Qiao Mei's new Netflix drama "Dark Glory", has everyone watched it?
Koreans really dare to photograph this extremely cruel reality...
Uncle Oxygen noticed that like Qiao Mei, who is known for her gentle sense of "good years", playing this kind of cold feeling revenge evil girl who gambles on everything is not only not against the peace, but has a charm...
This effect is related to the change in the sense of distance on its face.
When she was young, Qiao Mei relied on her kind face to gain affection, her eyebrows were curved and her sense of distance was closer, but now her facial sharpness has increased, and her signature sense of distance has suddenly disappeared, appearing cold and stubborn.
Uncle Oxygen saw that some people talked about Qiao Mei's aging, but more people were more able to get her temperament transformation.
The nasolabial folds add some sense of age, but they also have a ruthlessness to kill and decide.
Uncle Oxygen feels that from this change in Qiao Mei's temperament, it seems that we can have a new understanding of the relationship between "distance sense" and the expression of appearance.
When the ultimate contrast appears, what kind of color can be collided with different styles with different degrees of distance?
01
The temperament is greatly reversed
What has changed Qiao Mei's face?
Why is Qiao Mei in our impression so sweet?
Plump, moisture-filled skin, sufficient collagen makes the apple muscle always plump and high, plus a small sense of volume, but the lines are clean, and the upward trend of the facial features...
She is as delicate as a peach that bleeds juice when she bites, and every soft tissue on her face is full and cute.
Look at Qiao Mei now:
The apple muscles are no longer full with age, but show a slightly concave face, the overall side shape is flat, the nose and back are sharp, but at the same time, the lower jaw edge is sharper than before, and the sharp lines everywhere give her a sense of perseverance and determination.
It is estimated that it is also to create the forbearance and pain of the character, and the sister is even thinner than in previous years, and the eye sockets are slightly sunken, making the eyes a little cold.
For its own soft tissues and blunt features, "thinness" is indeed the only way to quickly highlight the sense of distance and create a "bad woman".
In addition, her temperament change is not deliberate and contradictory, which is also attributed to the makeup in the play.
Many people have praised Qiao Mei's "blackening" in the play this time is much smarter than reality:
Society is developing, the times are progressing, this year, a black + all kinds of simple and rough smoke, can only be regarded as "blackening of appearances".
And naked lips, thin base makeup, almost plain eyes, all the pretentious colors faded, only to show the hatred of the character, the bitterness in the heart, and the evil female bone face that Qiao Mei herself has been buried.
A vengeful queen who has truly gambled everything and refused to be thousands of miles away will not have the leisure to dress herself up as a doll.
Compared with the villain female number two who is always dressed very "delicate", the items on Song Huiqiao, who plays a teacher in the play and has a revenge plan, are plain, simple in design, without too many complex elements, after all, some things are more important than dressing up.
Uncle Oxygen also admires her ability to manage facial expressions this time:
In the early days, the look was bright, the smile was smiling, and the small face was wrinkled, but it did not appear that the facial features were flying, and he was smart, joyful and full of expectation.
Now the upper half of the face is not moving, the eyes are lifeless and unradiant, but when he speaks, the lower half of the face is very hard, twisting the mouth The whole lips are twitching, gathering strength, gritting teeth, hatred is unspeakable, but always showing.
Such a Qiao Mei almost changed her face compared to the past.
Her former fluffy and fancy sister's head is now a simple bobo short hair, black mid-pointed, highlighting a sense of neatness that does not drag mud and water, and the smile can eat people:
02
The law of distance matching
Qiao Mei's big change this time also tells us that the appropriate application distance sense is also a great weapon to enhance the stunning appearance:
Uncle Oxygen has talked about this aspect before, but it is limited to analysis and aesthetics, today we will systematically talk about practical dry goods:
How to rely on the combination of external creation and native conditions, and create different visual aesthetics by shaping different degrees of distance.
01, Near-range native + long-distance makeup
In this collocation, there is a village frame pure is the most worth talking about.
Uncle Oxygen always believes that Yan Peak, who has a village frame purity, is Xuedaiba in "Wanderer Sword Heart".
The eyes and nose are superior, the square jaw flesh face, the eye position is high, the person is long, and the lips are too thin.
On the whole, she has both the roughness and rustic atmosphere brought by the round and dull and not delicate (most of the time it is well transformed into a Japanese intimacy) and the beautiful atmosphere created by the superior large frame + beautiful details.
The Japanese entertainment circle commented, obviously looking very popular, feeling like a beauty, obviously a beauty, looking very popular.
Therefore, her appearance level is extremely unstable, and overall, the best time to look is the feeling of "Miss Bai Yueguang next to her, gentle and firm".
The original casting made good use of her characteristics. Xedaiba is cold as frost and with compassion and motherhood, a weak beauty from the bottom samurai family in the countryside, and the tragic fate makes her look always expelled with sorrow and sorrow.
At this time, Murana's high-eyed round eyes that seem to be staring and like she is out of a trance and her lips that always look like she is worried because she is too thin are the most suitable.
Specific to makeup, because it is a manga modification, you can boldly cover your face with an exaggerated hairstyle, and your fleshy square face can also cover your small V face. The photography is also very smart, her nose is good-looking, the overall bone appearance is not good, she grabs half of the face to shoot, looking at the face small nose high and calm, there are few real face shots in the whole film.
The facial features are drawn into the tips, zoom in and look at the slender eyeliner, and the round eyes are pointed at both ends, because the false eyelashes are more cut to fly out diagonally.
Specific to the software, Murana's muscle lines are not smooth, and the flesh on her face is wrinkled when she smiles, so the whole time in the film is that faint pouting smile.
People want to get close but know that they will be rejected, her face, want to say and rest, want to say tears first.
It is worth mentioning that the overall trend of the face of the distant beauty is upward, and there are many sharp angles, and there is a sense of radiance and gorgeousness.
Some common characteristics, such as the raised eyebrows that are not very controlled and not deliberately regular, the horizontal or even slightly downward lip closure line, the mouth with obvious lip line, the thin and cold body... It is also an important factor.
Therefore, if you want to shorten the sense of distance from a warm and cordial close-up look, you have to refine and simplify the face line and improve the firmness of the face:
Turn temperature storage into restraint, light into heavy.
The face suddenly brings a sense of story by a strong contrast. It can still be seen that the face that was originally plain white makes people want to explore: What has she experienced? Turn into an unknown rose in the darkness.
02, remote native + close makeup
If close-range native + long-distance makeup relies on the sense of distance brought by contrast, long-distance native + close-range makeup is to add affinity to oneself to eliminate the unflattering appearance and improve audience popularity.
Sister Meng, who reversed the wind criticism with the image of a "stupid beauty"
Winona, who has a small head and face, large bones, and a strong jaw and superior facial features, is actually a beauty with a very long-distance atmosphere, but the most impressive role for the public is the little white flower in "Edward Scissorhands".
European and American stereotypes symbolize innocent and simple blonde hair, soft blush, light lipstick, and even her eyes that keep looking up all the time shorten the distance between her and others, making her feel psychologically intimate.
Sawajiri Hideryu Hua is bright and incomprehensible, but in the early days, he took the route of pure and weak Japanese sweet girls.
The fleshy body is wearing playful little suspenders, eyelashes with clear roots like butterfly wings, a clear base like "hibiscus of water", and sparse native eyebrows... There is a sense of light youth.
Features of round and blunt facial features and downward trend, such as the center of gravity of the face downward, low eye position, short atrium, short chin and retraction, etc., are easy to appear weak and thick:
Therefore, if you want to shorten the sense of distance if you want to shorten the sense of distance, you must weaken the face line as much as possible and let the trend downward.
Like the early days of Nakamori Mingcai, you can actually see the foundation of cold and alienation. But the juvenile air bangs, pouty juice lips, fleshy body + baby fat, delicate doll false eyelashes and innocent and ignorant demeanor on the face shortened the sense of distance, and she had a fresh beauty of "my family has a girl growing up" during this period.
And, of course, the genre that takes your native distance to the extreme.
For example, Nana Komatsu, who refuses to be thousands of miles away, has heavy makeup details, drooping eyelashes, and likes to wear dark clothes. Rainie Yang, who has a silly white and sweet ceiling, relies on thick iron bangs and sweet smile to provoke everyone's hearts.
Whether it is contrast or reinforcement, the application of distance sense is a weapon to enhance beauty.
03
How ordinary people use the sense of distance to improve their temperament
This so-called "sense of distance" aesthetic application is actually very extensive, ordinary people can also use it as a weapon to enhance beauty.
The face of the distance sense is sharp and cold, while the face of most ordinary people is closer to the appearance of the sense of closeness.
We can use to improve our sense of distance and create an atmosphere of great beauty.
Uncle Oxygen believes that there are two main types of "long-distance sense", the Songchi Cloud Light Breeze Light and Tight Iceberg Snow Lotus model:
Generally, the thick face of "Pu" in real life is suitable for walking the sense of distance of tight models.
Although it is not as delicate and three-dimensional as the star, but the eyebrows are thick, the eyes are black, the nose is straight, the contour is deep, really dressed up, and it is also a very impactful type, but it is easy to be vulgar if you pay attention to it badly:
So you can take the route of distance sense to neutralize. Because most of the impressions of Punong are very "hard", the sense of distance can only push the boat:
Skin whiteness and clear skin will make the whole person look clean and fresh, and it is a frosty and snowy awe-inspiring feeling on the thick face.
The spirit must be full, the hair is exuberant, the eyes are bright, and the elegance of calmness and pampering is revealed. Most of the clothing is highly saturated dark color, bright, majestic and deep.
The makeup is more exquisite and meticulous. The more delicate, specific and aggressive the makeup, the more suitable it is for this route, which will make people think of the noble sister who is pampered and bored.
Zhang Yuanying's early makeup was small and fresh, but now she has upturned eyeliner, well-defined eyelashes, multi-colored layers of blended eye shadow, shiny highlights on the nose...
Although it is occasionally greasy over the heat, it is stunning most of the time.
It is so beautiful that it is intangible and has no sense of object.
In fact, even if your face is the most ordinary one in life, you can make a highly malleable white paper with a realistic proportional posture + neutral appearance that is neither too juvenile nor too mature.
For such amateurs, if you want to walk a sense of distance, don't follow the trend and abuse pearlescent or glitter highlights.
The same gorgeous makeup effect can be brilliant when used on thick faces, but it can only highlight the problem of such people's faces not being three-dimensional, which is not as clever as hiding them.
Part (face) is not stunning can rely on the whole (frame) to win, and the source of temperament and demeanor is often the neck line.
It doesn't matter if there is no superior neck like a female star, as long as it is boldly exposed, its refreshing and self-pleasantness will win a lot of others.
Light makeup, cold expression, naturally has a kind of light beauty aura:
Of course, there are some very universal guidelines in reality:
Extreme thinness is not worth pursuing, but if there is a clear jawline and a graceful shoulder and neck line, it will be visually clearer.
After brushing fat, the feeling of coldness is gone
The more scattered the color block is cut, or the more vivid the overall color, the more lively and friendly people will be.
A lot of temperamental atmosphere wear, the body is crisp and neat large color blocks.
Yi Mengling's net picture was not a painting style at all when she walked the red carpet with her
The neat and neat hairstyle is also exclusive to beauty with a sense of distance.
Sometimes more important than fluffy, high skull, not messy hair, dyed colorful sister's head and black long straight, that is more distant is self-evident.
Yoo Ji-min, it is only when Black Chang is straight that he has that unattainable sense of Al
Makeup ideas should not have a deliberate feeling of weakness, that is, makeup that does not aim to emphasize cuteness, sweetness, and pitifulness will be more suitable for creating a distance of beauty.
For example, lipstick, with sexiness and seduction, the distance of big red lips is not so strong, but not as deep as some deeper colors.
Different people have different orientations for style.
Just like Qiao Mei this time, some people feel old and can't get it.
In fact, the appearance of a sense of distance may not necessarily be more beautiful than the appearance of a sense of distance.
A close look is not necessarily inferior to a distant look.
We explore style, not to let ourselves be bound by so many stereotypes, but to grasp the most suitable style to make ourselves more beautiful and powerful.