As soon as the contrast gap comes out! Li Qin, who played the village girl, was ridiculed by the group, and the village flower is really not everyone can play

The hot search list of "former village flowers vs current village flowers" directly topped the list.

It turned out that Liu Qiaozhen, played by Li Qin in "The Road of Life", caused controversy, and for this period drama "The Road of Life" that is being broadcast, the controversy is more than that, but now it is still surprising that it is directly searched for the first.

In the play, Li Qin played Liu Qiaozhen is black and thin, although her personality is turbulent, independent and self-reliant and kind and simple, but in terms of makeup, it is still impossible for people to associate with the village girls of that era, after all, there are too many classic images of village girls of that era in past film and television works, which can be described as countless.

Liu Qiaozhen in the movie "Life" adapted from the original book alone is very different from today, although "The Road of Life" has completely subverted the characters in the original work, but putting Liu Qiaozhen played by Wu Yufang and Liu Qiaozhen played by Li Qin together is really a big gap.

Liu Qiaozhen, played by Wu Yufang, is considered to be the most suitable for the original. Before filming, director Wu Tianming took the actors and film crew to northern Shaanxi to eat, live and work with farmers, especially in the rural trade market to observe the living conditions of farmers. And it is this kind of experience that has this classic, and it is also the excellent shaping and interpretation of actors such as Wu Yufang.

For Li Qin, although it is difficult to recognize herself from the entire image, the styling design of black makeup is only painted with a layer of black, and the bottom is still incompatible with the simplicity and innocence of the village girl, there is no local atmosphere, only the feeling of floating in reinforced concrete.

In terms of performance, it is quite different from the real rural girl, and obviously has not experienced a certain life experience.

I have to admit that Li Qin worked very hard and tried his best to subvert his previous character image, and indeed created a different Liu Qiaozhen in terms of personality. However, the whole performance is really too strong, always energetic performance, in fact, the entire character lacks a sense of layering, too single, and not rich enough, at a glance can make people see that this is performing.

Of course, this is not to blame Li Qin, after all, the lack of rural life experience, especially the countryside of that era, will naturally make her lose the atmosphere of the era and the local atmosphere. What deserves to be recognized is her dedication to character shaping.

Back to the topic of hot search, where is the gap between "former village flowers vs current village flowers"?

Whether it is Xie Jin or Zhang Yimou, under their lenses, in the works, they have created impressive village girls.

Hu Yuyin, played by Liu Xiaoqing in "Furong Town";

Li Xiuzhi played by Cong Shan in "Wrangler";

Jiu'er played by Gong Li in "Red Sorghum";

Ju Dou played by Gong Li in "Ju Dou";

Zhao Di played by Zhang Ziyi in "My Father and Mother".

Why these actresses are portrayed rural women can become classics, is talked about by everyone, on the one hand, these film and television works themselves are good, on the other hand, the actors really work hard.

"Wrangler" is Cong Shan's first work, when she was a freshman student at the Central Academy of Drama, but she was only 19 years old and lacked natural life experience. To this end, director Xie Jin arranged for her to experience life in a remote pastoral area for 1 month, eating and living with the herdsmen, from the details of life to horseback grazing, all of which were experienced, in order to remove the traces of big city life, although it could not be completely erased, but it was getting closer. Of course, in the film, Cong Shan also became a mother, and Xie Jin asked Cong Shan to learn from actresses in the same group who were already mothers, learn to hold children and amuse children, learn to be mothers, and learn to work.

When filming "Furong Town", director Xie Jin let Liu Xiaoqing experience life for a few more days and fully enter the role before filming. So, Liu Xiao mixed with the local crowd for several days to taste rice tofu and observe the action of the stall owner scooping tofu.

In addition, in this film, Jiang Wen's entire makeup has to be said to be very fitted, in order to make the skin darker, Jiang Wen only wore a pair of shorts and sat on the balcony to let the poisonous sun shine until it was dark and bright.

And this kind of black is really natural black, not achieved by makeup technology, but also more local.

Another example is Ju Dou played by Gong Li in "Ju Dou", Gong Li spent more than two months experiencing life in Nanping Village before filming began. In order to get close to the character, she wore a peasant woman's earthen cloth shirt to expose herself to the sun, and also turned rice with farmers.

In order to get close to the role image of rural women, actresses can be described as painstaking, not only relying on makeup, relying on performance to get close, but really experiencing life, to exposure, through the most real and natural methods to fade the bright side of the city, and have the atmosphere of local texture.

That's why they were able to create classic rural female characters.

Nowadays, it is really too difficult for those young and even idol actors to create rural characters, because time is precious, because the salary is high, and there is still time and energy to experience life and observe characters, which ultimately relies on technical means to achieve. But technology is not omnipotent, even if you make up again, but the traces of urban life are still too obvious, not to mention remove half, even if you can have two or three percent, it will be very different.

But the result is that there is not even a hundred percent.

Naturally, the whole character is just imaginary, just makeup.

Today's idol actors are more expensive than a gold, how can they be required to spend a lot of time and energy to experience life, then naturally in the end it is impossible to create an excellent character. Of course, they can't all be blamed, after all, this is determined by the times and the market.

In the end, it can only be said that "village flower" is no longer, and "village flower" is not everyone can play.