"Tropical Past" exposed the "hot drama" special edition to unlock Peng Yuyan's new work

Source: Movie Network

Produced by Ning Hao, directed by Wen Shipei, starring Peng Yuyan, Zhang Aijia and Wang Yanhui, starring Zhang Yuyou, and starring Jiang Peiyao, Lu Xin, Chen Yongzhong and Deng Fei, the movie "Tropical Past" has been officially released on June 12. On the day of the release, the film quickly landed first on the online platform's real-time popular movie list and second in the Weibo entertainment list. On the occasion of the hot screening, the film unlocks the behind-the-scenes production special, from art, photography, costume styling and other aspects to directly attack how the atmosphere sense crime blockbuster was born. The production team is unique ingenuity, just to create a "hot and good play". The film is being screened in IMAX, China Giant Screen and other formats.

Unlock the immersive "hot drama" in all directions, and create a lively movie-watching experience

The movie "Tropical Past" has been officially released on June 12, dark red noise with the sound of the electric fan in the sound effects, the thick and constant transition of the tone will seep out of the "heat" from the screen, and then fill the entire theater, the heat flow wrapped in secrets and desires, impacting everyone watching the movie. As soon as the film was released, it attracted a large number of fans to pour into the online platform for comments, and some fans said bluntly: "Surprise! So far this year, the cinema domestic film has seen the coolest one. Some netizens also commented: "The film is very summer, and there is a feeling of being in full swing." A few days ago, the film re-exposed the "hot drama" production special, all-round unlocking how to create ingenious works.

In the special edition, producer Ning Hao pointed out the first meaning of shaping the sense of atmosphere - unified tone. He said: "Director Win Shi Pei can unify all the elements in the tone he wants. Director Wen Shipei will pay attention to the photography, lighting, art, props, and even a few strands of sweat-glued hair on Zhang Aijia's neck. Wen Shipei emphasized: "We try to visually present a feeling of heat. The perfect presentation of the concept is inseparable from the super understanding and execution of the behind-the-scenes team, and the director of photography Han Xiaosu said: "The first thing I talked to the director was to ask for a destroyed picture, and (the picture) was blurred many times when there was light. "In this way, it presents the concept of the limitations of memory and the unique beauty that the film pursues." After the film was released, some fans also praised this expression: "The humid and sweltering southern environment is shrouded in a sense of ruin." The characters are often in a state of sleepiness or disillusionment, immersed in the environment. ”

The pursuit of the ultimate atmosphere allows the audience to touch the heat Peng Yuyan Zhang Aijia Wang Yanhui unique "space" intersection

In the movie "Once Upon a Time in the Tropics", another thing that fans talk about is the narrative atmosphere established by the film with space and tone. Some netizens commented: "The film revolves around different symbolic spaces, releasing the emotions of the characters to the greatest extent and intuitively." More professional film critics explained: "The director is very good at linking the state of the objects in the film with the changes in people's emotions through the processing of image details." In the "Hot Sense of Drama" special edition, xu Guiting, the film's art director, said about how to design: "The film is based on the matter of rich colors, Mama Liang's house is yellow, Xueming's family is green, and the police station is actually a little gray-blue. ”

Director Wen Shipei further explained: "When these three people (Xueming, Liang Ma, and Police Officer Chen Er) enter each other's space, there will be some contrasting effects. There is a scene in the film where the police officer played by Wang Yanhui asks Mama Liang to go to the police station to identify the deceased. Mama Liang is dressed in a yellow-green floral dress, and the police station in gray-blue tones seems to be able to engulf Mama Liang's color of memories. These character relationships and inner emotions constructed by relying on color and space make fans deeply aware of the director's introverted and unique narrative tension, and some fans said: "Let the audience feel as if they are in the time and space of the movie in the process of watching, and even touch the heat in it." ”

The film's ingenious design of color and space makes many viewers understand when watching the film, and some comments say: "Peng Yuyan, as an 'interloper', enters Zhang Aijia's space, with a gloomy and mysterious green close to the yellow wrapped in memories, and finally completes the story of mutual redemption." As for Peng Yuyan's first entry into Liang Ma's house, that full sense of proportion of the opponent scene, the costume director Chen Ziqing also revealed some details that are not easy for the audience to perceive: "For example, when Xueming went to find Liang Mama, he always stuffed his clothes into (pants), he had a very nervous feeling, that is, the feeling in preparation. The processing of the character's inner emotions has been filled with such details, making the whole picture more worthy of scrutiny, Peng Yuyan also said: "The most intuitive feeling is that there are many emotions, and this emotion can affect many people." ”