I haven't seen such a wonderful revolutionary historical drama in the TV drama market for a long time!
The last one that people can't get tired of watching is "The Age of Awakening" broadcast in 2021, Yu Hewei, Zhang Tong, Ma Shaohua and other drama bones joined, making people understand that this kind of theme is inseparable from the blessing of acting skills, and character shaping is crucial.
And at present, the same type of "Youth in War" is popular on Jiangsu Satellite TV, and the lineup of the play is also good, Ma Shaohua has changed from "Cai Yuanpei" to Feng Youlan, dean of the School of Literature of Peking University, wearing round-framed small glasses and a beard, looking ordinary but interpreting the literati style to the fullest.
There is also Tsinghua President Mei Yiqi played by Wang Jinsong and Jiang Menglin, the president of Peking University played by Wang Zhifei, the two showed a unique aura as soon as they appeared, the former was elegant and calm, the latter was calm and serious, and the character image jumped on the paper.
In addition, the play also has Wang Hedi joining, acting skills are naturally incomparable with the drama bones, but can perform the role and hard work of enthusiastic young people, is undoubtedly the popularity of this drama, however, a drama cannot be perfect, "Youth in War" has two actors who can see the play.
Zhou also staged an embarrassing crying scene again, and the porcelain teeth were too eye-catching
Zhou also played Lin Huajun, a literature student at Peking University, in "Youth in War", in fact, such a young talented female image should actually find an actor with a more gentle temperament to play, obviously not close to Zhou.
Since the "shape" is not like, you can only rely on acting skills to reduce the sense of discord, but unfortunately acting skills are hard injuries that Zhou can not ignore, in the play Lin Huajun has the arrogance of intellectuals, but the mother thinks that her daughter is studying in order to marry a good family, and fly on the branch to become a phoenix in the future.
The mother and daughter obviously couldn't talk together, Lin Huajun couldn't help but feel a sense of powerlessness, this scene could have well presented the collision of old and new ideas of that era, but Zhou Ye acted too bluntly.
She finally squeezed out some tears, but she couldn't fall off in her eyes for half a day, and she looked at her mother with a stub of her neck, her facial features were hideous, and the big teeth were almost on her face, this expression management ability is about equal to zero, right?
And I have to say that Zhou Ye's porcelain teeth are also too eye-catching, the teeth are white and bright, neatly like the military posture of the military training station, obviously she opened her mouth to shout, but the sand brought by the artillery fire did not stick to the teeth, plus it did not match the style of the era, and the realism was greatly reduced.
More importantly, this kind of porcelain tooth can easily cause the actor's mouth to cover the teeth, and Zhou is no exception, when the camera cuts to her side face, you can see that Zhou also forcefully wraps the lower lip around the teeth, looking like there is no chin.
Even if she purses her lips in this scene and endures not crying, it should not be the state of "covering the sky", sure enough, unless the teeth themselves are uneven and affect the perception, it is easy not to get porcelain teeth, let alone resist porcelain teeth to participate in this period drama, otherwise it is too dramatic.
However, Zhou Ye's appearance is still obvious to all, the facial features are exquisite, the goose egg face looks very young, and youth is capital, the base makeup is clear and almost no different from plain face, and there is no too much filter and dermabrasion, the skin is still quite bearing.
Thanks to the pleasing face, the audience can continue to watch her scenes, but after enduring Zhou Ye's porcelain teeth, I couldn't bear Cong Shan's swollen face.
Cong Shan's appearance changed greatly, and his face could not bear to look at directly
There is an old actor familiar to the audience in "Youth in War", that is, Cong Shan, when she was young, she looked pure and beautiful, not a standard beauty, but she can also make people's eyes shine, the inner eyes are full of spirit, and every smile is a play.
However, in the new drama, her appearance has changed greatly, not only from an inner double to a European-style large pair of eyelids, but also a "swollen face" like a steamed bun.
It is not difficult to see that her entire face is extremely stiff, and the corners of her mouth are upturned when she speaks, but the cheeks next to her do not change much, obviously overfilling, so that the muscles on her face cannot be in a natural state.
And at the age of 60, she has no wrinkles on her cheeks and forehead, this kind of skin is the dream of young people, but it is not like it on the face of the old drama bones, and there are no normal traces after the passage of time.
There is also her apple muscle, smooth as an egg, swollen and abrupt, when she wants to show the emotions of the character anxious, angry and so on, she needs to make a large expression, and Cong Shan's side face is rugged, too embarrassing.
There is a scene where she looks at her son who has just returned to China at the dinner table, and the joy under her eyes cannot be fake, and there is faintly pride and pride, but her expression cannot show this delicate emotional change, which is a pity.
I really didn't expect that the once high-value actress has now become a "plastic surgery face", and she also has to play the mother of the male protagonist in the main theme drama, every time I see Cong Shan appear, I can't ignore her face.
And not only in the drama "Youth in War" Cong Shan makes people play, in "County Party Committee Compound" she is more exaggerated, because modern dramas with some filters and lighting, so that the wrinkles on her face have disappeared, which also leads to a lot of white face, can not be said to be like a face steamed bun, should be described by a face cake, sitting next to actors such as Hu Ge, it is simply out of place.
Middle-aged and elderly actors are uncompetitive in the market and unwilling to face the fact that they are aging, which can be understood, but there is no need to put the cart before the horse, patronize the maintenance of the face, and ignore that "nature" is the pursuit of actors when performing.
Also confused is Yan Ni, in "The Legend of Martial Arts" she is the amorous Tong treasurer, and in "Dear Parents", her face is too exaggerated, and she can only stare to express emotions.
There is also the old drama bone Wu Gang in "Crazy", not only has large eyelids, but also has firm, swollen skin, looks inexplicably greasy, and Wu Gang also refuted rumors that he did not have plastic surgery, but because of illness during filming and caused by a bad state, then I still hope to recover as soon as possible, after all, it affects the perception too much.
All in all, "Youth in War" makes people realize that actors can still not move their faces without moving their faces, it is best not to change their teeth easily, and in revolutionary historical dramas, period dramas and various formal dramas, actors are still needed to maintain the most authentic appearance in order to interpret the role vividly.
And in this new work, Zhou Ye's porcelain teeth and Cong Shan's swollen face have become minuses, obviously sounding a wake-up call for other actors, so do you think the performance of the two affects the mood of chasing dramas?