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What is the difference between online novels and traditional literature? Reading "Lijiang Past" has a feeling

author:The sunset is thick between the mountains and rivers

After reading the online novel "Lijiang Past", I originally did not want to say anything, but also read it with the mentality of learning and appreciation. However, after reading it, I still didn't hold back and talked about my feelings after reading.

The author continues to write Spring and Autumn, and should be a god-level writer of tomato novels. The language and writing are quite old, the writing is fluent, the structure and plot are fascinating, the story development is ups and downs, the character shaping is relatively vivid, the personality is distinct, and it can effectively grasp the reader's interest points.

After reading the whole work, there are many tears. However, the work is still flawed.

I don't read much online text, the reason why online text has not entered the traditional mainstream literature, it is difficult to compete with serious literature, from the perspective of academics, education, art, thought, etc., there is a gap.

Serious literary structure is rigorous, the sense of artistic processing traces is very weak, or no traces can be seen, the story is true in line with reality, the characters are vivid, distinct, and sexy, and the whole work does not leave hard wounds. And online literature, even if it is a very good online text, is often difficult to do this.

I said in another related article that the biggest difference between traditional serious literature and online literature is that the main function of serious literature is to shape characters, and the character image with a distinct personality is to serve the character. The characters of online novels are subordinate to stories and mainly tell stories.

In this article, I would also like to say that the bigger differences between them are:

Some serious literature may not be wonderful at the beginning, but the more readers read, the more interested they are, the more wonderful they read, the characters are real, the structure is rigorous, and they originate from life and are higher than life. Whether it is the story structure or the characters, at least there will be no hard wounds. The plot progresses naturally, smoothly and reasonably, and the story advances and character shaping all the way up, mobilizing the reader's emotions, and ending with the climax of the whole book. The more you read, the more energetic you become, and after reading it, you can teach people, or cleanse the soul and soul of the reader.

Online novels are often the opposite, and the opening is very attractive, the so-called golden three chapters. But writing began to water, the structure began to be loose, the logic was also disordered, there were many typos, and there was a lot of confusion between people's names and place names. The more I read, the more disappointed I became.

Of course, in order to catch up with the progress, mistakes and mistakes are inevitable. We all know that the reason why online articles are written longer and longer depends on the number of readings and the length of reading time to earn income. If you carefully polish like pure literature, it is bound to invest a lot of time and energy, delay the progress, and affect the income.

Back to what this article is about.

When I first read "Lijiang Past", I really thought it was a superior masterpiece, and I also deeply admired the author's profound literary skills. In fact, this book, the continuation of the Spring and Autumn Period, is indeed very successful, it is said to have brought him considerable benefits, but also won a lot of fans.

Looking at the whole book, I personally evaluated: there are flaws and there are no Yu.

The author is divided into three story lines to structure the whole book, one is the protagonist Fang Xu's career line, that is, around Fang Xu's Feiyu Network Company, the development of the "Yuntu" tourism APP, from bankruptcy - life trough - rebound - career success. The other two are emotional lines. One is the emotional line between Fang Xu and Yang Man, starting from the divorce, digging and filling the pit; the other emotional line is Gu Yao and the protagonist. The author is very powerful, basically in the beginning of the golden three chapters, the three lines are implanted.

In fact, the career line is a stage that provides a story interpretation, not very important. What is important is the two lines of marriage and feelings, namely Yang Man and Gu Yao, which are the important presentation of the author.

Focusing on Yang Man's line, the author deliberately arranged for her to play a tragic character. We know that tragedy is unforgettable, even heart-rending, and the artistic appeal of tragedy is strong, and it is the most impactful in the performance of the work. It is called "abusive text" in the web article. The author designed such a tragic character in order to earn the reader's tears. The author has done this, and there are many paragraphs and chapter reviews throughout the book, which fully illustrate the success of the author.

Since the divorce, the "betrayal" of Yang Man at the door of the Civil Affairs Bureau, the countless remarriage calls of the journey of The Bchacha, the pregnancy test, the birth... The authors are all reinforcing and advancing Yang Man's tragedy.

In particular, the premature birth of the "Little Hope" written delicately and successfully, the writing is particularly successful. Little hope in the delivery room life is gone little by little, so many details, real and vivid, making people sigh and tears. From sadness to joy, abandoning the baby instead of small hope really brings "hope" to Yang Man and Fang Xu, which can be described as a climax in the middle part of the work.

However, the author also arranged for "Little Hope" leukemia. It's not that it can't be arranged this way, but I don't think the author has written this part well. This part is also emotionally written in place and touching, but the author did not write well, is not very understanding of leukemia, this part of the author "wrote" himself as a layman, which is the biggest mess.

I have been invited to participate in the public welfare organization's serious illness relief project, and in the past two years, I have written nearly 200 leukemia difficult families and raised funds for their treatment. The causes of leukemia are familiar with the treatment path. Whether it is myeloid or acute lymphoblastic leukemia, the cure rate is now very high, and the reason why the patient dies is mainly because the patient's family is poor and cannot afford to treat it. And the little hope death described by the author is too ridiculous, and it is the hard wound and failure of the work.

Although I read the last word of the whole book with tears in my eyes, the expression of the work is very strong, but I still think that the work is unsatisfactory.

For example, in the end, Yang Man's disappearance and Gu Yao's departure, the author did not deal with it well, which is very far-fetched and does not conform to the character and story development.

Yang Man was ill, and the author had made preparations before that. Yang Man could not let go of Xu and also left a foreshadowing pen. In Beijing, Yang Man once passed on to Fang Xu that even if the child is gone, she still wants to have a child with Fang Xu. If Yang Man finds out that Fang Xu proposed to Gu Yao, he can't see the hope of remarriage and leaves in despair. And Fang Xu got the letter given to him by Yang Man in the hands of the housekeeper, remembering the old feelings, the so-called one-day husband and wife hundred days, it is difficult to ignore her death, in order to save Yang Man's life, go to her. Gu Yao misunderstood, couldn't stand it, and left angrily, much more reasonable than the author's original text.

As for the emotional line between Gu Yao and Fang Xu, it is basically feasible and logical, and there is nothing to criticize.

The most successful and touching parts of the work are mainly in the parts of carpooling into Tibet, Yang Man's production, and the death of Little Hope, which are impressive to read.

But when the author writes about Fang Xu's first entry into Chris's café, he leaves a foreshadowing, saying that this "stupid son of the landlord's family" that he did not like actually saved his life later. By the end of the book, no pits have been filled. There are many oversights about such small details.

Of course, the works that continue to write the Spring and Autumn Period can be called excellent works in the online literary circle. Whether it is the writing or the story, especially the description and refinement of golden sentences, it is excellent. Looking forward to seeing more good works by the author.

What is the difference between online novels and traditional literature? Reading "Lijiang Past" has a feeling

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