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Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

author:Squat at home to watch the electrician

House of the Sun is a 2020 Japanese family drama film starring Tsuyoshi Nagaso, Ryoko Hiromi, Naoko Iijima and Eita. This is a commemorative work for the 40th anniversary of Nagasaki's debut, which is obviously a fan-oriented movie, and it also illustrates nagasaki's lofty status in the Japanese entertainment industry.

Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

Nagasaki is a Japanese folk song king who also sings some rock songs. The style is grounded, the skin is dark, and it is known as a "worker singer", Jiang Yuheng's "Cheers to the Past" is a cover of Chang Shugang's "Cheers", and the Little Tigers' "Red Dragonfly" is also a cover.

He played an unspeakable carpenter in "Sun House", and had many rivalry with Ryoko Hiromi.

Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

The Japanese word for carpenter is "daikon", and the respect for the craftsman can be seen literally. The character of Tsuyoshi Nagaso is a good illustration of the Asian father's bad words and professionalism, and the details of the hierarchy and craftsmanship of the predecessors in it are very suitable for the Japanese film language.

"Sun House" is like "The Last Letter", and Zhou Xun's version of "Hello, Zhihua", that is, the Chinese version of "The Last Letter", is considered a cultural difference. Acclimatized. But when Shunji Iwai moves the story back to Japan, the gentle rhythm and the sense of forbearance and directness become much more reasonable.

Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

Each country and region has a different shooting rhythm, and the audience has different viewing habits. If you don't adapt to the Japanese film narrative, you may feel a little anxious and tedious when watching "Sun House".

"Sun House" fully embodies the "shy culture" on the line of the family. Dad knows that his daughter loves to eat strawberries, a clue that can be learned through daily observation. However, the father does not understand his daughter's dream at all, which shows that communication is insufficient and tacit understanding is not enough.

We often say that the Father's love is like a mountain, and it is deep rather than heavy. It's not that you don't talk about it, but you're curious but don't ask. The feeling of being connected to each other but not emotionally connected makes people very anxious, but they can also feel the introvertedness of Asian culture.

Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

Among them, the scene where the male protagonist helps the beautiful female insurance officer buy insurance reminds me of Tsuyoshi Ayano's "Shadow", and the polite Japanese do not like to trouble others. Building a friend relationship on a buying relationship can seem delicate, especially when buying contractual services rather than actual items, which is largely a recognition of the salesperson and a measure of relationship affinity.

The appearance of the scene "House of the Sun" aims to compare the male protagonist's attitude and philosophy of dealing with the relationship between different characters.

Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

The relationship between Shingo, played by Nagasaki, is also very interesting, and the concept of "one day as a teacher and a father for life" in the movie is clear and clear, not only the inheritance of skills, but also the strictness of the culture of the predecessors and predecessors.

"Sun House" is a male perspective film, very strong patriarchal atmosphere, typical iron man tender style, but the values are not trendy enough.

For the Asian film and television industry, which admires Hollywood production levels, it is more or less influenced by Western ideas, but Japanese films have not made much progress in integrating equal views.

Perhaps it's a cultural confidence or a social phenomenon, and stereotypes like "Sun House" that reflect identity differences brought about by age and gender are not uncommon.

Jiang Yuheng Little Tigers cover his songs, the Japanese folk song king debuted for 40 years, partner Ryoko Hiromi

The reason why the sun shadow does not give people the impression of backward thinking, I think on the one hand, is the prominent brain hole of the anime, which achieves a certain complementary role. On the other hand, the family-oriented details are handled warmly and movingly, with reflection in the strong, so that the characters and plot are more three-dimensional, flesh and blood.

Just as the core idea of the film "where there is a sun, there is a home", reflects a positive sunshine mentality, no matter how much experience, with the family, the human heart can always be sunny.

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