, and has become the first foreign actor in Korean film history to be the second queen.
Also making a breakthrough is Song Huiqiao.
Judging from the award ceremony, she was smiling and had an outstanding temperament, as if she knew the award results in advance, shining on the red carpet, and her face always flashed with the confident light of "the award luck arrived".
Audiences who know Korean dramas know that Song Hye Kyo is to the Baeksang Award what Little Plum is to the Oscar.
In the 27 years of entering the industry, Song Huiqiao has been nominated for the Baeksang Award a total of 4 times, but she has always been empty-handed before, and the biggest suspense of this year's Baeksang is whether Song Huiqiao can win the crown.
In the end, she wore a lotus long dress and stepped onto the podium, and the big heroine's temperament shone, and won this year's Baeksang Vision in one fell swoop.
And this night's hundred thoughts are absolutely starry.
As one of the three major film and television awards in South Korea, this year's Baeksang attracted half of the stars in the Korean entertainment industry, in addition to Song Hye Kyo , Tang Wei, as well as the queen-level Jeon Do-yeon, Bae Doona, and the recognized Korean god IU Lee Ji-eun, Kim Ji-won, Bae so-ji, Lim Ji-yeon, etc., male stars, there is also a vote of Korean power led by Lee Byung-heon.
In addition to the starry red carpet, the final award also announced the arrival of a new era of film and television dramas.
If Korean dramas are ushering in a new peak moment, then Korean movies are experiencing the most difficult moment since their rise.
This dilemma may not even be able to save Tang Wei.
First, let's talk about the red carpet: Song Huiqiao looks rejuvenated, beautiful as a black swan, IU is still like a girl at the age of 30
The Korean red carpet, which has always been "insignificant", is still dominated by black and white, but in black and white, there are accidental overturns, and there is no lack of magic strokes.
In the rollover group, the first choice is Pei Douna.
In the past, Sister Pei was also a wonderful pen on the red carpet, but this night's celebrity style was obviously too late, and the black and white white gauze skirt was not a big problem alone, but this black lace glove was too abrupt.
Looking carefully at the 43-year-old Sister Pei's face is not very good, the left and right faces are obviously not symmetrical, although the strength relies on acting skills, but the queen sister must also pay attention to maintenance to fight for another 500 years.
In contrast, another national actress Jeon Do-yeon is in much better shape.
Quan Duyan, who is over 50 years old, is dressed in black bandeau pants, and the necklace of the phoenix tail also makes the shape a little more luxurious, although the wrinkles are obvious when laughing, but the body shape and temperament are completely online, the only fly in the ointment is the hairstyle, if it were not for the sister Taisa today, it would have overturned.
Jeon Do-yeon represents the red carpet ceiling of a senior Korean female star, not because her appearance is not a shape, but because of her natural beauty and confidence, which makes her bring her own charm of being free on the red carpet.
Also winning by temperament is Song Huiqiao.
Today's Song Huiqiao is certainly older than the Yan Peak period, but the faint nasolabial folds and fine lines at the corners of the eyes are all natural laws, and youth no longer means that you can't get another charm from the years.
Tonight's Sister Qiao is still beautiful with her simple style.
The red carpet robe she chose this time was actually wrong, the mistake was that it was too gentle, which was inconsistent with her royal sister's aura in the play. But this pale dark V ruffled sleeve dress also makes her feel light and comfortable.
This light look with light makeup is unexpectedly fashionable, and the clear water comes out of the hibiscus, showing her pure and beautiful facial features.
Especially when she smiled, it suddenly made people feel intoxicated by the spring breeze.
Lin Jiyan in the same drama is also very beautiful, with long hair and a smile like a flower, and the love with "Dark Glory" actor Li Zhiyan will really make women more beautiful.
Lin Ji-yeon is a skinny beauty, and the shape of this slip dress highlights her slender waist and collarbone, and she laughs with a sweetness when she is in love.
Also because of love is IU.
It's hard to believe that this face belongs to the 30-year-old IU, not only the beauty of all-round without dead ends, but also a clear girl's beauty.
Age anxiety is not necessary, but God appreciates beauty is also worth cherishing, this is the face of being pampered by God.
With this face, a plain white bare-shouldered silk long skirt can also wear a sexy and elegant feeling, in the end, it is still invincible youth, the silk material is light and close, it is easy to outline the silhouette of the body, for actresses with body flaws is a nightmare, but for actresses with beautiful figures, it is the most incapable existence on the red carpet.
IU's facial features are comfortable to look at, and there is no need to show that it is a proper red carpet princess. To talk about this shape, it is also possible to hit the face.
But a face, always able to hit, always a girl, when you raise your eyes, as if there are stars in your eyes, it is a red carpet miracle.
Also amazing is Pei Xiuzhi.
I would like to call her black swan bandeau puffy dress the best red carpet tonight.
Pei Xiuzhi's state is also beautiful, and with well-designed makeup, fragrant shoulders and small dew, sweeping eyes, there is a feeling of the appearance of the black swan princess, and the black hair bangs are the finishing touch. So, when exactly will "Wanderer 2" come out?
Someone is at the peak overnight, and someone is slightly inferior.
Kim Ji-won, who is also a god, lost tonight in the style is too plain, the beauty of the shape is beautiful, but it is not suitable for the red carpet, walking the red carpet, after all, it is better to be a little ambitious and murderous.
Just like Jin Hera's short hair style has her own style, and also jumped out of "Dark Glory 2" Li Sarah's look, the whole person looks both fashionable and stylish, which is the correct demonstration of the actress's red carpet.
Male stars also have surprises.
Li Bingxian's face has also become rounded, but compared with many male stars who have been infected with Korean yeast before 30, it is already a model for male star maintenance. Regardless of private morality, from acting skills to body shape, Li Bingxian can stand for many years, of course, there are reasons to stand tall.
In contrast, Zheng Yusheng, who once represented the peak of the Korean male star's appearance, was obviously gloomy.
In contrast, Uncle Ma Dongxi, who is still strong, has the least face baggage, and it is right to sell cute to the screen.
The best red carpet state among male stars should be Jung Kyung-yu, who collaborated with Jeon Do-yeon in a romantic comedy, wearing a black suit, a spotted tie that is eye-catching, and the status is also online, which finally did not destroy the audience's beautiful imagination on the screen.
Where is Tang Wei, don't worry, Tang Wei will arrive soon.
Second, let's talk about the award ceremony: After Song Huiqiao fulfilled his dream, Tang Wei won the award 12 years later, and the actor and the TV emperor were somewhat unexpected
This year's hundred thoughts, there is no shortage of surprises.
The first surprise: Song Huiqiao has to look back.
This year's competition after Baeksang Vision can not be described as fierce, and the shortlisted Kim Ji-won and others are very strong contenders, but Song Hye Kyo still won this Baeksang Vision with her superb acting skills in "Dark Glory".
When the results were announced, Song Hye Kyo couldn't hide her smile, and the first sentence of her acceptance speech also mentioned Yeonjin and said, "I won the award, Yeonjin, I'm excited now." ”
Song Hye Kyo can be called a classic actress who has witnessed the history of Korean dramas, from the 19-year-old "Blue Life and Death Love" to the present day, there are masterpieces of explosion at every stage, and she has also witnessed the transformation of Korean dramas.
From the early sadomasochistic tearjerker drama, to the romantic light comedy of "Full House", to "Dark Glory" after the style turned dark, it is really "flowing Korean drama, iron Song Hye Kyo".
It is hard for the audience to imagine that Song Hye Kyo has been nominated four times for many years before winning Baeksang Vision for the first time, but in turn, it proves that the Korean drama awards are not only popular.
Song Hye Kyo specifically mentioned screenwriter Kim Eun Sook in her speech, this ace screenwriter is indeed the key person behind Song Hye Kyo's ascension.
In 2016, the first collaboration between Jin Editor and Song Huiqiao "Descendants of the Sun" pushed Song Huiqiao's career to another peak.
After a short marriage, Song Huiqiao happened to be suitable to star in Jin Editor's transformation work "Dark Glory", two heavyweights who have always been spinning in gorgeous romantic love dramas, and together completed the transformation of the big heroine's reality theme cool drama.
In a sense, he also wrote his own life cool text. Most importantly, Song Huiqiao, who fully performed the rich layering and sense of power of the role, won deservedly, and her acting skills have surpassed Song Huiqiao in that romantic drama that year too far.
Yeonjin's actor Lin Ji-yeon also won the best supporting actress, and applauded Song Hye Kyo with a smile on her face offstage, and the camera also captured the picture of Song Hye Joe Lin Ji-yeon sitting downstage, the two compared each other, although the play is indistinguishable, but outside the play can achieve each other, this is the best big heroine plot.
The second surprise: Li Xingmin has to see the emperor.
Like the same drama, this time the emperor is from the TV series "The Little Son of the Chaebol Family" starring Song Joong-ki, but it is not Song Joong-ki, but Grandpa's actor Li Xingmin.
Although Li Xingmin also mentioned Song Joong-ki when delivering his acceptance speech, from the perspective of acting skills, the gap between Song Joong-ki and Li Xingmin in the play is too far.
Li Xingmin almost single-handedly performed an absolute villain into a shining character charm, and for many audiences, grandpa went offline and the whole drama ended early.
Compared to the divorced couple's coincidental horse grab, what really matters is that strength is respected again.
The third surprise: Dog Huan won the actor and became the second person after 85.
Yes, your "Dog Hwan" won Best Actor for "Nighthawk".
In fact, Gou Huan has been working silently over the years, and his big-screen acting skills have long reached the top of his age, and it is only a matter of time before he makes a breakthrough, but coincidentally, the year he won the actor was the year when the last actor after 85, that is, Liu Yaren, the first person of Hanying 85, fell.
Today's dog Huan is really proud of the spring breeze, the love with Deshan blossoms and bears fruit, and his career has also made a breakthrough, the three carriages of the older generation of Zhongwu Road are gradually aging, and the next Han Ying is likely to begin to enter the era of Liu Junyeol.
The last big surprise: of course, Tang Weier won the queen of Baeksang.
The gold content of this movie queen is definitely not low.
Among Tang Wei's opponents, there are Korean actresses such as Jeon Do-yeon and Bae Doona.
But in the end, Tang Wei still won the award for "Determination to Break Up".
Tang Wei's unexpected appearance on the podium was not only not as brilliant as Cannes' white dress, but even a new low in the award season, the question is not whether the skirts of Loewe's Fall/Winter 2020 collection are out of season, but simply not suitable.
Not only the tone is old, but also the standard short and avoid the long, which just highlights Tang Wei's short figure.
If it weren't for Tang Wei's noble and elegant temperament, this red carpet tour would have been a disaster.
The whole shape collapsed, but Tang Wei, who was on the podium, was still so elegant and still had the aura of a queen, and he could become the focus of the venue in an instant.
As she herself said, a full twelve years of the zodiac round, after winning the film, is "too incredible fate", for Korean films that have always been somewhat exclusive, two Korean movies, foreigners unprecedentedly won the second Baeksang film trophy, this matter is not only unprecedented, but even may be extinct.
Previously, she had won Best Actress at the 42nd Korean Film Critics Awards, Best Actress at the 27th Korean Chunshi Film Awards, Best Actress at the 31st Korea Busi Film Awards, and Best Actress at the 43rd Korean Blue Dragon Awards for "Determination to Break Up".
It can be described as a big shine, almost can be said to suppress the existence of the entire Korean movie.
Tang Wei's acting skills are undoubted, the role of Tang Wei in "Determination to Break Up" is tailored to her by the screenwriter, and director Park Chan-wook is filming around Tang Wei almost the entire movie.
Regardless of the character temperament and story atmosphere, Tang Wei's best state is perfectly stimulated, and it can be said that this is Tang Wei's best performance after "Color Ring".
This award is deserved by Tang Wei, but this is also the biggest sadness of Korean movies.
Third, finally say Korean film and television: Korean dramas have become more and more courageous in this year, but Korean movies have collapsed bloodily, and even Tang Wei can't save them
The "sadness" of Korean film and television is bred in this "surprise".
Joy is Tang Wei's, but sadness belongs to Korean movies.
The biggest tragedy is not that Tang Wei won the film, but the one-sided situation, a whole year of Korean movies, so many senior Korean film queens, why can no one compete with Tang Wei?
The answer can only be: Korean movies have reached their most dangerous moment.
Local actors can't win Tang Wei, and for Korean movies, it's not the most terrifying.
The most terrifying thing is: self-style, enclosure, Korean movies are increasingly losing their sharpness, and there is no life.
Once upon a time, Korean movies were as sharp as a blade, opening up territory in various genres.
"Memories of Murder", "The Defender" and "The Melting Pot" are still talked about with relish.
But which was the last groundbreaking Korean movie?
Can you say it?
It may still be "Determination to Break Up", but this is not Park Chan-wook's best work.
Some people will mention "Parasite", but it is not Bong Joon-ho's best work either.
The fact is that Korean films have bid farewell to the peak of creation for a long time.
In recent works, which have represented South Korea in the Oscars and entered the international film industry, the stories are good-looking, but they have long fallen into their own routines.
The Korean film crisis is definitely not alarmist.
In March this year, South Korean box office director Yoon Ji-kyun, who made "International Market" and "Haeundae", said that Korean films are facing a systemic crisis.
The market gets smaller, the risk gets bigger. "The future of Hanying is even less bright than everyone thinks, this is my thoughts who are worried about the future"
Is it so serious? Looking at the data, you can see that in 2022, South Korea will produce a total of 108 locally produced films, and only 8 will be profitable.
The highest-grossing is Ma Dong-seok's "Crime City 2", which is a huge hit at the box office, but it also shows the shortage of blockbusters at the box office of Korean films.
Even if the "Determination to Break Up" award is soft, the total box office is only considered passing, barely keeping the capital.
Is it that Koreans don't watch movies anymore? I don't watch Korean movies anymore.
This was not the case back then, after the release of South Korea's first blockbuster "Life and Death Spy", it quickly broke the box office record of "Titanic" in Korean film history with a box office of 6.6 million.
Immediately afterwards, the number of local moviegoers of "Shiwei Island" and "Flying the Taiji Flag" exceeded 10 million respectively. At that time, the total population of South Korea was only more than 48 million.
At that time, the Korean audience was using the box office to cheer up Korean movies.
But why do today's Korean audiences, except for "Shenma Dongxi" one-punch man, don't like to watch any Korean movies?
The first is the dissipation of local movie-watching emotions.
The second is the most critical, Korean movies themselves do not argue.
From the beginning of this year to the present, none of the twenty local films released in South Korea have been spared, and all of them have hit the street at the box office.
Blame Korean audiences for not being popular? But a "Ghost" adapted from the original domestic spy war classic "The Wind", changed the original secret room reasoning to an anti-Japanese god film, Xi Ti Douban 4.7, Korean audiences can't watch it, isn't it normal?
But the film's box office is still ranked third at the Korean film box office this year, you can imagine how low the state of Korean films has been?
Under such circumstances, the great directors who once represented the face of South Korea have left one after another:
Bong Joon-ho, who won the Oscar, was filming "Mickey No. 7", and the co-actor was "The New Batman" Robert Pattinson.
Park Chan-wook directed "The Sympathizer" in Hollywood, co-starring "Iron Man" Robert Downey Jr.
South Korea's top actors are joining Netflix's TV drama camp.
Earlier it was reported that Netflix plans to invest $2.5 billion in the Korean entertainment industry, which of course stems from the great success of Netflix's Korean dramas in the past.
Let's just say that the shining "Dark Glory" and "The Little Son of the Chaebol Family" have Netflix, a super predator, behind them. Under the end of capital, South Korea's Chungmuro group of actors who can carry the box office have already joined the army of international dramas.
Xue Jingqiu of "Troika" is ready to cooperate with Jin Ai in a new drama.
After the scene, Kim Hye-so is preparing for Netflix's "Juvenile Court 2";
Jun Ji-hyun is confirmed to participate in "Kingdom Season 3";
Lee Jung-jae and Kong Liu's "Squid Game 2" is like an arrow.
When the entire Korean TV industry is invested in the arms of the capital represented by Netflix, it seems to be prosperous, but in fact it marks that Korean dramas will increasingly follow Netflix's explosive model and begin to follow the routine.
And the beginning of taking the routine also marks the decline of Korean drama innovation ability.
And that's the biggest problem with Korean cinema in the past few years: when "Korean cinema" itself becomes a sort of routine.
It seems that as long as you draw the gourd like this, add gangsters, action, large-scale, and a stable star lineup, you can quickly become a replicable hit.
Over time, Korean films have suffered from this blockbuster dependence, but have lost the creativity on which they depend.
Without the power to innovate and the introduction of new blood, Hanying is completely trapped in the dilemma of enclosure.
It seems to be hot, but in fact, it is green and yellow, and the local box office has abandoned Korean films, which is the best proof.
On the one hand, Korean films, which once led the wave of Asian cinema, still have a condescending attitude of scrutiny.
But their ability to tell stories has long been stuck ten years ago.
On the other hand, the self-styled Korean movies are still continuing to infuse the Korean drama tide created by Netflix, and talking about Korean dramas has also pushed into another trap of resting on their laurels.
One day, Korean dramas will also taste the bitterness of failure just like today's Korean movies.
Korean film and television dramas once had the heritage of Korean culture, which means that Korean films have the ability to tell good stories, as well as the talent and type foundation of film industrialization, and represents that Korean films have the ability to continue to shoot mature genre films.
But when Korean films lost the source of the source of the struggle, gradually lost their creative vitality, stagnated, enclosure self-hi, self-reducing pattern, relying on a bunch of past explosive models to support the scene.
Then today's brilliance is tomorrow's Han Ying funeral song.
Tang Wei, who is smooth sailing in the Korean film industry, is likely not to stop here, but in this way, the Korean film and television industry will have fewer and fewer characters who can come out to fight with Tang Wei.
In the end, the fate of Korean film and television may be like the title of a Hong Kong film they once loved, that movie, directed by Tsui Hark, Sunset Song.