Seminar site
On the occasion of celebrating the 100th anniversary of the founding of the Communist Party of China, in order to reflect the pioneering and enterprising style of the times, carry forward the main theme, use art to shape the image of the country and the nation, create excellent oil paintings with epic expression of the national spirit, and further enhance the level of oil painting creation of major themes in Jiangsu, on the afternoon of June 26, the "Jiangsu Provincial Major Theme Oil Painting Creation Seminar" sponsored by Jiangsu Oil Painting sculpture institute was solemnly held in Ning. Wang Guobin, deputy director of Jiangsu Provincial Art Museum, made a keynote speech on behalf of Jiangsu Art Museum, and the seminar was presided over by Sun Jun, president of Jiangsu Oil Painting and Sculpture Institute, Chen Shining, chairman of Jiangsu Oil Painting Society, Lu Qinglong, member of the National Major Theme Art Creation Art Committee, vice president of the School of Art of Nanjing University, vice chairman of jiangsu Provincial Artists Association, Pu Cunzhou, vice chairman of Nanjing Federation of Literary and Art Circles, Chen Jian, member of the National Major Theme Art Creation Art Committee and vice chairman of Jiangsu Oil Painting Society, Li Jianguo, vice chairman of Jiangsu Oil Painting Society, Shi Weiping, member of the National Committee of Art Creation on Major Themes and Professor of the School of Fine Arts of Nanjing Normal University, Jin Jie, Director of the Art Creation Department of Nanjing University of the Arts, Feng Jialiang, Dean of the School of Fine Arts of Nanjing Normal University, Chen Shihe, Professor of the School of Fine Arts of Nanjing University of the Arts, Xing Jianjian, Professor of the School of Fine Arts of Nanjing University of the Arts, Wang Nen, Professor of the School of Media and Visual Arts of Suzhou University of Science and Technology, Professor Wu Xiaoxun of the School of Media and Visual Arts of Suzhou University of Science and Technology, Li Jianmin, Director of the Oil Painting Department of the Academy of Fine Arts of Nanjing Normal University, Nearly 50 representatives of old and young oil painters from Changzhou University, including Professor Wang Chi of the School of Fine Arts and Design of Changzhou University, Feng Weijun, Associate Professor of the School of Art of Nantong University, Xie Zhongxia and Zhang Yong, full-time painters of Jiangsu Oil Painting and Sculpture Institute, and other old and young oil painters from the province attended the seminar.
Wang Guobin, deputy director of Jiangsu Provincial Art Museum, delivered a speech on behalf of the art museum
Sun Jun, president of Jiangsu Oil Painting and Sculpture Institute, presided over the seminar
The seminar formulated three main topics: 1. Inheritance and development of theme creation in the new era. 2. Typical paradigm, language paradigm and contextual paradigm of theme art creation. 3. Construct the modern narrative of theme creation in the new context. Chen Shining, Lu Qinglong, Chen Jian, Li Jianguo, And Shi Weiping shared their experiences and experiences in the creation of major themes.
Chen Shining, chairman of the Jiangsu Oil Painting Society, delivered a speech
Chairman Chen Shining believes that artists should proceed from their inner piety in the creation of themes, devote themselves wholeheartedly to them with a full mental state and sufficient creative time, be pragmatic and diligent, work hard and forge ahead, continuously improve their own artistic standards, and paint oil painting masterpieces that live up to the times and the people.
Lu Qinglong, member of the National Major Theme Art Creation Art Committee and vice chairman of the Jiangsu Provincial Artists Association, delivered a speech
Chairman Lu Qinglong believes that the typical grasp of images is of great significance to the presentation of the effect of the work, the choice of artistic language should be contemporary and highlight the spirit of the country and the nation, and it is even more important to climb the peak on the inheritance of the excellent painting tradition of the old generation of oil painting masters in Jiangsu.
Chen Jian, member of the National Major Theme Art Creation Art Committee and vice chairman of the Jiangsu Oil Painting Society, delivered a speech
Teacher Chen Jian believes that when creating theme paintings, painters should treat history with a serious attitude, have a spirit of responsibility, on the basis of respecting history, painting creation should pay attention to the study of modeling and perspective and follow the scientific and rigorous creation process and methods, with high standards, strict requirements for theme painting creation.
Pu Cunzhou, vice chairman of the Nanjing Federation of Literary and Art Circles, delivered a speech
Chairman Pu Cunzhou believes that theme creation is a topic that literary and art workers must attach importance to and study, and artists should take this as an opportunity to go deep into life, take root in the people, work hard to practice, constantly improve the political and artistic height of creation, and paint excellent works that are satisfactory to the motherland and recognized by the people.
Li Jianguo, vice chairman of the Jiangsu Oil Painting Society, delivered a speech
Teacher Li Jianguo believes that taking the names of excellent Chinese and foreign masters in ancient and modern times as an example, historical theme paintings should respect historical truth, and on the basis of restoring the truth, we should avoid stylized creative routines. In addition, we must pay more attention to the artistry of the work and the expression of the author's inner feelings.
Shi Weiping, member of the National Major Theme Art Creation Art Committee and professor of the Academy of Fine Arts of Nanjing Normal University, delivered a speech
Teacher Shi Weiping believes that the importance of painting well has a high degree of difficulty in the creation of themes, and the importance of daily sketching by artists cannot be ignored, and the painting of sketches is well painted and the painterliness in sketching is expressed in the theme creation, which plays a key role in the improvement of the artist's theme creation level.
Jin Jie, Director of the Art Creation Department of Nanjing University of the Arts, delivered a speech
Teacher Jin Jie believes that the creation of major theme paintings is an important way for each artist to climb in comprehensive ability, and on the basis of a correct understanding of theme creation, artists should not only keep pace with the times, but also pay attention to the tempering of their own artistic ability, and correctly handle the interrelationship between personal style embodiment and theme content expression in creation.
Feng Jialiang, dean of the School of Fine Arts of Nanjing Normal University, delivered a speech
Teacher Feng Jialiang believes that young painters must pay attention to the accumulation of a large amount of creation, and only by continuously practicing and accumulating experience in creation can they practice excellent techniques for devoting themselves to theme creation. In addition, proposing how to use images in the creation of themes and get rid of images is a question worth pondering for every painter.
Professor Chen Shihe of the Academy of Fine Arts of Nanjing University of the Arts delivered a speech
Teacher Chen Shihe believes that theme creation is a compulsory course for the cultivation of young painters in colleges and universities, and young painters should sink their hearts while pursuing personalized language, attach importance to the tempering of modeling ability and traditional painting techniques, and continuously improve the level of thinking and practice, so that young painters can look higher and go further.
Professor Xing Jianjian of the Academy of Fine Arts of Nanjing University of the Arts delivered a speech
Teacher Xing Jianjian believes that through the sharing of his own theme creation feelings, he believes that artists should integrate their personal artistic language and creative themes with each other, complement each other, and on the basis of expressing historical themes well, they can also reasonably present their own artistic styles, so that their works have artistic appeal.
Professor Wang Nen of the School of Media and Visual Arts of Suzhou University of Science and Technology delivered a speech
Teacher Wang Nen believes that it is not difficult to find out that looking at the fine works of theme art in China, it is not difficult to find that ability is an important guarantee for artists to paint well on themes. An excellent work that can impress the audience at the first time depends on the ingenious composition of the picture, the superb painting skills, and the expression of the painter's true feelings.
Professor Wu Xiaoxun of the School of Media and Visual Arts of Suzhou University of Science and Technology delivered a speech
Teacher Wu Xiaoxun believes that combined with his own experience in theme creation, he believes that in addition to realist expression techniques, more elements such as modern composition forms and abstract symbols can be integrated into it, so that theme creation can present a new context, a new look, and a new vitality at present.
Zhang Yong, a full-time painter at Jiangsu Oil Painting and Sculpture Institute, gave a speech
Teacher Zhang Yong believes that in the theme creation, artists should correctly understand and deal with the relationship between "historical truth" and "artistic truth", but the most important thing is that the painter must follow the inner judgment and feelings, that is, throughout the creation, he must respect the "inner truth".
Xie Zhongxia, a full-time painter at Jiangsu Oil Painting and Sculpture Institute, delivered a speech
Teacher Xie Zhongxia believes that the expressive language and creative style of historical theme painting can be more diverse and diverse in addition to realism!
Li Jianmin, director of the Oil Painting Department of the Academy of Fine Arts of Nanjing Normal University, delivered a speech
Teacher Li Jianmin believes that the historical materials related to the theme and the preparatory work in the early stage of creation are crucial, because it is related to whether the theme creation can be carried out smoothly.
Professor Wang Chi of the School of Fine Arts and Design of Changzhou University delivered a speech
Teacher Wang Chi believes that an excellent theme creation is a high degree of unity of comprehensive factors such as reference materials, creation time, expert guidance, and painter ability, and tireless and practical diligence is the shortcut to success on the road of art.
Representatives of oil painters from all over the province: Feng Weijun, Sun Shirong, Zhou Jianjie, Qian Zhaofeng, Zhu Shunchuan, Wang Zhi, Zhu Danhui, Wu Jingyi, Weng Yichao, etc. respectively discussed and summarized the creation of major themes at the meeting and combined with their own problems and thoughts, realizing that in the future creation of major theme oil paintings, it is necessary to uphold conscious cultural responsibility, further closely follow the pulse of the times, grasp the characteristics of the times, academics, and innovation, and constantly forge ahead, in order to promote the progress and development of major theme oil paintings in Jiangsu.
Feng Weijun, associate professor of the School of Arts of Nantong University, delivered a speech
Sun Shirong, associate professor of the School of Fine Arts of Jiangsu Second Normal University, delivered a speech
Zhou Jianjie, deputy director of the Institute of Watercolor Pastel Painting of the School of Art of Nantong University, delivered a speech
Qian Zhaofeng, chairman of the Suzhou Wujiang District Artists Association, made a speech
Zhu Shunchuan, chairman of the Yancheng Oil Painting Society, delivered a speech
Wang Zhi, vice president of Zhenjiang College of Higher Education, delivered a speech
Zhu Danhui, a young teacher at the School of Fine Arts and Design of Yangzhou University, delivered a speech
Wu Jingyi, a young teacher at the Academy of Fine Arts of Nanjing University of the Arts, delivered a speech
Weng Yichao, a full-time painter at the Nanjing Academy of Calligraphy and Painting, delivered a speech
A wonderful review of past issues
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🔗 Information | presented the centenary birthday of the Party with pen and ink Danqing, and the "Centennial Journey - Jiangsu Province Celebrates the 100th Anniversary of the Founding of the Communist Party of China Fine Art calligraphy exhibition" was brilliantly opened
🔗 Audio Edition丨Jiangsu Provincial Art Museum Collection Appreciation(337-343)
🔗VR Exhibition Hall丨 Centennial Journey - Jiangsu Province Celebrates the 100th Anniversary of the Founding of the Communist Party of China Fine Art Calligraphy Exhibition
🔗VR Exhibition Hall 丨 "Touchable Memory - Collection Art Archive Documentary Exhibition" online exhibition
🔗 Zhongmei Grand View丨Jiangsu Art Museum Interlibrary Alliance Collection Exhibition (2)
🔗 A natural object, an apprentice with the ancients - talking with Song Yulin about art and inheritance
🔗 Zhi Ru Chu People are like juju - and the painter Gao Yun does not talk about the return, talk about the departure
🔗 Xu Huiquan's painting diary during the epidemic
Contributed by: Sun Jun
Producer: Zong Jie
Editor: Chen Ye
| Opening hours |
9:00 - 17:00 (Last admission at 16:30)
Closed on Mondays (except public holidays)
| Precautions |
Spectators present the "Su Kang Code" and ID card at the entrance of the venue
After temperature measurement, security check, and ticket collection, you can enter and visit
Please wear a mask when visiting
Maintain a safe distance of 1.5 meters or more
Avoid gathering of people and civilize viewing
| Transportation information |
Jiangsu Provincial Art Museum (New Building)
333 Changjiang Road, Nanjing
public transit:
Presidential Palace Station: Take bus No. 29, 44, 65, 95, 201, 202, 304 to Presidential Palace Station, walk 250 meters to reach.
Daxinggong East Station: Take bus No. 5, No. 9, No. 25, No. 34, No. 29 to Daxinggong East Station and walk 150 meters to get there.
Subway: Metro Line 2 or Line 3 to Daxinggong Station, Exit 1 is a 300-meter walk away.
Exhibition Hall of Jiangsu Provincial Art Museum
No. 266 Changjiang Road, Nanjing (Exhibition Hall)
Nanjing Library Station: Take bus No. 31, No. 313, No. 80, No. Y2, No. 3 inner ring road to Nanjing Library Station, walk 250 meters to reach.
Daxinggong North Station: Take bus No. 2, 304, 31, 313, 44, 65, 68, 80, 95, 3 to Daxinggong North, walk 230 meters to reach.
Subway: Metro Line 2 or Line 3 to Daxinggong Station, Exit 6 is a 300-meter walk away.
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025-89610810