In 1982, China's most authoritative film magazine "Popular Film" selected the top ten film and television news of the year, and we will take a look at it today to see how many fragments and information can still be left in our memory.
1. The winners of the Second Golden Rooster Award and the Hundred Flowers Award visited Yan'an, the holy land of revolution
In 1982, the film emperor of the second Golden Rooster Award was Zhang Yan, and his winning work was "The Laughter of Moon Bay", and Zhang Yan was 62 years old when he won the second Golden Rooster Film Emperor. Because the first Golden Rooster Awards did not award the Best Actor Award, So Zhang Yan also became the first film emperor in the history of the Golden Rooster Awards, but Zhang Yan's award had an impact on the sales of "Popular Movie", because "Popular Movie" used a new film emperor as the cover (which is indeed a matter of course), but the audience's taste at that time was a big beauty with different flowers.
Pictured: Zhang Yan, the first film emperor of the Golden Rooster Award
After being selected for the film is Li Xiuming, the winning work is "Xu Mao and His Daughters", Li Xiuming also won the 5th Hundred Flowers Award film of that year, becoming the double film queen of the year, the limelight is unique. Li Xiuming later starred in the 88 version of the movie "Dream of the Red Chamber" in Yuan Chun, the 6070 version should be deeply impressed by this.
Pictured: Li Xiuming won the Golden Rooster and Hundred Flowers Double Film Queen with "Xu Mao and His Daughters"
Pictured: Li Xiuming's version of Jia Yuanchun (1988)
The best picture was the film "Neighbor" directed by Zheng Dongtian and Xu Guming.
The best actor of the Hundred Flowers Award that year was Wang Xingang, the winning work was "Zhiyin", Wang Xingang's version of "Zhiyin" can be said to be the most classic image of Cai Yi on the screen, there is no one. The best film was won by the three films "Xiyingmen", "Nostalgia" and "The Legend of the White Snake".
2 Mainstream film and television media such as "Popular Film" jointly held the 70th anniversary of Nie Er's birth. At the Fifth National People's Congress that year, Nie Er's "March of the Volunteer Army" was restored to the national anthem
3. After the establishment of diplomatic relations between China and Japan, the first Sino-Japanese cooperation feature film "A Game of Chess That Has Not Been Played" premiered in Beijing and Tokyo respectively.
The director at the top of this film is Duan Jishun, the Japanese director is Junya Sato, the two male protagonists are the top old drama bones of the Chinese and Japanese double lords at that time, the Chinese side is Sun Daolin, one of the top ten male actors of the century rated for the 70th anniversary of New China, the Japanese side is the Three Kingdoms Rintaro, at that time it was also the top acting school in the Japanese showbiz circle, and won the best male protagonist of the Japanese Film Academy, which was known as the Japanese Oscar three times. The two heroines were the two beauties who were like the sun in the sky at that time, the Chinese side was Shen Danping, and the Japanese side was played by Keiko Matsuba, who was the first beautiful woman in Japan at that time.
Photo: Shen Danping
Photo: Keiko Matsuba, Japan's first beauty in the early 1980s
This film tells the vicissitudes of the two Go families of Guan Yishan and Songbo in the past thirty years, the cast is luxurious, there are top old drama pillars and top actresses to add style, the content of the film is also with a strong anti-war color, after the launch of the praise, won the 1982 Ministry of Culture Outstanding Film Special Award, the 6th Japan Film Academy Awards Best Film Nomination, the 3rd Chinese Film Golden Rooster Award Special Award, the 7th Montreal International Film Festival American Award, the 7th Montreal International Film Festival Christian Jury Award.
4. In 1982, the number of moviegoers in China reached 80 million per day, a historical record. By 2020, the average number of daily moviegoers had dropped to 1.47 million. It can be said that it was an era of Chinese and no shadows. Do you remember the days after 6070 that you took a small bench to the open-air cinema to watch movies?
Pictured: 1982 was a shadowless era
5. The Chinese Film Exhibition held in Turin, Italy, saw 128 films.
6. "Shaolin Temple" starring Jet Li was released in Hong Kong to break the highest record for Hong Kong kung fu movies, and in 1982, "Shaolin Temple" was staged in Hong Kong and achieved a box office of 16.15 million Hong Kong dollars. In Chinese mainland, the film generated 270 million viewers in 9 months and achieved nearly 100 million at the box office. It has become a mythical work in the history of Chinese cinema.
If you consider the price index, "Shaolin Temple" should be regarded as the highest-grossing film in the history of New China.
7. Chinese the 30th anniversary of the establishment of the Bayi Film Factory of the People's Liberation Army, the factory logo of the Bayi Factory should be an indelible memory of the post-70s childhood.
8. 153 graduates of the five majors of Beijing Film Academy obtained bachelor's degrees for the first time.
9. The China Filmmakers Association and the World Film Society held a commemorative event for Huang Zongxia, an outstanding Chinese photographer of american descent, in Beijing and Shanghai.
Huang Zongxia was the first Chinese to win an Oscar, he won this award in 1955 for the film "Rose Tattoo", in 1963 he won this award again for the film "Wild Man", and has been nominated for the Olympic Award seven times, and later the International Society of Cinematographers of the United States selected "the world's eleven most influential cinematographers" in 2003, Huang Zongxia ranked fourth.
10. Jin Shan, president of the Central Academy of Drama and people's artist, passed away. Jinshan has been active on the Chinese screen since the 1930s, becoming the top student of the year with "Midnight Song" in the 1930s, and directing the anti-war film "Songhua River" in the 1940s, which has a huge influence.
Editor-in-chief of Night Wolf Literature and History Studio: Night Wolf Roaring West Wind