Recently, the Korean Entertainment Japan Entertainment Earthquake.
The capital war of Korean entertainment giant SM Company here has not stopped. Over there, the "godfather of the boy group" Kitagawa who has led the Japanese trend for many years, was exposed by the documentary to sexually assault its male artists for a long time.
Weibo @sina entertainment
In such a comparison, internal entertainment seems to be too calm?
No, the undercurrent of internal entertainment has not stopped surging.
It just so happened that yesterday a new drama with the theme of the entertainment industry "Spring Warm Sun" was broadcast.
After watching it, I really don't think it's too appropriate.
Uncovering the unspoken rules of internal entertainment is not soft, which can be called "internal entertainment mirror".
So bold?
Let's talk.
You must have had this experience: the characters you liked when chasing the drama were inexplicably and unreasonably taken offline.
At such times, the audience is often so angry that they want to send blades to the screenwriter. But, such an unreasonable arrangement, don't the screenwriters have brains? Is there a possibility that it is caused by other force majeure factors?
At the beginning of "Spring Warm Sun", this "possibility" was exposed. Daring to be a small flower of traffic, "fired" the queen of virtue and art. Yes, the character you like does not offend the screenwriter, but offends a certain star. Such as the starring Xiaohua in the play, Su Xiaocang. I don't memorize the lines, and I read "Two Little Bees" and "Ninety JQK" when filming.
Heh, this is not in reality, the entertainment industry is prevalent, filming does not read the lines to read "1234567" "Miss Digital"?
Image source "Venus Show", Venus alludes to "Miss Number"
Miss Digital can be regarded as the flower of evil that grows after capital poisons the entertainment industry. The qualifications are far from enough, but they are fired into high positions, and if they do not work hard for fame and fortune, they become more and more arrogant and rash.
How far can Su Xiao Sugar slack?
The drama bone Jiang Ye (played by Liu Bei) got up at 5 o'clock according to the announcement to make up, and the director said that Su Xiaodang wanted to shoot the first scene. Jiang Ye waited on the set with makeup for a full four hours, and finally it was her turn, and Su Xiaodang felt that the necklace was not good-looking and had to adjust it again. Unable to bear it, the straightforward Jiang Ye's predecessor's position was half criticizing and half admonishing her. Spend more thoughts outside the play in the play, otherwise I don't know why the building collapses one day.
Su Xiaocang, who is as confident as Park Yeon-jin in "Dark Glory", how can he admit his mistake and reflect. Not only did he not admit his mistake, but he was also arrogant, sarcastic that Jiang Ye had no traffic and no one looked at it. Righteously kidnapping the audience's aesthetics:
"I think today's audience would rather see a good-looking face fake and pure than a wrinkled face that is really profound."
After the quarrel between the two escalated, Su Xiaotang threw a sentence of "This play has me without her, and she has no me", and picked the pick and left.
Jiang Ye, who originally waited for the producer to do justice, waited for the result - his role was written to death.
Jiang Ye is not a nameless junior in the entertainment industry.
She has won two film queens, dominated the TV screen when she was young, and the photos were also printed on the calendar, and they were popular all over the country. But in today's entertainment industry, she has become a passing actor who should be eliminated by traffic. The former actresses are still treated like this, not to mention the countless unknown people in the entertainment industry, how to squeeze to what extent. And the seemingly glamorous traffic in the manipulation of capital is also like fast-moving consumer goods in clothing stores: when the season comes, one batch changes another. Jiang Ye felt that everything was wrong because he was no longer young, so he was angry at the popular idol and Su Xiaotang's gossip boyfriend Song Yang (played by Huang Zitao) at the dinner.
The words are naked - you Songyang also eats by your face, and the end will be the same as her, and you will be abandoned by the market when you are old.
It's not good, but it also points out the fast-moving consumer goods attributes of traffic artists. Songyang is also almost 30 years old, and he has basically reached the jam period when there is a blockade before and a chasing soldier in the back. Frequent reality shows, speculation in front of the camera, acting skills rely on the water army.
The acting career has not achieved much, and the traffic is also in jeopardy. The company will train the young heavenly group in the future, which is enough to replace him. I found that these plot points all reflect the real situation of internal entertainment. Different from the previous ridicule of this type of theme, the operation mode of the traffic star is torn apart for the audience to see.
At the beginning of each drama, the publicity is to fry CP, the male and female protagonists have various ambiguous small compositions, intentional or unintentional intimate actions when they are in the same frame... The business outside the play is regarded as a professional, but no one cares about the acting skills in the play, and the atmosphere is becoming more and more crooked.
How many dark pokes and pokes change the name of the character to the real name every day to fry the hot search of CP, I don't need to say, you have also brushed a lot.
In the play, in order to fight, he even asked to change the script and forcibly change the male second into the male one. In reality, this is more common, tearing the head and breaking the blood, in order not to offend, the drama party changes to the water master. Make a variety of titles such as leading actor and special starring, so that more than a dozen actors, all equal. Some movies, through the drama bone male one to promote word of mouth, as a result, once into the cinema traffic male two than male drama. Spend all your attention on hype and maximize monetization, and how can you spare for performance and creation?
No wonder this drama is a mirror of internal entertainment, reflecting the current situation of "internal entertainment pills". Of course, the "internal entertainment pill" is just a vent of hatred that iron is not steel. When I say this, I always have some expectations.
You must also be looking forward to taking a look through the clouds, why are you so wrapped up in an inch?
Since we want to present a reflection on the current situation, we can't just shoot it as a record of the appearance of internal entertainment, and run away with the phenomenon. You also have to try to capture a trace of humanity in this internal entertainment.
Songyang has two benefactors:
One is the mentor who taught him to perform, Ding Kemang, the pillar of the Jinghan Repertory Theater;
One is to dig him out and spare no effort to make his agent Gu Nanshan popular.
These two are simply two extremes, one completely dedicated to art and the other completely surrendered to the market. So incompatible, but because Song Yang wanted to perform the drama "Father and Son" with Ding Kemang, he had to take (dǎ) qia (jià). The result can be imagined, and it was on the bar as soon as it came up. The agent speculated about Ding Kemang with a utilitarian heart, believing that Ding wanted to use Songyang to enhance his prestige. Ding Kemang's temper came up, and he immediately wanted to abandon the performance.
Ding Kemang felt that his kindness and enthusiasm were speculated by the agent with a villain's heart. I don't want to talk more nonsense with people like her. But in the agent's logic, Ding Kemang is no different from her.
It's just that she is a decent villain, not as hypocritical as the other party, and wants to be famous but pretends to be high.
The two have their own complexity, not simply villains and gentlemen. It can be seen that brokers quickly instrumentalize themselves in order to adapt to the environment. She spared no effort to hold the red pine poplar, and she was fully concerned about his career like an old mother. Song Yang didn't want to perform ambiguity with Su Xiaotang outside the play, lost his temper in front of everyone, and overturned the soup that the other party fed him. The agent can only coax this ancestor to apologize and beg this ancestor to finish the work first.
In a way, she does have a kindness to Songyang. But her kindness was conditional - let Songyang obey and take the route she arranged. That is, when the resources are the best, shoot more TV series, brush your face in international movies, and stand firm, so as not to be replaced by future generations. Instead of acting in a drama that no one watches, making wedding clothes for others.
In the agent, we can see the paradoxical reality of the entertainment industry:
I hope that artists will take more works to gain a foothold, but at the same time I don't want them to "waste" time to learn.
She only considered from the perspective of traffic that Song Yang should not act in stage plays, but she did not consider that he who can't even act well in TV dramas, can he act in a good drama? Minutes will be ridiculed by the audience. Even if Song Yang really wanted to go on the stage with Ding Kemang, his strength would not allow it.
This play is indeed bold, and it uses Songyang to debunk a fact that the public ignores:
That is, sometimes the acting is not that the artist is unintentional, but really powerless. The play examines how factory-line-style, embarrassing plays and performances come about. For example, in order to make the artist quickly increase his value, the agency stuffs him into international films for gilding.
Only 10 days are given for the drama, and the rest of the time artists are required to participate in reality shows and shoot commercials.
This is a typical example of this in real entertainment: Yang Transcendence.
Recently, the new drama was ridiculed by the audience for poor acting skills and no aura, and Piao also wrote a manuscript to analyze why:
It's not that she doesn't want to sink her heart into acting, but the little flowers on the assembly line are wrapped up in capital so that they don't have the opportunity to learn at all, and they can only continue to take on some non-nutritious plays in order to seize the wind. Beyond my sister knew early on that acting skills can make herself stand firm, and she has also expressed many times that she wants to learn acting, but she is too busy to have a chance. The only time she studied was when she proposed to the team that she wanted to go to "Ideal City" as a supporting role and watch the acting performance. It is allowed because the time cost is only one month.
This is the longest learning time that Traffic Xiaohua can get.
"The Peak"
Instead of just presenting internal entertainment chaos, let the audience watch a lively and leave the scene. The play is more willing to sink down to dig into the artists in the center of the whirlpool, to shoot capital to coerce everyone's choice. Try to cut open the impetuous surface of the capital flood entertainment industry and find out the lesion.
Song Yang, who was sandwiched between the two, was actually pulled by two retrograde forces. It is also because of Songyang's efforts that it is possible to bridge the two extremes. In the play, Song Yang and Master Jiang Ye are very interesting comparisons for the group. The two of them are representatives of the transition of domestic entertainment from a female economy to a male economy (even the actors themselves are in a similar situation to those in the play). The future of Songyang is likely to be the ginger leaf that has become comically twisted now. Jiang Yehong was extremely conceited and arrogant, and often looked at people with his nose. After being humiliated by Su Xiaotang, he was old and decayed, and he was not popular.
On the one hand, he was indignant and cursed Su Xiaocang's godfathers for going bankrupt and imprisoned, and let Su Xiaodang live on the streets and beg along the streets.
On the one hand, he was obviously stimulated, and pulled the daughter of her husband's ex-wife (played by Sun Yi) to run to the spa in the daylight.
I want to maintain the youthfulness of my face, let Su Xiaotang's plastic surgery face see, what is natural beauty.
When you go grocery shopping at the supermarket, you also need to wear sunglasses.
I can't see the dishes clearly, I wear them and pick them, and it's not troublesome to repeat them.
She wasn't afraid that others would recognize her. She was afraid that when others would not recognize her, she would use wearing sunglasses as an excuse to cover up her past. Implicit is a fear of passing the past. In reality, how many older stars have not had works for many years, and can only go to variety shows to brush their faces, looking forward to a chance to become popular? After all, it is almost an exception to Michelle Yeoh who can survive to the age of 60 and meet a good script. Then again, it's one thing for opportunities to decrease with age, but it's another thing for you to have the ability to catch them when they come.
For example, 84-year-old Wu Yanshu can usually only play the role of a nameless grandmother in various dramas, but once she has the opportunity to be a "Mom! , she has the ability to win you the Temple of Heaven Award.
Therefore, true ability is the key to determining who can have the last laugh. If Song Yang does not change, he is likely to be inferior to Jiang Ye in the future, and Jiang Ye has at least works and acting skills. If he is abandoned by the market as a defective product, there may not be a possibility of reproduction in the future. So when the head of the drama troupe asked him to act in the drama, he actually saved him. Once upon a time, Songyang ignored the retention of the conversation troupe and stepped into Vanity Fair for money and success.
Consume acting skills in one shoddy production, and bind CP with Su Xiaocang, who does not like it.
Doesn't he know that this is consuming his own life?
Everyone else could see that he was going downhill, and of course the parties were more anxious. Songyang has begun to feel dissatisfied with the current situation of fishing in the water. So he used the only traffic he had at this stage to exchange for a good role and get guidance from a teacher.
But the long-term pursuit also made him unable to see himself clearly. For example, I started the idea of robbing the teacher and the man. He still longed for success, but that success became compatible with business and art.
Unlike Jiang Ye, she is not convinced in her heart - the so-called market, it must be a young and beautiful face, the ability to hype, and the traffic that can be paid attention to?
Why can't a good script and good actors be a market? Songyang is driven by interests and breaks through within the rules, while Jiang Ye dares to question and subvert. The four people, including the broker, all have their own character background and are all mediating with capital. It's just that the personality is different and the choices made are different. Whether it is obedience or resistance, it is a portrayal of real people under the chaos of internal entertainment. But in such an environment, how can young artists pursue their dreams in the entertainment industry? Presumably, the role of Song Yang is easily reminiscent of Huang Zitao himself. He does have the shadow of the first generation of male traffic such as Huang Zitao, and it also represents the real situation of the current stubble of male idols.
In the play, the assistant treats his drama as a comedy, because he is so silly and funny in it.
Songyang, which is gradually consumed in bad dramas, has also become a joke for the public outside the play. Of course he didn't want to, so he started to change.
And what about Huang Zitao himself?
I believe that he who took over this drama has also opened his eyes to see reality clearly. And this drama that looks like a slap in the face is his determination to change. Only if you bravely hit yourself in the face today, you can hit the face of a crowd of traffic tomorrow.
There are so many male idols, and how short the flowering period is.
It is to indulge in short-lived glory and be as anxious as ginger leaves in the future. Or plan ahead, try to use acting skills and works to keep yourself fresh, or even find another way. It remains a matter of choice. However, in the long run, when the tide of capital recedes, the audience is aesthetically fatigued, and good scripts and good actors gradually become the market.
How long can a fish swim in a funnel?