The hit of "Long Moon Ember Ming" successfully put the "vicious female match" on the cusp again, with her out-of-the-loop shape and ultimate personality, Chen Duling won 149 hot searches a week, and soared first in the micro-index search during the broadcast process.
In recent years, with the arrival of the cold winter of film and television, the direction of many female actors has also changed, and some people have soared to the heroine with the accumulated audience popularity and acting skills; Some people have a clearer plan for their career path, starting with supporting roles to accumulate energy for transformation. This article will analyze the industry rules behind actresses through the discussion of their coffee positions.
Female professional households frequently come out of the circle, and it is very important to choose the right role
"Long Moon Ember Ming" has made Chen Duling have a higher degree of attention, and the popular drama "Crazy" in the opening year made "sister-in-law" Gao Ye, in the audience's impression, they have always been in the position of "flanger", mostly playing supporting roles in various themes. In the process of continuous experimentation, I encountered a character with reasonable logic and full character, and ushered in its own glorious moment.
Coincidentally, whether it is Tianhuan / Ye Bingchang played by Chen Duling, or Chen Shuting, the sister-in-law played by Gao Ye, they all belong to the villain evil woman. Tianhuan is "like Guanyin, heart like a snake and scorpion", with crazy attributes and a sense of contrast to open the outlet for the audience to release emotions; The sister-in-law is amorous and very skillful, and her unscrupulous behavior to achieve the end is full of refreshment.
With the development of the times, the female partners who only died and lived for love in the past have long been "kicked out of the group chat" by netizens, and everyone has begun to accept and love female characters who put their desires on the bright side, and the distinctive character characteristics and role dividends make the public quickly break the solidified impression of some actors, making them popular out of the circle and becoming an inflection point in their acting careers.
But in order to increase the possibility of being out of the loop, the preparation of the character is a top priority. Every appearance is an effective performance is an important way for female partners to survive, and only by contributing acting skills in limited appearance time and catching the audience's attention can there be a possibility of being out of the circle. Gao Ye once said in an interview that she added a lot of personal details to the role, and these shining points also helped her interpret her sister-in-law into the slightest.
With the change of the audience's aesthetic concept, the creative space of female partners is also increasing, and they already have a strong star-making function. But as far as the current situation is concerned, there is still a premise for star-making, "Long Night Embers" is a Youku S+ level project, and the main creative team of "Crazy" is strong, gathering a group of old drama bones to join. That is, the team's excellent big-budget dramas are more explosive, a drama becomes popular, and supporting roles can also soar.
The quality of the drama is guaranteed, which is the basic premise for presenting characters with flesh and blood and emotional logic online, and adding the bright shaping of actors to the solid script to jointly promote the character's out-of-circle. According to Vlinkage data, "Long Moon Ember Ming" has been the only one in popularity in the past week, causing a lot of discussion, and "entering the door before going out of the ice door" has become a recent Internet hot meme, and Chen Duling's popularity and pan-popularity have exceeded the influence of ordinary film and television dramas.
The female partner was promoted to the heroine, and the "audience popularity" supported the advancement of the coffee position
Most of the actors who have been promoted from female partners to heroines have experienced the foreshadowing of many dramas, and after being well known to the audience through "brushing their faces", they have accumulated a certain amount of popularity. Some of the qualities shown in the play happen to be favored by directors who need this type of actor, and have the opportunity to play the leading role.
Song Yi is a typical example of this type of actor. played the role of Xiangling in Li Shaohong's version of "Dream of Red Mansions" and officially entered the film and television industry, and then the role of Yu Manli in "The Pretender" made her begin to emerge, and she successively starred in many works such as "Fengqi Luoyang", "Entrepreneurial Era" and "Qing Yu Nian", all of which were well received by the audience. Especially the role of the smart and talented girl Fan Ruoruo in "Qing Yu Nian", which is smart and interesting, allowing her to directly win the heroine of the costume "Son-in-law" and "Changfeng Du".
Meng Ziyi first touched the screen because he starred in the costume legendary drama "Martial God Zhao Zilong", and then played Ye Hongyu in "Will Night", sweet potatoes in "Knife in the Snow", Lei Chun in "Say Who is a Hero", "Agarwood Like Crumbs" Zhixi and many other beautiful and talented roles, is the "fox" female number two in the minds of many audiences. After accumulating many works, she also ushered in the costume romance dramas "Ukiyo Shuangjiao" and "Anecdote of Flower Liuli" as the protagonists.
In the case of "innately weak" in terms of scenes, sense of existence, and character world view, it is not easy for a supporting role to be more brilliant than the protagonist, and it requires the blessing of the actor's delicate acting skills and the audience's aesthetics. It is also the excellent acting skills of the supporting actors that have attracted everyone's attention, which ushered in the opportunity to be promoted to the leading role.
After graduating from the acting department of the Central Academy of Drama, Song Yi acted in Renyi for eight years, Jin Dong saw Song Yi's stage many times, when "The Pretender" Yu Manli could not find a suitable actor, Jin Dong recommended Song Yi to director Li Xue, presenting this role that made the audience uneasy.
Solid performance skills have laid the foundation for character shaping, Yu Manli is the beginning of her "being seen", Fan Ruoruo is the key to opening a new costume drama road for her, the soft and beautiful image, the acting skills of the details are recognized by the audience, and "Changfeng Du" after "Sister-in-law" is considered by many netizens to be its "popular" opportunity.
But after upgrading the protagonist from a supporting role is not a peace of mind, the platform is always observing the market feedback after the actor plays the protagonist, once it fails to carry the word of mouth or the drama effect is not good, maybe the next play will lose the opportunity to be the protagonist.
It is not uncommon for the heroine to be downgraded to a female match, and there are traces of the decline in resources
The cold winter of film and television and the heavy pressure of policies have led to a serious shrinkage of the drama market, and the continuous entry of film actors and new-generation artists has made the already squeezed TV drama market more competitive. In such an industry environment, TV series actors who have played the protagonist status in TV series have been "threatened" and can only reduce the dimension of resources to maintain exposure.
Lin Yun officially entered the entertainment industry because of starring in "Mermaid" directed by Stephen Chow, and won many awards with the film, and most of the works she participated in after a high starting point were the protagonists, such as "Breaking the Sky", "God of War", "If the Prince Fell Asleep", and the works that did not play the leading role were mostly excellent teams and big coffee, such as "Jue Ji" and "Journey to the West", and the scenes were also relatively heavy.
Since 2019, Lin Yun's acting career has been a little silent, and there have not been too many film and television works, and the most well-known role recently is the role of Song Yinzhang in "Menghualu", and the popularity of the series has also led to a discussion of the character's "love brain", which has come out of the circle with popularity, but has not yet stepped out of his comfort zone.
Zhang Tianai, who rose to prominence because of his role in "The Crown Princess Promotion", starred in many works such as "My Beautiful Friend", "Amai Joins the Army" and "Peace Boat". However, due to a large number of mid-waist projects were stopped, Zhang Tianai did not appear in the starring new works, mostly in the big-budget dramas "Knife in the Snow", "Qingping Le" or the main theme movies "Chinese Doctor", "Chinese Captain" and "Me and My Fathers".
In the current shortage of film and television projects, "content is king" has become the judging standard for the quality of film and television works, audiences, directors and producers began to value acting skills, artists whose acting skills are not solid enough are screened out by big waves, if they cannot improve their acting skills, they will be abandoned by the audience and the market.
But on the other hand, starting from a supporting role is a good attempt for actors who intend to transform, and engaging with characters with different images from the past can expand the relationship and obtain more resources for transformation. Although Zhao Liying starred in the suspense online drama "Who is the Murderer", although she is still the heroine, the volume of this drama is not at all an order of magnitude from the works she starred in at that time, allowing the public to see her emphasis on word-of-mouth and her desire to transform powerful actors.
The capital winter has returned the film and television market to rationality, and the frequent outings of female partners have also made the public recognize that "roles have no size", crawling in different characters, honing brilliant acting skills, and coexistence of appearance and "acting value" is the responsibility that both the protagonist and the supporting role should bear.