Weibo | @Visual Chronicles
Author | malic acid
Lou Ye's "Lyceum Theatre" was released.
Too many people are talking about how wonderful its black-and-white tones, play-within-a-play, and no soundtrack are.
And in my eyes, there is only the big heroine Gong Li.
Especially in the last shot, after Gong Li was shot, he sorted out his clothes and lay on Zhao Youting's shoulder, quiet and beautiful.
As soon as the pistol fell, Gong Li in the play became a "martyr girl".
It's not just Gong Li.
Many women under Lou Ye's lens, whether it is the character or himself, have a natural "spirited woman" temperament.
Like a cinnabar mole in people's hearts, bright and dazzling, you can't forget it.
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Hao Lei
Someone said:
"After 2008, all the youth films were paying tribute to Lou Ye's "Summer Palace", and as soon as the dormitory door opened, I thought I would see Yu Hong."
The Yu Hong played by Hao Lei is so real that sometimes it blurs the boundary between Yu Hong and Hao Lei, making people think that Hao Lei is Yu Hong.
Yu Hong said, "I just want to live a little stronger." So he rebelled against the repressed life and squandered his love and desire.
She passionately loves Zhou Wei (Guo Xiaodong) and blends spirit and flesh several times.
But she loves too purely, and is good at self-destruction, seeing that Zhou Wei is ambiguous with other girls, she would rather kill love than tolerate infidelity.
"I'm going to break up with you because I can't live without you." She simply can't control the squirting love, which makes her life completely unbalanced.
Hao Lei in life is a covetous person, "Scorpion, that is, you can kill yourself to love another person."
"Summer Palace" is mapped to Hao Lei herself, and her love life, like Yu Hong,was once out of balance.
The Internet went viral, because the scale of this play was too large, Hao Lei lost her crushing love with Deng Chao.
Strong, she was broken and reorganized, and like Yu Hong, she rushed to the next relationship without hesitation.
The first marriage, failed.
Hao Lei's ex-husband Li Guangjie was exposed to meeting with other women, and photos of her calling and crying on the Internet spread throughout the Internet.
With a strong personality, it didn't take long for her to throw out her ex-husband's divorce statement.
She used photos of the twins to announce her second marriage to the world.
She said it was her soul mate and had taken him with her on couples shows.
The public divorce in 2019 through the studio left behind all sorts of discussions about the failure of her second marriage.
Hao Lei, who has entered a new life, is still acting violently.
She repeatedly showed people her ambitions for her career, hoping to one day be on the acting textbook.
People who study art do not need cultural speech, and those who say that they do not read books cannot read scripts at all.
When you are a mentor in the show and everyone else is in the round field, only she dares to say that you are not suitable for acting, and you are not good at communication.
She was like Yu Hong, thinking and resisting, trying to break through this person's cloudy and depressed life.
Pictured: "Oxygen" is an episode of Hao Lei's "Summer Palace" and drama "Rhinoceros in Love"
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Zhou Xun
If the ultimate literary and artistic young woman under Lou Ye's lens is Hao Lei, then the ultimate of pure love girl is Zhou Xun in "Suzhou Creek".
Peony, a sixteen-year-old girl, is the daughter of a liquor smuggler, and every time her father goes on a date with her lover, he asks the delivery man MaDa (Jia Hongsheng) to take her away.
She loves motors, she loves them recklessly.
She gave him loving looks, loving hugs, and foreign wine from her father's factory. Offered to be a guest at Mada's house and sing for him.
When Mada ignored her, he also ran to Mada's house in the rain.
But Peony's full love was only exchanged for Mada's kidnapping of her, 450,000 yuan. Her eyes immediately became filled with hatred.
Hysterically shouting "I'm so cheap"! Jump desperately into the Suzhou Creek.
Zhou Xun won the first international film festival in his life with "Suzhou Creek", and also met her love.
When filming this scene, Jia Hongsheng asked Zhou Xun, "Would you like to be my girlfriend?" Zhou Xun said, "Good."
After that, the two people were together.
Zhou Xun always loved Ming And Dang, and did not hide his feelings: Dou Peng, Park Shu, Li Yapeng, Li Daqi, and Gao Shengyuan.
Interviews are never shy about.
She once said that she came to Beijing not because of any career, but because she loved Dou Peng.
He also publicly thanked Li Daqi at the award ceremony and sang a song named after "Daqi".
Public marriage, directly throw out the two people photo and Gao Shengyuan's Baidu Encyclopedia. Announce the divorce with only three neat and crisp words: "Good luck."
After several crazy loves, Zhou Xun said that love is very cunning, like a combination of opium and sunshine.
But her obsession with love remains unchanged, and she still bravely believes that she can meet her own love.
"Suzhou Creek" Zhou Xun
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Qi Xi
Qi Xi once said in an interview that she had to keep smiling every time she spoke to others, because her eyes looked particularly sharp and hard when she did not smile.
She doesn't seem to have played a role of weakness or lack of water.
In Lou Ye's "Mystery of the Floating City", Sanqi is ostensibly a hidden little three, giving birth to children for men and enduring the humiliation of being bullied by men.
But she has a fierce look and a very deep heart, keenly observing the warblers and swallows around the man.
Not to erupt in silence, to die in silence. In the end, Sanqi completed the fatal push against XiaoSi.
She said, "I have to fix this man, even if in the end he has nothing", which led to the original partner taking the initiative to give up, and she was a little three to help him.
Some people say the character is dirty and has done all the bad things to get into positions.
But in a way, the final explosion of this character reflects the powerful power of Sanqi's attempt to change the weak status quo.
It also returned to Qi Xi's restless and restless nature.
When Qi Xi was a teenager in the Jinan Military Region, she did not want to be bound by the rules, so she quietly climbed over the wall after turning off the lights to sing karaoke, go to nightclubs and bungee, and listen to psychedelic electronic music.
Her heart was agitated, and she had a premonition that Jinan would not be a place to stay for a long time, so she went to Beijing for a while and went abroad to sneak around.
At the age of 20, he decided to act, and after being admitted to the Chinese opera, he was conceited with his former acting experience and was awakened by the teacher.
I tried drama, because of my neurotic performance style, I was selected by Meng Jinghui to enter "Rhinoceros in Love", and I performed more than 700 performances.
At the age of 28, he acted in "The Mystery of the Floating City" and won the Golden Horse Award for Best Newcomer for his extreme role as a small three. Many single mothers and mentally handicapped characters flocked to her, and she refused them all.
She has strong principles and until now has not resulted in repetitive roles.
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Song Jia
Song Jia is a northeasterner and originally has the personality of a loudspeaker. She especially likes one word: come on.
The role of the strong will be picked up, and the life that is not energetic is not worth living.
Before taking over the role of Lin Hui, Song Jia had been very successful and had won several awards in the film and television category.
When Lou Ye told her about Lin Hui's key words in "A Cloud Made of Rain in the Wind", Song Jia did not hesitate at all, "This role is strong!" I haven't acted."
Song Jia played a social flower, sandwiched between the husband of an official and a lover of doing business, helping them conceal the conspiracies, black deals and murders of officials and businessmen. The more she tried to control the situation, the more out of control the situation became.
After being abused by domestic violence and entering a mental hospital, she was still not defeated by life and lived by the obsessive love for her lover.
Song Jia was very open, and at the end of the first scene, Lou Ye said that Song Jia had turned the entire thirteen lines of Guangzhou into her alone.
This kind of letting go is due to her cheerful and rebellious personality since she was a child.
Song Jia likes music very much, when she was a child, she learned Liuqin, and everyone else looked like a bridesmaid, she copied folk music and played the rock of tang dynasty and Cui Jian.
Playing music is not addictive, a big green actor, wearing a leather jacket and sunglasses to the music festival. It is better for the music festival to be able to rain, a foot in the mud, wild and uninhibited play, restless, nothing matters.
Song Jia conveys her thoughts on the album:
Disdain to be a bird when strolling cats
No attachment, no smallness, no prayer, no prayer
The heart is not beating wildly, why should it burn
Pretending to smile is actually not polite
Just like Song Jia is saying, don't restrain your friends, a free and wild life is coming.
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Zhang Ziyi
Lou Ye has always been good at expressing all kinds of forms of love, and for women who are crazy about love.
But in the cooperation with Zhang Ziyi, Lou Ye expanded the boundaries of "love", and he made the first "Purple Butterfly" set in the anti-war war.
I don't know if zhang Ziyi looked at her face when choosing Zhang Ziyi at that time.
Clean and clean, and a little fragile, can stimulate people's desire to protect. Like Xin Xia, who has never been in love with the Japanese Itami.
If you look closely, it is angular, and the eyes occasionally exude fierce stubbornness and vigorous ambition. Like Ding Hui, who suddenly transformed after witnessing his brother being killed, he was full of heart for the War of Resistance (after the War of Resistance, Xin Xia changed his name to Ding Hui).
The battlefield is merciless, because of the different positions, Ding Hui killed the old love with her own hands after suffering and struggling.
In the play, Zhang Ziyi experienced the growth of a girl who did not understand the world from a young girl to an anti-combatant. Outside the play, compared to the purity of her appearance, everyone talks more about her soaring ambitions.
At the 2000 Berlin Film Festival, "My Father and Mother" won the prize. I heard that Zhang Yimou specifically instructed Zhang Ziyi not to go on stage before receiving the award, but Zhang Ziyi did not listen. The next day, the photo of Zhang Ziyi wearing a red belly pocket was particularly eye-catching.
Filming Ang Lee's "Crouching Tiger, Hidden Dragon", Zhang Yimou's commercial films "Hero" and "Ten Faces Ambush", achieved good results overseas, and since then Zhang Ziyi has a new name, "International Chapter".
Over the years, many people have said that Zhang Ziyi's utilitarian heart is too heavy, and the posture of hanging ambition on his face is somewhat unsightly.
However, it takes greater courage to be able to show the desires of the heart nakedly in front of others than to bury ambition in the heart.
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Gong li
The specific story of "Lyceum Theatre" will not be spoiled here.
People say that in China, only Gong Li can complete the role of Yu Yan.
There were no exaggerated expressions, and no overly intense emotions. There is no small love, and the love of the strong home country runs through the whole process.
The film quotes Nietzsche:
Ultimately, it is the desire, not the desired, that we love.
Expecting love in return is not a demand for love, but a kind of vanity.
Yu Yan's love for Tan Na is selfless, her love for her adoptive father is selfless, and her love for the country is even more selfless.
She does not ask for every love in return, so the power of love can shock people's hearts.
Back to Gong Li herself, whether it is her inner maturity or the degree of proficiency in acting, it is very similar to Yu Yan -
Stable values and supported by strong inner strength.
Gong Li has a lot of domineering conversations.
— Do you have a sense of crisis about age? — Nothing.
Have you ever had doubts about your career? — Nothing.
— After winning the European Award, do you have the goal of winning the Oscar? — Nothing.
— Have there been any times in these years when you have been afraid? — Nothing.
There are also a lot of domineering actions.
In 2014, Gong Li unexpectedly lost the election after running for the Golden Horse Film with "The Return", and she directly said, "The award should be fair competition to get everyone's respect."
Four years later, in 2018, Gong Li was invited by Ang Lee to serve as the chairman of the Golden Horse Awards jury, and she assured everyone, "With me here, fairness is here."
Someone made inappropriate remarks about cross-strait relations at the award ceremony, and Gong Li, who was supposed to present the award, sat firmly in her seat and refused to get up.
She always understands that the most powerful underpinning of domineering is her irreplaceable strength.
Many people say that Lou Ye's films are too niche and obscure, and the cameras are too shaky, which does not meet the public's viewing tastes.
Playing Lou Ye's film is dangerous, painstakingly filmed, and may not be released.
But I think there are very few directors like Lou Ye, because his films constantly release strong feminine power to us:
If you desire love, then love vigorously.
If you feel depressed, let it go.
If you're in trouble, try desperately to break free.
If you are different from others, then insist on yourself unscrupulously.
As a woman, I am not eager to be understood, I do not live in the eyes of anyone, and I do not run with the world, so that I can live thoroughly.