Wang Peiyu, a famous Peking Opera performance artist, collaborated with Zheng Qiyuan and sang the song "Falling into the City" at the Mid-Autumn Festival Gala. First evaluate the first hand, Zheng Qiyuan's makeup is thicker than Wang Peiyu's, I don't know where this aesthetic came from.
I have to say that the CCTV party is still very interesting. Using the traditional watermark woodcut process as the blueprint for creation, the two seem to walk in the ink painting scroll to tell the history, taste the artistic conception.
Zheng Qiyuan's clear and flawless voice and Wang Peiyu's high-pitched and clear drama, two people with very different styles perfectly interpreted this song "Falling into the City". In another way, it expresses another kind of feeling, looking back at the lamp like a flower, and the person who has not spoken is ashamed first.
This is not the first time that Wang Peiyu has appeared on the stage of the CCTV gala, she has appeared on the stage of the CCTV Spring Festival Gala for two consecutive years in 2019 and 2020, and has performed at the Mid-Autumn Festival gala many times.
At the same time, Wang Peiyu also has a high degree of exposure in variety shows, such as "Readers", "Classic Yong Circulation", "Go Online, Colorful Youth" and other CCTV programs and local programs, and in 2019, she was also selected as China's Intangible Cultural Heritage Person of the Year.
No matter how she appeared, Wang Peiyu's positioning is always accurate, that is, a popularizer of Peking Opera and a promoter of traditional arts. There are those who stick to the traditional opera field, there are those who change careers to seek gold and suck up wealth, and there are few who can integrate the two together.
At the age of 13, a song "Fishing for Golden Turtles" won the first prize of "Lao Dan" in Jiangsu Province, which was considered to have established its position in this line, and then was admitted to the Shanghai Opera School, specializing in the old student industry, repeatedly winning national awards, and becoming a colorful teenager with no difference in the limelight.
The appearance of Wang Peiyu also attracted the love of Mei Baojiu, the inheritor of the Mei Sect, who expressed his love in public many times, and hoped that Wang Peiyu could marry his apprentice Hu Wenge...
In the course of the development of Peking Opera, there have been more evil things: Qiandan and Kunsheng, the representatives of Qiandan are the four famous Dans, the four small famous Dans, and the branch of Mei Baojiu Hu Wenge, and the representative figure of Kunsheng is Meng Xiaodong.
Meng Xiaodong is known as the Winter Emperor, Wang Peiyu is known as the "Little Winter Emperor", of course, this is praise, Wang Peiyu's gap from Meng Xiaodong, the middle interval is a "eat a peach", heaven and earth!
The most important criterion for judging whether a Kunsheng is good or not is whether there is a female voice, and now Meng Xiaodong's female voice will be on a par with Tan Shao's voice and Fang Shao's expression.
Before the River Nanjing Theater had a Good Yang Shuanghe, but he was jealous of talents. Wang Peiyu can have today's achievements, both the objective factors of the development of the times and the components of his own efforts.
In order to develop and revitalize Peking Opera, she left the Shanghai Peking Opera House and founded her own class society, Yuyin Society. Until now, Yuyin Society is still strong, often doing some public welfare activities to help more people understand the art of Peking Opera.
Many people reprimanded Wang Peiyu for not having the level and ability, and calling him the boss was a big word! What is a boss? A bunch of people pointed out that they were the boss when they ate, so the only thing that can be called the boss in the qu art world is Peking Opera, and some people say that the cross-talk and the storyteller are called What Miao Boss, Gao Boss That is a blood layman.
Yuyin Society is a group, and the staff in it points to Wang Peiyu to eat, calls the boss to blame, and borrows a line from Feng Gong: There is also an associate professor who scrubs the bath!
What really made Wang Peiyu enter the public eye was that one was "collecting Cao Yunjin as an apprentice" in the program, and the other was to be alluded to mocking the Deyun Society. The audience's hostility is too heavy, which leads to the truth being covered up.
Collecting Cao Yunjin as an apprentice is in the program of "Inheriting China", in the end, this is still the effect of the program, not the fake drama is really done, there is no need to associate with each other, and use the program of a few years ago to verify the theory after a few years;
For the relationship between cross-talk and Peking Opera, Wang Peiyu's expression is: "Saying that cross-talk has ignited Peking Opera may be a more one-sided and extreme statement", this sentence is not wrong, why such a big misunderstanding is not known.
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