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For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."

"The Tale of the Two Bridges of the Treasure World" Qigong/Kaishu

As for calligraphy, Qi Gong once told the painter Liu Zonghan that his characters did not have "core". Liu Zonghan's understanding of this is that this "clarifies the relationship between the body and the qi, and cannot but be said to be a major contribution to the study of Chinese calligraphy." "Qigong" first copied Zhao Dong and then Ouyang, and later loved sincerity in the evening", customarily "the pen of the two kings, the knot of Ou Liu", and finally became its own "qi body", and the book industry rated it as "soft on the outside and rigid on the inside, natural and free, clean and elegant and charming and gorgeous".

For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."
For calligraphy, Qi Gong once told the painter Liu Zonghan that his character did not have "core". Liu Zonghan's understanding of this is that this "clarifies the body and qi."

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