In the opera world, it is very easy to find actors who sing shengxing and actors who sing Danxing, but there are relatively few actors who sing jingxing, and it is difficult to find a few jingxing actors who sing well. Therefore, there is a saying in Pear Garden That "it is difficult to find a net in a thousand lifetimes". Today, Xiaobian would like to recommend to you a young and excellent flower face actor, a flower face actor with the highest "appearance rate" and both virtue and art in the Beijing Opera Theater, he is the Peking Opera actor Fang Xu.
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Get up close and personal with the actors
Fang Xu, male, Peking Opera actor, Gonghua Face, Zong Qiu Pai, famous Peking Opera performance artist Mr. Fang Rongxiang's grandson. Won the "Gold Award" of CCTV National Young Peking Opera Actors Television Competition
Teacher inheritance situation
He studied under Meng Guanglu, Yang Bosen, Ma Mingjun, Zhang Guanzheng, Deng Muwei, Song Changlin, Li Yueshan, Shu Tong, Zhao Jingxuan, Xu Chao and other famous artists.
Singing features
Fang Xu's voice is loud and high-pitched, full of energy, euphemistic and delicate, mellow in rhyme, quite fang Rongxiang's charm, is a young flower face actor loved by opera masters and audiences.
Good at acting in repertoire
Fang Xu's representative repertoire of Peking Opera mainly includes: "The Case of Zhenmei", "Tanyin Mountain" (also known as "Judge Of Yin"), "Lock five dragons", "Meet the Empress • Playing Dragon Robe", "Zhao Orphan" and so on. The repertoire includes "Great Baoguo, Exploring the Imperial Tomb, Erjin Palace", "Serial Set", "Yao Period", "Muhuguan", "Chisang Town" and so on. The new plays include "Qiu Shengrong", "Above the Clouds", "Tang Guifei", "Daughter of the Party", "Five Heroes of Wolf's Tooth Mountain", "Li Dazhao", "Qu Yuan" and so on.
There are questions and answers
About opera, Fang Xu has his own unique views, let's listen to it together.
Question 1: How to see the phenomenon of high performance costs for individual actors.
Fang Xu believes that if the performance art of Peking Opera is measured with money, it is a kind of blasphemy against opera people. Don't look at the actors on stage are all programs, but he is quite relaxed in front of the camera, and he has received many INVITATIONs from TV series, but she has refused. The reason is that the merits of Peking Opera cannot be thrown away for a day, even if it is lost for one day, it will be ugly on stage. He felt that although Peking Opera actors would earn more money from TV dramas and earn money faster, there were indeed many opera actors who made a lot of money from TV dramas. But he didn't want to waste opera, didn't want to be unable to practice because he was making a TV series, so he refused them all.
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Question 2: Do opera actors have to practice every day?
Fang Xu believes that opera actors must practice every day, otherwise they will not look good on stage. At the same time, he also admitted that it is too difficult to become famous in the field of opera, and it is not easy to practice it, but it is too easy to put it back. Therefore, we must not play with things to lose our minds, take it lightly, do not forget our original intentions, withstand loneliness and temptation, and adhere to the opera stage.
There are not many big dramas in the flower face industry, basically assisting the old students and DanJiao'er. Fang Xu said, "After Mr. Qiu picked the class, he found that in fact, the repertoire of hua face was not rich enough, until the row "Rhododendron Mountain", he had the ambition to sing a flower face. But that play eventually became a dan corner play, and it also became a pain in Mr. Qiu's heart. But even so, Uncle Kang Wansheng once said, 'We are not singing drama, we are singing blood.' ’
Fang Xu also said that after he learned to play at the age of 11, he did not know what ice cream tasted like. After I learned to play at the age of 11, I didn't know what ice cream tasted like, and I really didn't dare to eat and drink.
Every time he goes abroad to perform, Fang Xu never plays outside, as long as the performance is not completed for a day, he must stay in the room to hang his voice and practice singing.