Sohu Entertainment Special Article (Lin Zhenxin/Wen) "Jia Nan Biography" was launched, #Ju Jingyi new drama trailer 14 sets of shapes ## Ju Jingyi A person can play seven fairies ## Ju Jingyi Jianan's wedding dress style # has been on the hot search. On social platforms, netizens pay more attention to Ju Jingyi's style than other aspects such as plot and story.
In this new drama adapted from the well-known female frequency novel "Mu Nanzhi", Ju Jingyi changed 20 sets of looks in 8 episodes and wore a beaded curtain with ingenuity.
In this regard, some people shouted that "the costume style is finally no longer the same", and netizens who did not like it complained that "14 sets of styles with the same modern makeup" and "Yiwu trinkets from the night of the night, there is nothing to boast about".
Polarized comments have made this public opinion storm continue to spread, and Ju Jingyi has once again proved her hot search physique and upward potential as a "traffic star". But Ju Jingyi, as an actor, was trapped in the same place by "I want beauty".
No merit and no fault "Jia Nan Biography", play a stable Ju Jingyi
Adapted from the rebirth text "Mu Nanzhi", "The Biography of Jia Nan", the rebirth part that cannot be broadcast has been drastically deleted, but it is still about Jiang Baoning, the lord of Jia Nan County, played by Ju Jingyi, who opened all the way, balanced the forces of the court with his own wisdom and wisdom, and finally got happiness and became the inspirational story of the founding empress.
In the process of filming and television, a lot of deletions and changes were made, and according to the words of some viewers of the bullet screen, it was "almost nothing to do with the original work". The heroine Jiang Baoning has also been completely changed to a standard silly white sweet heroine.
She was born into a noble family, grew up in the deep palace, carefree; she was free and naïve, did not want to be a puppet in the palace wall, nor did she want to marry the emperor; she was clever and clever, and she could get the top three in the handicraft competition with her mouth, and easily find out the emperor's unknown secrets. Does this setting remind you of many other costume drama heroines?
And the familiar person is matched by the familiar plot: the female protagonist falls from the wall and is caught and circled by the male princess, the female protagonist falls from the tree and is picked up and circled by the male princess, the male and female protagonists can meet each other no matter what they do, and the male protagonist can always appear on time to rescue when the female protagonist is killed.
Objectively speaking, "The Legend of Jia Nan" is an ancient puppet drama that has no merit.
Because the story takes place in an overhead time and space, the costume is not exquisite, the set is rough, can be forgiven; although the plot is old-fashioned, it is good that the narrative rhythm is fast, there is a love line, and there is also a little bit of power and suspense that fools children; in the case of double-speed chasing, messy editing can also be ignored.
The most important thing is "peer support". After experiencing the "baptism" of the ugly men of the ancient puppets a while ago, Zeng Shunxi and other leading actors of the costume Zhou Zheng have healed the eyes of the audience to a certain extent, making people feel that "this drama can be chased", so there is a good result of 3 days of broadcasting exceeding 100 million.
The performance of the big heroine Ju Jingyi can also be described as "playing stable".
This sense of stability comes first and foremost from the familiar bowed makeup. With full of hairy curved eyebrows, red eye makeup, red nose, yuanqi blush, white to reflective face plus a gorgeous lip color, Ju Jingyi's semi-permanent misty makeup is complete. No matter how the costumes and headdresses change, the modern makeup will never change.
Compared with her makeup in "The Legend of Yun Xi", "Ruyi Fangfei", "Pretty Scholar", and "Please Love Under the Full Moon", it is basically different roles, the same makeup, the same filter. (In fact, it is also the same silly white sweet person design.) ）
The second is stylized acting, relying on some small expressions to highlight their eccentricity and vitality. In short, Ju Jingyi made full use of her own advantages to perfectly control the silly white and sweet role of Jiang Baoning.
Heart machine shape
Plus points or minus points?
Such an ineffective ancient puppet drama would not have received high attention from the audience, but the lead actor Ju Jingyi single-handedly carried the heat of the new drama.
In the play, her half-episode change of style is impressive.
On the one hand, this abruptness is reflected in the mismatch with the hostess. Jiang Baoning was studying carpentry when he appeared, sawing wood and knocking on wooden stakes. But her costume and headdress at this time were as gorgeous as if she wanted to dance the neon feather dance. Is it necessary to dress so luxuriously when working?
The next scene is that Jiang Baoning wants to sneak out of the palace, and according to the plot, he should change into a light and low-key set of clothes. Then Ju Jingyi put on a red dress that looked like a wedding dress, with a steampunk-style chest rest and a delicate beaded chain headdress, and left the palace with a big swing.
On the other hand, Ju Jingyi, who is too delicate, is also incompatible with other characters in the play.
Compared with her chic hair accessories, full of beads, and varied hairstyles, the other supporting actresses appear simple and monotonous, each episode is the same costume and bun, there is no creativity, or the common balls + hair in costume dramas.
And Ju Jingyi has her own "careful machine", maintaining a delicate and gorgeous shape whenever and wherever it is.
Whether it is climbing a tree, eating noodles, falling, or shuttling through the mountains and forests, the fire escapes, her skirt and hairstyle are meticulous, completely will not be dirty and messed up because of the outside world, coupled with the offending bows on the shoulders, plastic full of wholesale trinkets, Ju Jingyi seems to live in the vacuum world of ancient costumes.
So it's not that styling innovation is bad or not beautiful, it's just that styling should serve the role. If the presence of the model is too strong, making it difficult for the audience to enter the play, then this innovation should not be stopped.
The costume style recognized by the audience, from Wang Xifeng's willow leaf eyebrows in the 87th edition of "Dream of the Red Chamber", Lin Daiyu's yanmei eyebrows, to Yuan shan Dai in "The Biography of Zhen Huan", all of them meet the needs of the characters. Willow leaf eyebrows, smoke eyebrows reflect the personality of the character, but also in line with the sense of age of the costume, "Si Teng" in the Jing Tian with slender willow leaf eyebrows out of the circle, relying on the creation of classical beauty.
There was also a cumbersome bead chain shape in "Fragrant Honey Sinking Embers Like Frost", only on the wedding day of Jinmi, played by Yang Zi, in order to highlight the grandeur and dignity of the wedding, it is understandable.
Ju Jingyi's frequent bead chain modeling in "Jia Nan Biography" lacks classical beauty, and many viewers complained that "it is very similar to the plastic beads of 2 yuan on Taobao", "the headdress is not a hairstyle", "the top of the head can only stand the headdress with a sense of layering".
And this slightly shaking shape will also expose the problem of the actor's manners.
As a famous and noblewoman who grew up in the public, such a bow forward and the posture of leaning forward and hunching her back does not seem to be convincing.
The first influencer vs newcomer actor
Ju Jingyi, who was standing still
Some people say that Ju Jingyi "does not want to make progress", and some people say that she lies in the "shape comfort zone" and wears semi-permanent makeup.
Not necessarily. Female star Ju Jingyi, in fact, is very aware of her strengths and weaknesses, and is also seeking progress.
2018's "The Legend of Yun Xi", which is the first time that idol Ju Jingyi has served as the heroine of a film and television drama, is regarded as her transformation work. After the broadcast, this drama received a Douban rating of 6.0, which is a passing score, and many people praised Ju Jingyi's ancient costume and acting skills, and Han Yunshi's role was also more suitable for Ju Jingyi.
Later, the audience saw Han Yunxi, played by Ju Jingyi, in "Ruyi Fangfei" and "Pretty Scholar", who was still the same lively and silly, but the score given by the audience fell from 6.0 to 4.7 and 4.8 points.
The road to conquering the audience by acting skills was temporarily blocked, after all, the appearance conditions also determined that her play path was not so wide, and the improvement space was limited, but she seized another opportunity.
At the end of 2019, Ju Jingyi became famous with the famous red carpet retro style "World War I", and for a time, her beauty was touted by major beauty bloggers.
This kind of going out of the circle is not by works or business, but simply by face. After all, on the red carpet that made her famous, there were no big flowers such as Yang Mi and Di Li Reba, and her "yan pressure" was indeed insufficient. Compared with other female stars, her figure and temperament are not prominent, so many people feel that Ju Jingyi is more like an "Internet celebrity".
Netizens are paying more and more attention to the dynamics of "beauty Internet celebrity" Ju Jingyi, and have pulled out a series of efforts she has made to become beautiful. From this, a set of "Ju Xue" has been derived, from Ju Jingyi's inverted triangle eye makeup to Ju Jingyi's selfie method, there are countless people learning to imitate.
Beauty has become the foundation of Ju Jingyi's establishment in the entertainment industry.
Ouyang Nana's thousands of gold makeup is on fire, and a large number of beauty bloggers analyze her makeup ideas, so she personally asked the makeup artist to take a tutorial for herself. However, Ju Jingyi's makeup has been repeatedly discussed and imitated, and the Buddha-figure has never shared his beauty secrets with netizens.
Therefore, Ju Jingyi will not change her semi-permanent makeup, it becomes much easier to understand. She is also seeking progress and breakthroughs, and her efforts for her career are spent on the styling of new dramas, constantly looking for ways to make a difference.
There is nothing wrong with loving beauty, and female stars must love beauty even more in order to break through in the entertainment circle with internal appearance. But actress Ju Jingyi seems to be trapped by "I want beauty".
As netizens said, "She is not acting in a play, but a personal photo album." "The urban theme of "Please Love Under the Full Moon" and the costume drama "Jia Nan Biography" share a makeup, which is confusing. The bead chain shape of "The Legend of Jia Nan" was brought to the Xian Xia drama "Hua Rong", and from the on-set photos, it is difficult to distinguish the two characters in the play.
Ju Jingyi, an internet celebrity who diligently buried her head in Hengdian, seems to have just borrowed the scenery of Hengdian to shoot a photo, and the camera is not filming and television dramas, but her daily Vlog.
But netizens love to see beautiful women, the audience wants to watch beautiful women acting, Ju Jingyi may be difficult to rely on the performance in the play to attract herself to the elderly high-quality fan group. In this case, how to stop standing still and get rid of the trapped situation is what actor Ju Jingyi has to consider.
It is difficult to put the right position and ponder the acting skills, so whether Ju Jingyi can rely on the study of beauty to develop a model with classical beauty after several trials and errors, and improve the aesthetics of the costume drama, in fact, it is also worth looking forward to.