On the night of April 27, the TV series "Mrs. Zhao Guo" premiered in two episodes in prime time after the Central Eighth Century. Starring Ye Xuan, Ren Zhong and other actors, this TV series tells the story of Mrs. Xian of Lingnan during the Southern and Northern Dynasties. This TV series belongs to a legendary drama, not a serious historical drama. Therefore, some of the bridge content belongs to the dramatization of the screenwriter and director, and cannot correspond to the truth of historical details.
At the same time, in many bridges of this TV series, it can also be seen that the crew is thrifty in serving the Tao. Because it is a legendary drama, the dress, speech, etc. of some actors are different from the content of the official history. These discrepancies are easy to become the point of criticism of the audience. But my opinion is that to classify legendary dramas as the genre of legendary dramas themselves, try not to engage in criticism beyond their genre.
In the creation of legendary dramas, the characters are required to be relatively real and their characters, and in terms of story, it is not required to be strict about historical content, as long as it is relatively real in terms of story emotions. If you look at it based on the requirements of this drama type, "Mrs. Tan Guo" is relatively good-looking among legendary dramas, and the quality is relatively high.
The opening of "Lady of the Kingdom of Tan" shaped the struggle between multiple clans and tribes in Lingnan during the Southern and Northern Dynasties. The struggle itself is real. Of course, the specific fighting methods, martial arts content, etc., are the interpretation of the legendary drama itself. After the victory of the tribe of the hostess, the captured personnel were to be bought and sold as slaves. The hostess stood up to stop the slave trade and recommended that slavery be abolished.
This is the first emotional reality that appears in the play. Moreover, this emotion is very easy to get the support of the audience. Obviously, during the Southern and Northern Dynasties of the mainland, some tribes in the south still retained the operation of slavery. Mrs. Xian abolished slavery and moved closer to the Central Plains culture, which is advanced.
Of course, in the opening plot, the bridge of buying and selling slaves really cannot be delved into. For example, if a brave and warlike slave is really bought and sold, can he work well in the master's house? Wouldn't he use his bravery to kill the slave owner and eventually become the new tribal leader himself? These things that require serious historical drama thinking, in the legendary drama "Mrs. Guoguo", there is no need to think and present the plot.
For example, when the plague broke out in Hainan, Mrs. Xian led her fleet to provide relief, and on the way, she encountered pirates. This play, in fact, is still based on benevolence and righteousness as the narrative premise, what should be highlighted is that wherever Mrs. Sin goes, she is very benevolent and righteous, and this benevolence and righteousness can allow her to gain everyone's support. In legendary dramas, I like to use the truth of this emotion, rather than the truth of events.
Serious historical dramas demand truth from events. For example, in the scene of subduing pirates at sea in "Mrs. Tankoku", the audience will ask the truth of logic. This group of pirates was so easily conquered by Mrs. Sin? Mrs. Sin promised them to join her tribe, did Mrs. Sin's tribe have so much land and food? What is the internal structure of Mrs. Xian tribe, and how can so many people be accommodated?
Legendary dramas, these contents, don't ask, the main thing is that it is emotionally real and valuable. From the perspective of Central Plains culture, this benevolence and righteousness is the essence of traditional Chinese culture. In the plot, everyone will think that Mrs. Sin is a really good person, such a good person, let her lead the Lingnan area, everyone can be convinced.
It is precisely because the character itself brings its own audience popularity, so how Ye Xuan performs, how the audience likes it. This is the power of the script. Of course, Ye Xuan herself is indeed more suitable for playing this kind of role known for benevolence and righteousness, she carries a female maternal light, which is similar to benevolence and righteousness. Therefore, in the play, Ye Xuan will gain the favor of many ordinary audiences.
Of course, some viewers feel that Ren Zhong and Ye Xuan, the two actors, are too old in this TV series. The opening content, let them play two young people, is not suitable. It must be known that this TV series tells the life of Mrs. Xian, and it is impossible to let Ye Xuan and Ren Zhong act from beginning to end. After the character enters middle age, everyone should be more acceptable.
In summary, the TV series "Mrs. Guoguo" can be classified as a female legendary drama work, and for the current era with women's dramas as the biggest premise of the market, the drama can still be welcomed by a large number of female audiences. (Text/Ma Qingyun)