The national drama in 2023 will be popular at the beginning of the year.
The finale of "Crazy" has still occupied the hot search for a long time, the finale score of "Three-Body Problem" has not dropped but increased, and the ratings of "Our Day" ranked first in the country, although the national drama has experienced many brilliant springs, but it seems that there is rarely a beginning, so wonderful and gorgeous.
So who is the most beautiful actress in the opening year of the national drama?
It depends, first of all, on how we define beauty.
What is beauty?
If the beauty and sexiness of the women on the screen is simply understood as the members of the girl group who appeared on the stubble, the bee waist and beautiful back, crisp chest and long legs make people think.
Or those female Internet celebrities under the live broadcast camera, white and beautiful, with a bumpy figure, in short, it is extremely tempting.
Then this national drama has a somewhat bland start to the year.
But in my opinion, this national drama has a beautiful and colorful opening year.
In "Crazy", beauty is Gao Ye who is out of the circle with a role, and the mature femininity of "sister-in-law" Chen Shuting is a sexy blooming splashing sassy demeanor. It was netizens who sighed that "since then my sister-in-law has a ceiling".
In "The Three-Body Problem", beauty is the cold and lonely freeze frame of Shen Yufei, played by Li Xiaoran, before he died, and Ye Wenjie, played by Wang Ziwen, who silently shed tears after killing her husband.
At this time, the beauty of the actress is the key to domestic science fiction to open the sci-fi treasure of "The Three-Body Problem".
In "Our Day", beauty is Li Xiaoran's work in ordinary years, it is Qi Huan's ordinary joy, and in the period drama, the beauty of the actress has become a stepping stone to knock on trivial human feelings.
According to different stories and different genres, the beauty of the actress is sometimes hidden like a treasure knife, waiting to be unsheathed, and sometimes it is three days in the sky, like a scorching sun.
When the audience's theory of beauty is superficial, the beauty of Chinese dramas is superficial.
When the audience's understanding of beauty is rich, the beauty of Chinese drama is rich.
As the saying goes, "beauty is not in the skin", true beauty is destined to have many appearances.
In the Chinese entertainment industry, there has never been a shortage of beautiful actresses, but only a variety of Chinese drama genres can make their beauty bloom wantonly.
And the opening national drama in 2023 allows the audience to see the beauty that has been precipitated by the years, how strong and charming.
We once thought that in the era of mass production of the beauty of traffic, some beauty has disappeared, but they are blooming again in the spring of this national drama.
Next, let's take a look at eight different and pleasant beauties from the eight actresses of the opening Chinese drama.
The beauty of top Chinese drama actresses can vary widely, but they are all at a glance, and from then on, she is both a cinnabar mole in your heart and mosquito blood.
Eighth place, Wang Ziwen
Keyword: "peerless" beauty
Opening masterpiece: "The Three-Body Problem"
Before the broadcast of "The Three-Body Problem", in the eyes of most people, Wang Ziwen and Ye Wenjie were not touched.
It is even more difficult to imagine that she can perform the "peerless" beauty of Ye Wenjie lighting a torch to exterminate mankind.
When it comes to looks, Wang Ziwen is of course beautiful.
Wang Ziwen was sent to the Children's Palace by his mother to learn dancing and rhythmic gymnastics at a very young age, and later entered the entertainment industry, met Wang Shuo, and in the days when the big guy in the Beijing circle was still able to influence the situation of Chinese dramas, he starred in his first TV series "Who is My Dad" in 2006 and began to leave his name in the circle.
In "Ode to Joy", which made her famous, she successfully played Qu Xiaoxiao's eccentric, wanton, and straightforward sharpness that people loved and hated "a thorny rose", but then a long dullness.
After the resources soared, Wang Ziwen received many roles, but playfulness and agility, shrewdness and transparency have become both the label given to her by everyone and the shackles she broke through.
Until looking back, the "Three-Body Problem" crew, whose casting level was shocking, asked her to play the young Ye Wenjie.
If the elderly Ye Wenjie played by Chen Jin was originally considered to be a god caster, then her young Ye Wenjie and Yu Hewei's great history was recognized by almost everyone as the biggest failure of the series before it was broadcast.
However, the Douban score of 8.3 in "The Three-Body Problem" proves that almost all the main actors have come up with convincing performances.
In the case of a gap in temperament, the young Ye Wenjie of the prince's version is almost supported by acting skills.
Especially in the scene where the Red Bank Base killed her husband, when Ye Wenjie finally cut her husband's rope with her heart in the end, her eyes flashed with tears, her appearance was very moving, but her movements were clean and neat.
Then that lonely with a stinging look in his eyes, without dialogue, conveyed a thousand words.
The embarrassed appearance, but can not hide her decisive aura, the residual human nature can not match the determination to destroy the world after all, compared to the moment when the universe sent out the position of the earth, this is the moment when Ye Wenjie really blackened, but I want to say that she is too beautiful at this moment.
So evilly beautiful, so resolute.
As the story progresses, the image of the young Ye Wenjie she plays becomes clearer and more complex, even if she is saved by simple villagers and gains the warmth of so many strangers, she still becomes the commander of ETTO, and when the setting sun of mankind, human nature is complex.
From Wang Ziwen's performance, you can clearly feel the changes of young Ye Wenjie bit by bit, this change is not completed by lines, but requires the eyes and temperament of the actor, Wang Ziwen unexpectedly has such a "sense of pressure".
In the end, the audience who questioned her at first said that she was like Ye Wenjie coming out of a book. There are also many people who say: The prince text of "The Three-Body Problem" is really beautiful.
Wang Ziwen's acting counterattack has once again proved that the chemical effect of the collision of characters and actors has a fatal attraction to the audience.
Seventh place, Liu Yifei
Keywords: the beauty of WTO accession
Opening masterpiece: "Go to the Windy Place"
Before the TV series "Go to a Place with Wind", the audience had not seen Liu Yifei in an urban style for a long time.
From "The Condor Heroes" to "Menghualu", she has come out of the circle again and again with the appearance of the goddess in ancient costumes. After so many years, the fairy sister is still fairy.
Zhao Paner in "Menghualu", Gu Xi Panxi is amazing, and leaning on the door is fascinating.
But when she first starred in a modern drama, there was no fairy in the costume drama, no Lingbo microstep under the costume model, just naturally showing a tired workplace woman going to Dali to breathe.
The male protagonist does not fancy her fairy figure in the play, but her purity without entering the dust, and Liu Yifei performed this very well.
In the scene of riding a horse in Dali, Liu Yifei wore a light-colored long dress, showing an indifferent expression, which looked less amorous, but in the beautiful scenery of Dali, it was pleasant.
Among Chinese actresses, Liu Yifei never loses when it comes to beauty.
But what she can rarely do is that she can seamlessly switch between fairy and simple. Just like in "To a Windy Place", sitting in a gorgeous long dress in a small courtyard in Yunnan and caressing the dog is sexy, but this beauty has a sense of distance.
When she went into the kitchen to stir-fry and was choked to tears, this beauty fell to the ground and entered the hearts of the audience.
Sixth place, Yu Nan
Keywords: worldly beauty
Masterpiece of the opening year: "Meritorious Achievements, Old Events in the Northeast"
Among Chinese actresses, Yu Nan's sexiness is unmatched.
Other actors have to show their sexiness, either deliberately pretending not to deliberately show their career lines, or scratching their heads in front of the camera.
Yu Nan does not need it.
As long as she is facing the camera and pursing her two delicate red lips, it is enough to make the male audience's heart flutter.
It was raw sexy, the wildest beauty.
In "No Man's Land" and "Killing", the directors rendered Yu Nan's wild beauty to the extreme, and the scene in which she and Huang Bo were extremely flamboyant, the two were like beasts looking for mutual comfort, enough to make the audience's hearts burn.
It is a pity that Yu Nan has not encountered a suitable script in recent years, nor has he found a role that fully shows her beauty.
Until "Ligong", the audience found that this amazing actress actually played the simple and idyllic dumpling restaurant proprietress in a small town, who would worry about her brother who did not argue, and would also desperately chase hundreds of meters for a bully meal.
But when you think that this is a knife and a gun into Kuma to release Nanshan, but you inadvertently find that the Yu Nan, who is making dumplings while chatting with the old businessman played by Fan Wei, actually exudes a quiet beauty from the worldly cooking smoke.
It is not the flamboyant and fierce sexiness of the past, but the gentleness that makes people feel at ease.
She sat there wrapping dumplings, like a calm town, which is enough to seduce the soul without ostentation.
The fifth place, Zhu Zhu
Keywords: rich beauty
The opening masterpiece: "The Right Way to Open Life"
"The Right Way to Open Life" is Zhu Zhu's first play after giving birth, and she herself has confessed that she is not confident in her figure after giving birth, but from the perspective of the state in the play, the fat Zhu Zhu is still a dazzling beauty.
In Chinese dramas, most actresses are restrained or even secretly ashamed when they express sexy beauty, but Zhu Zhu is full of confidence when she expresses sexy beauty.
The audience watched her play "Elite Lawyer" to really understand what it means for an urban working woman wearing professional clothes to walk "swaying and living".
In "Rebel", she walks in the dance hall in a modern costume of the Republic of China, obviously it is a fireworks field in the wind and moon field, and she has a feeling of "clear water out of hibiscus".
But in this drama, Zhu Zhu found another way to open up her beauty, from the current actress's harsh aesthetic point of view, Zhu Zhu's body shape after giving birth is a little plump, which can be from a perfect body to a slightly fat body. But she is just right, especially walking between the workplaces, with a strong aura, walking with the wind, a handshake full of oppression, and the demeanor of a strong woman.
And when she changed into a wedding dress, like a Disney princess on the run, and like a queen, she confidently walked to Huang Bo and asked him to accompany him to take wedding photos, which immediately made the absurd plot reasonable: What man with a family dares to take wedding photos with his first love?
But what if that first love was Zhu Zhu?
I boldly say it for men: What man is willing to refuse? It's not that the heart doesn't know the proportions, it's that the limbs are out of control.
Soon after the filming of the series, Zhu Zhu almost recovered the so-called peak state of her body, and the raw pictures at the event site were still dazzling.
But I love Zhu Zhu, who has just come back after giving birth, appears in everyone's field of vision with confidence, and still boldly shows her beauty, and she makes this beauty a kind of "sa".
Sexy is not dirty, and rich charm does not mean losing charm, and Zhu Zhu in the play perfectly reflects these two points.
4th place, Mei Ting
Keywords: the beauty of suspense
The opening masterpiece: "The Right Way to Open Life"
The plot of "The Right Way to Open Life" makes some viewers feel outrageous, the key is the plot setting: the big beauty played by Zhu Zhu returns to China to compete for the first love played by Huang Bo, who is the housewife who fights with her?
Mei Ting.
Let's seek truth from facts, replace Jin Dong with the role of Huang Bo, at least the appearance is more convincing.
When Mei Ting was admitted to the Central Academy of Drama, she was one of the "Seven Golden Flowers of Chinese Opera".
The other six are Zhang Ziyi, Yuan Quan, Zeng Li, Qin Hailu, Hu Jing and Zhang Tong.
But some people say that Mei Ting and beautiful women are not related at all.
Forgive me for not agreeing, Mei Ting when she was young always wore thick dark circles every time she appeared, as if she didn't wake up, not like Zhang Ziyi who was always holding her breath, nor was she as immortal as Yuan Quan, but she just sat on the bed and read, quietly raised her eyes, how could it not be a beauty.
Among several big beauties, she became the first to become famous, entering Chinese opera at the age of 21, and co-starring in "Red Lover" with Leslie Cheung at the age of 22, winning the Cairo film queen.
Not long after graduation, a "Don't Talk to Strangers", her name became popular all over the country.
And Feng Yuanzheng has been bound by the role since then, but Mei Ting was not affected, and later acted in "Parental Love", which is still so beautiful.
But the middle-aged actress curse will not let anyone go, and Mei Ting has gradually quietly disappeared in recent years.
Until a "Daughter Back", Mei Ting starred in a female version of An Jiahe-style role, Liao Suifang.
How much this character hates it, he dares to "cut his nails" to himself, and when filming, Mei Ting remembered the sentence "That person was so painful that his eyes popped out", and as a result, the audience was in pain across the screen.
What's more, it's "eye killing".
From the gloom of secretly opening the bathroom door curtain while Chen Youxi was taking a bath;
To the murderous aura that rose when I smiled and stared at the connection between the other party and Cheng Wei.
Liao Suifang's evil is even more chilling than An Jiahe, but with an evil beauty.
The most powerful thing about Mei Ting is that she performed the tsundere on a middle-aged woman in a small county, and the biggest horror in this world is not fictional demons and monsters, but the fierce light in daily trivialities.
The middle-aged Mei Ting did not deliberately cover the corner of her eyes and legal folds, but when she pretended to cry in front of the old king next door played by Li Naiwen, she still had full convincing power, making the audience believe that this man would go to the soup for her all her life.
What convinced the audience was the charm of Mei Ting's mature women.
The actress who once made Zhang Ziyi jealous has long grown another "charm" over the years, calmly becoming every role, whether it is the middle-aged woman Fu Xintong who is anxious every day, or Liao Suifang, a deadly woman in a small town who kills.
She is so beautiful.
Third place, Song Jia
Keywords: the dappled beauty of human nature
Masterpiece of the opening year: "Even if the wind rises"
Song Jia is probably the most daring actress in China's entertainment industry, and apart from her, no second female star dares to connect two people with such an annoying role.
Zhou Rong in "The World", the character has already stunned the audience, but I didn't expect that the shining ice in "Even with the Wind" was more ruthless, and she got her fiancé to nothing, the problem is that her enemy is not Tang Chen played by Jin Dong.
What's even more outrageous is that the heroine has been lying in bed for more than ten years, and just approached the enemy when she was found to have lost her previous achievements, and finally Tang Chen, who was bankrupt by her, made a comeback with her ability and led a new team to help her avenge. What is called retribution with virtue, this is called retribution with virtue.
From Zhou Rong to Shuobing, every character seems to be born to abuse the male protagonist, but every time the men do not abandon her - if I were to find out the rationality of the plot, the only reasonable thing was that Song Jia was beautiful.
In the early years, Song Jia appeared in period dramas such as "Crossing the Guandong" or spy war dramas such as "Cliff".
When she returned to everyone's vision with the image of an urban heroine, the beauty of the shrewd and capable female elite in her body could not be hidden.
In "Even with the Wind", black suits and ball heads are Song Jia's standard, and the speech will be powerful without dragging mud and water, showing the mature beauty of middle-aged women everywhere, not the kind of idol drama heroine-style white and thin, but neatly pleasing to the eye.
A swimming scene, femininity emanates imperceptibly.
But the most beautiful thing is the betrayal scene.
Tang Chen Shuobing talked about marriage and made an appointment to try on the wedding dress, but Tang Chen was anxious because he was betrayed by Shuo Bing and went bankrupt.
Until Shuobing gave Tang Chen an ultimatum, Tang Chen, who walked into the bridal shop, had already guessed in his heart.
Sure enough, in front of the heroine in a wedding dress, the white wedding dress lined Song Jia's snow-white face, but the heroine's words poked his heart word by word: That's right, she used Tang Chen's trust to obtain business secrets, stabbed him in the back, ruined his career, and ruined his reputation.
Behind the beautiful wedding dress, which symbolizes the unswerving chastity of the hand of the deacher, is the unfathomable human heart: Song Jia's Shuobing target is not him, but in order to achieve his own goals, he will not hesitate to destroy him.
At the last moment, when Song Jia said with tears in her eyes - "I'm just ruthless, I want to ask you if you are willing to accept such a me."
That kind of earth-destroying beauty has rushed out of the screen, so that the audience's heart is burst by the explosiveness of her acting skills.
Although I still can't understand the tolerance of the male protagonist in the finale, at least the Chinese drama has created a perfect heroine who is by no means in the usual sense.
Human nature is not black and white, complex and multifaceted has its own mottled beauty of human nature.
And Song Jia played this complex and unfathomable human nature just right.
2nd place, high leaf
Keyword: the beauty of aging
Opening masterpiece: "Crazy"
There is no shortage of beauties in "Crazy", but the beauty of my sister-in-law is unique.
The difficulty of Gao Ye playing the role of Chen Shuting is that on the one hand, he must use a slightly ostentatious performance to show the woman of this gangster boss, while also making the audience not feel pompous and excessive.
Especially in domestic anti-black dramas, this is more difficult than in Hong Kong films of that year. Fortunately, Gao Ye mastered this role perfectly.
The sexiness of Takahba's interpretation is just the right amount of charm.
This kind of charm is still touching through the years, so that we recall the characters, and still remember the beauty walking slowly down the stairs of the big backlight, staring at An Xin and others who came to investigate.
The beauty is not a vase, and in the opening scene, she unceremoniously kicked her son's toy car into the air and glared fiercely at the two stunned policemen. "I gave you a face, didn't I?"
At that moment, Gao Ye, raised his hand, it was my sister's desire to kill me.
Curly hair, red lips, trench coat, high heels, beautiful atmosphere, aura of two meters eight, the queen who is not easy to mess with does not seduce anyone, but she is full of charm.
The first meeting with Gao Qiqiang is also a conqueror's posture.
When he came up, he pulled out his belt and strangled Gao's neck, and the neck movement was sharp and fierce, but his expression and eyes were lazy, even tempting. Like a thorny rose, sassy and cool, fierce and charming.
This scene is Gao Ye's own play, the original is a slap, and now in the first scene of the first meeting between the two, the collision of hormones is established, the beauty strangles the neck, which is both a threat and a provocation, and there is an illusion of Wong Kar-wai-style charm in a trance.
One raised eye is enough to hook people's souls.
In the past few years, the audience has rarely seen such sexy characters in Chinese dramas, and among all the sexiness, sister-in-law Chen Shuting's sexiness is the most atmospheric.
Even if I can't remember the plot of the character many years later, the sister-in-law's ruthless posture should still be in the audience's mind from time to time.
Chen Shuting can be regarded as a good character with a story and charm, but if it were not for today's Gao Ye to play, the style would be much less.
Note that it is today's high leaf.
Beauty actually needs to be brewed.
When he was young, Gao Ye was also brave, filming Cheng Er's "Border Storm", a torture scene.
By the end of the shooting, the plastic wrap was removed, and the fingertips of the high leaves were already purple due to lack of oxygen.
A life was saved, but her name was erased from the poster by the capital.
Many people know that Sun Honglei is the head of Gao Ye, but they don't know that Zhang Songwen, who was also a little transparent back then, also sang for her, and the "sister-in-law" got married, but a good knife has to go through a long time before it is unsheathed.
In "Chang'an Twelve Hours", Gao Ye is a glimpse of the flower leader Li Xiangxiang, his face is like a peach blossom, his posture is beautiful, he is from a dusty background but not kitsch, and he recognizes Zhang Xiaojing until death.
In "Crime Hunting Guide", she plays Chu Yingzi, a murderer who cheated on marriage, and is still amorous in prison, preferring to bite her index finger and use blood as lipstick to maintain the beauty in the cold night.
Just wait, by the time "Crazy", she has already practiced a sexy "gradient" -
Chen Shuting's sexiness is not traditional beauty, but externalized sexiness, which is the seductive style and charm in her bones.
The complex background and experience give Chen Shuting the grayscale and tension of her personality, and Gao Ye, who has waited so long to play, is just the right time to perform this difference.
Only after understanding this level can you truly appreciate the charm of the character. From budding to spraying, behind the beauty that looks like it is in one go, there is a work of life.
Between the character and the actress, there are really all kinds of creation.
First place, Li Xiaoran
Keywords: the beauty of time
Masterpieces of the opening year: "The Three-Body Problem" and "Our Day"
Who is the most praised beauty by beauty stars of the same generation in the entertainment industry? I said it was Li Xiaoran.
Zhou Xun and Chen Shu both praised Li Xiaoran as a stunning beauty.
But stunning beauties can't beat time, like Li Xiaoran who has been beautiful for more than 20 years, 46 years old can still play a goddess in a national drama, why?
The answer can only be: Li Xiaoran's beauty is different.
Li Xiaoran in her girlhood came out and gone, and it was definitely God who rewarded her with food.
She also became famous early, soaring in popularity at the age of 24 with "Like Fog Like Rain and Like Wind", and by the time of "Too late to say I love you", she is already a popular flower that can carry ratings.
Many years later, she wanted to eat preservatives, and stood with Wang Zhiwen in "Big Husband" in 2014, and was mistaken for a father and daughter.
But the most amazing thing is that she played Shen Yufei in "The Three-Body Problem" at the age of 46, wearing a professional women's clothing, her eyes are cold and her face is expressionless, but she is thrillingly beautiful.
Shen Yufei in the original work does not have much sense of existence, but in the play she makes the audience worry, and the scene of being killed by Pan Han in the end makes the audience sigh.
Her beauty in the play happens to be the opposite of the beauty of young teeth in the current Chinese drama, never silly white sweet, never Mary Sue, cold appearance, cold death, with a beauty that cannot be allowed to be in the world.
In "Our Day", she played the "Ma Baonu" Liu Shuxia, a talented woman who read poetry books, loved to read poetry, read novels, drink coffee, and had to take a car for production, which looked pretentious in that era.
Anyone who comes to perform, it is difficult for the audience to accept, but she wears a green army coat, a scarf and hat belonging to the eighties, and she still splashes with her husband before giving birth, which does not lose a trace of girlish cuteness, and hypocrisy is also part of cuteness.
Among the heroines of period dramas, she is by no means the first in terms of cuteness, but I can't think of the second one who can combine cuteness and sexiness so naturally.
Li Xiaoran has experienced the long years of national dramas, and the film and television industry can no longer find this sexy goddess.
Written at the end: These 8 actresses unveiled the key laws of the two beauties in the post-traffic era
After taking stock of the above 8 sexy goddesses, we found that beauty should bloom in a hundred flowers.
Can be sexy, can be warm, even hypocritical.
These beautiful temperaments have created a hundred flowers of Chinese dramas in the field of female characters.
And from this, we can also find the two key laws of beauty in the current entertainment industry:
First, the middle-aged actress crisis does not exist at all.
It is not difficult to find that the actresses who can get the audience's love and carry the ratings at the beginning of the year are not the imaginary traffic flowers, most of them are over 35 years old, and 34-year-old Gao Ye is young.
It is said that the years are a pig-killing knife, but these middle-aged actresses are not affected at all, the years are not a burden, but add a thousand kinds of style, who can not love the goddess of frozen age?
And the precipitation of years can often enhance their understanding of life and drama, reflected in the shaping of characters, it is more able to perform the precipitation that the little flowers cannot match, and time has become part of their charm.
The second is that the better the national drama, the more beautiful it is.
From this year's opening hit "Crazy" to last year's "The World", it has been proved that 30+ actresses can fully control richer and more attractive roles.
It is not difficult to see that such roles can be more and more in domestic dramas in the past two years.
In excellent Chinese dramas, female characters are no longer sexy vases under the gaze of men, but have a complete growth line, and powerful actresses are looking for such challenging roles.
Therefore, the beauty of the national drama needs the nourishment of the national drama the most.
These beauties at the beginning of the 2023 national drama are also reminding us.
Behind the beauty of the Chinese drama, in terms of the script, it is profound, solid, and diverse; For the role, it is unconventional, subversive, and mature; For actors, it is consciousness, precipitation, and dedication.
What the audience needs is the resonance of the actor and the character, the beauty with heritage, thickness, and humanity, not an empty shell that is bright on the surface but actually dry.
And all beauty takes time to carve.
For the audience, the characters and actresses seem to have undergone all kinds of creation.
But for them, maybe just impartiality and just happened to meet in that story.
Then, amaze the sentient beings.