Ma Yili was ridiculed again.
After the broadcast of "Dragon City", the most heated discussion was because Ma Yili "did not fit her face". Netizens refused to pay for her role as Dongni, or mocked her for forcibly dressing up, or laughed at her for playing a beauty.
Ma Yili really did not interpret the style of Dongni. In the novel, Dongni gave birth to a bright face like a rose at the end of the road, with long black curly hair like a waterfall, a pair of cold and emotionless eyes, and a cool and charming big red lip.
And Ma Yili's facial features belong to the tough school, and her demeanor is fused with some coldness. Coupled with the fact that she usually shows people with her capable short hair, this time she walked around with a thick and heavy plastic fake, which did not seem to fit.
At this time, some people began to ridicule the age of the actress. Instead, I feel that the person who can withstand the tangled life experience of this role must be a middle-aged woman to withstand the changes caused by these changes.
Donni in the original work, almost exhausted his life's strength, to resist the violence from the original family and self-twisting, will definitely not be a young, stretched face.
She has witnessed a marriage like her parents fighting beasts since she was a child, and her father refuses to believe that she is his own flesh and blood, and has been addicted to violence for many years. Fierce and determined, he would pour the broken pot gallbladder fragments straight into his mother's mouth.
So, she was determined not to live like her parents, and as an adult, she desperately went on a rampage. Left Singapore alone to sell songs, and later returned to Beijing to open a store, met Fang Jinghui, who was studying in Germany at that time, lied that he graduated from a prestigious school, and finally got his wish to marry abroad.
I thought that as long as she stayed away from the broken family, the bad things would not be able to trap her, but the truth is that her parents' suffocating behavior pattern has long been inherited into her life.
After three years of marriage, she and her husband fought a divorce and fought all the way back to Dragon City from Germany.
But Ma Yili and Dongni are not close, not because of her age, but because she seems to naturally lack the kind of vigor and temperament that grows from the bottom and suffering.
She plays a sober city girl, or a sandwich cookie in a family relationship, which is handy, but to play a wild small-town young woman who wants to break through everything and resist more than stability always makes people feel an inexplicable sense of dislocation.
The core of Dongni is destined to be ferocious. Despite her extreme disgust for her parents' madness, she fatefully inherited these characteristics that she hated the most, and determination, indifference, irony, and suppression still became factors in her blood.
And Ma Yili, who has played some sober city girls and family dramas, seems difficult to understand how people go crazy. So, she once again turned the crazy woman into a whirring and noisy little daughter-in-law.
Ma Yili didn't seem to know how to interpret Shengfeng, so she jumped and jumped, wanting to use this leap to play a woman 20 years younger than her real age.
Sometimes overactive facial expressions are used to show a youthful explicitness. But this is clearly a misunderstanding of youth.
There are many scenes of her aggressiveness in the play. The most "classic" scene is the scene where Xi Nei pulls the three of them to face off when he discovers that his girlfriend is Xiao Shu's old lover.
Ma Yili is the most angry and corrupted person in the audience. She was most unhappy to see her good brother Zheng Xi suffer and be injured.
So she grinned and grinned, looking like she wanted to swallow her life, this time Ma Yili imagined that the Dongni in the human book always reminds people of various aunts.
But the original Dongni is very domineering, and of course, there are two points of edge and brokenness. But in the play, there is only a fast-mouthed daughter-in-law who strives to uphold justice and adjust the world.
The hot-tempered Dongni that appeared in my mind was more like An Hong in "Have Something to Say".
She is beautiful, arrogant, and rarely puts anyone in her eyes. But her madness and wantonness are not pointing at anyone's nose, opening her pupils and cursing, but her eyes are broken, dazed and sincere.
There is also the "Grand Princess of Beijing Circle" Xu Qing, she never seems to know how to pretend her character, and she has offended people over and over again on a variety show. I don't know how many times I said ugly words, but when people reach middle age, everyone thinks of her, she is still a rebellious and free "girl".
It can only be said that Ma Yili still doesn't know how to go crazy, and all the crazy emotions for her are to change the method to turn up the volume and increase the scattering index.
Similar to this, Ma Yili was also presented on Luo Zijun before the divorce. After discovering that her husband was cheating, Luo Zijun rolled on his friend's car and cried loudly.
Zheng Dongni and Luo Zijun, one well-behaved and domineering, the other delicate and weak, are two characters with completely different temperaments.
Sister Ma presents them in a similar way, probably in her opinion, there are some commonalities to extract - they are all loose-hearted, confused, and immature people.
It seems that once such characters are angry, spilled, and crazy, they are the most unseemly appearance of human beings, but there should be more inner layers to talk about when human beings go crazy.
Ma Yili's acting skills cannot be said to be bad. But looking at her career, it is not difficult to find that the roles she has evolved into her heart are mostly characters similar to her own temperament.
Miss Li in "The Myth of Love" is a popular example.
Miss Li, who was deceived by her foreign husband of money and feelings, divorced and took her baby, and lived with her mother in an old and dilapidated house in Shanghai. The character seems embarrassing, but she can't resist the most charming posture of a middle-aged woman.
She will buy more than 10,000 brand-name shoes for "every woman must have a pair in this life", and will also date, romance and watch dramas with men after work.
Miss Li is relaxed, gentle and beautiful. Competing with life, she did not use any big movements, but silently worked hard, not allowing social roles and life embarrassment to devour her ego.
Another classic example is earlier, which is the phenomenal urban drama "Struggle" she starred in when she was young. From the appearance alone, Charlene also belongs to the vigorous one.
She is stubborn, decisive, poor, and you can tell at a glance that she is someone who wants to fight something. But her posture of resistance is like a new urban woman, giving people the feeling of bones and beauty.
She refuses to fall into the situation of relying on her boyfriend to support herself, nor does she agree with his claim that it is not decent to go to nightclubs to earn living expenses, but she is not eager to argue anything, nor does she feel that not arguing is showing weakness.
Looking at some of Sister Ma's character faces, you can see that she can always perform better in characters with similar temperaments to herself.
She has always preferred and used to playing this type of woman - clear brain, emotionally stable, and not disturbed by outside voices.
But Sister Ma may also have to enter the lives of other types of people, the proportion of adults is not black and white, not mature enough, sober is not the opposite of decency, there is no need to bring them into the same face.
But for her well-born, the experience of madness may still be too little.