It is either a life of pain and helplessness, or the dignity of being discriminated against, or the desire and struggle between pity.
There are many excellent films in the history of cinema that portray call girls, most of which are based on the first perspective of call girls to understand their state of existence and the complexity of human nature, as well as those plots and truths that deeply touch our hearts.
These films give them noble shots. Men need them and love them.
The world needs love, and the world needs them.
01
The coolest dust girl
<h1 class="pgc-h-arrow-right" > Margaret.com</h1>
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She didn't win an award once, but she was always an immortal woman on the screen.
She is the Swedish goddess Greta Garbo.
There are countless film versions of the classic la Traviata, but Greta Garbo's La Traviata is the most frequently re-screened version today.
Only because of Garbo's unique eyes, sculptural lines, curved crescent-shaped eyebrows, zigzagging thin lips, perfect eyeliner and long eyelashes, her perfect appearance made her a goddess of that era.
Her name was Margaret, and she died only because of purity and goodness.
The beauty of La Traviata is a brilliant sadness.
Garbo's eyes, sometimes sad, sometimes indifferent contempt;
Sometimes pure, this amorous sacrificial dust woman is vividly interpreted, but it seems to reveal the real Garbo.
The master of abstract expressionism Jackson Pollock once said: "I have only felt in love three times in my life, and meeting Garbo is one of them." ”
Whether it is in movies or in life, Garbo has given countless people the feeling of being in love.
And she has always responded lightly to love: "Love, of course, I once wanted to love, who has not been in love?" Married, I've said it several times, I don't know, I like to be alone, I don't like to be with people all the time. ”
This mysterious goddess of the film industry spent 15 years creating the myth of the screen, but spent 50 years living a life of seclusion.
She hated interviews, hated crowds, and she preferred to hide.
So she was like a delicate hummingbird, gently circling in people's hearts, and flew away.
02
The most heartbreaking dust girl
Mara (Vivien Leigh)
Vivien Leigh's gray-blue eyes are both warm and cat-like cunning, and the emotional power that can erupt in an instant under the noble appearance.
Her femininity is mixed with an astonishing untamed personality, an extraordinary personality that can make a woman different at all times.
Vivien Leigh, the ballet dancer Mara in "Soul Breaks the Blue Bridge", and officer Roy (Robert Taylor) meet on the zipline bridge.
However, due to the ruthlessness of the war, when the two decide to marry, Roy should recruit back the troops to participate in the war.
In order to see her lover for the last time, Mara missed a ballet performance and lost her job.
Soon after, Roy is mistakenly put on the list of dead, and Mara, who has lost her job, crumbles and becomes a prostitute.
Until she meets the surviving Roy again, Mara has hope for life again.
However, in the face of the honor of the Roy family and the trust of the family, the kind Mara is reluctant to continue to deceive him.
So he quietly left the day before the wedding and ended his life on the Waterloo Bridge where the two first met...
Pure love makes people feel emotional, and the sadness of the ending is extremely painful.
An innocent woman is so disheartened by the death of her lover that she needs to sell her flesh.
The ultimate tragedy is the tragedy of that era, even if no one forces the heroine to separate from her lover...
The joy, joy, joy, regret, sadness, compassion, and pain that flowed from Leigh's big, agile eyes were always fresh in my mind.
"I love you, I've never loved anyone else."
All ning is jade crumbling, only for love to be flawless.
03
The most glamorous dust girl
Greya (Elizabeth Taylor)
Elizabeth Taylor has long been regarded as the most Hollywood figure in the history of American cinema.
Her beauty, her marriage, her jewelry... She has been the target of the media for more than half a century.
Elizabeth Taylor initially scoffed at the film 'Whore in the Green House': "This is the most obscene script I've ever seen, an authentic morbid pornographer." ”
But when she entered the set, she found herself fascinated by this "most vulgar" script.
She even told her friends that only upper-class actors would play this lewd role.
The box office hit after the film's release made it difficult for Taylor to predict it herself, and the amazing popularity helped her win the 1961 Oscar.
And Elisabeth Taylor's role in "The Whore of the Green House", Geria, on the surface, is a brilliant model, but in fact she is a senior call girl at the Secret Prostitution Liaison Office.
Her phone number was "Butterfield Eight" and also became her nickname.
Debauchery inevitably leads to depravity, and later falls in love with her client, a socialite, but fails.
Disheartened, she thought of suicide and deliberately caused a car accident.
Before dying, she finally woke up and wanted to live a new life, but it was too late...
If Marilyn Monroe is the goddess of sex and Grace Kelly is the Queen of Ice, then Taylor is the embodiment of beauty.
Sometimes Taylor's film role is her own incarnation, and her indiscretion is also exposed in the spotlight.
There is no doubt that she is a breathtaking actress.
From the time she first appeared on screen at age 9, Taylor never seemed to be embarrassed, and she went from being a vulnerable child to a sexy movie queen.
In more than 50 films shot over 70 years, Taylor has twice won the Oscar for leading actress.
Taylor is more popular around the world than you could have imagined, but sometimes critics have reservations about her acting skills, mainly because she is so beautiful that her acting skills are covered up.
04
The most addictive dust girl
Seprina (Catherine Deneuve)
Catherine Deneuve, known as the evergreen tree of the French film industry, has performed countless business cards in her life, and naturally has the role of a prostitute.
In "Daytime Beauty", she plays a rich lady who sells her flesh out of dissatisfaction.
The film was adapted from a third-rate novel, but it was made with an elegant and noble mystery, and Catherine Deneuve was nominated for the 1968 British Academy Award for Best Actress.
The French word for Belle de jour (Day beauty) is actually a flower name, a type of morning glory, that only opens during the day.
Belle de nuit (Beauty of the Night) refers to the dark prostitute.
The young woman in the movie only transforms into a prostitute from 2 to 5 p.m., so the old bustard gives her the "stage name" of "Daytime Beauty", a pun.
Zhang Ailing once said: "Serious women hate fox spirits, but if you have the opportunity to try one, there is no one who is not eager to try." ”
In "Day beauty", Cephrina, played by Catherine Denaf, has a happy family.
Her husband, Pierre (Jean Saul), a surgeon, is handsome and gentle and well-paid, but he is never able to satisfy his wife's carnal desires.
Because of her identity, Seflina had to enjoy herself by fantasizing about being abused and bullied.
Unable to bear it, she ran to the brothel to sell herself, because she could only sell her body during her husband's visit (2 p.m. to 5 p.m.), so she was given the title of "Day beauty".
From the initial resistance to complete liberation, Seprina was greatly satisfied and thrilled.
During this time, she meets professional killer Marcel (Pierre Clermonte).
The latter is attracted by the beauty and mystery of daytime beauty, but also brings each other into the chaos of reality and illusion...
Director Luis Buñuel portrays the conflict between fantasy and reality very well, even the brothel is still portrayed unconventionally, even with some elegance.
Buñuel successfully uses the intertwined situations of reality and fantasy to delve into the repression and loneliness of women.
Catherine Deneuve, on the other hand, has conquered generations of film audiences with her unique elegance.
She has created a particularly charming image of a cold slut, tall and slender to easily control any color, with YSL's various clothing, fashionable style is not out of date in any era.
Even if life is not turbulent, it will free up the day to give artificial dreams.
05
The noblest dust girl
Marlena (Monica Bellucci)
She, with her wavy black hair, the most fashionable short skirts and stockings, and high heels full of lust and seduction, came to the quiet sunny town of Sicily.
Her every move is eye-catching and evocative, and her smile teaches men to be intoxicated and women to be envious.
Marlena, like a goddess, conquered this paradise on the seashore.
At the age of 13, Reinaldo also involuntarily fell into the whirlpool set off by Marlena.
He not only rode his bicycle with other older teenagers, but also traveled through the corners of the town, searching for Marlena's seductive abundance and charm.
She also quietly became her unknowing little follower, following the prison and spying on her life.
Her swaying shadows, the music she listened to, and her intimate clothes became the most real and beautiful erotic fantasies of this hormone-infused teenager.
However, through Reinaldo's eyes, we also see Marlena falling into an increasingly dark situation.
She became a widow, and in the eyes of the townspeople she became a literal scourge, bringing lust, jealousy, and anger.
And a storm of lust and anger began to sweep over a town that had not even invaded the war.
Step by step, Marlena sank, severed ties with her father, was taken to court, and lost all her possessions.
Marlena's life was in jeopardy, and she couldn't even afford to eat.
In order to survive, Marlena cut off her long hair and put on gorgeous makeup, she begged for sugar and bread from acquaintances, in return that they could get close to her body...
Marlena really became what people call "bitch".
Monica Bellucci has a face of classical beauty, seductive eyes and a slightly weary look.
In "The Beautiful Legend of Sicily", just watching Monica Bellucci swaying on the seashore, you can feel her sexy temperament and a faint sadness.
Like a comprehensive incarnation of angels and devils, it is completely in line with the perfect female image in the heart of the innocent little boy in the movie.
Many years later, Marlena returned to the town with her surviving but disabled husband.
At this time, what people saw was no longer a beautiful young woman who was touching the heartstrings of the year, but an ordinary middle-aged woman.
The director arranged such an ending is a warm pain, a mixture of darkness and kindness of human nature.
Not to reach the other shore, but to abandon the voyage.
Finally, Marlena's back disappeared on the way home.
At the end of the screen, what has not changed is the quiet eyes and elegant gait. She's still beautiful.
As the boys of yesteryear would recall, "In the days that followed, I had a lot of relationships with women, but my favorite was Marina." ”
Love is so eternal.
Information, image source: Douban Movie