Look at the beauty on the first day of the new year.
The New Year of the Rabbit file has gradually become exciting, and among them, the momentum of "Nameless" is definitely at the top. The gathering of famous actors from all walks of life, and the blessing of Wang Yibo's popularity, it is difficult not to make people want to go to the cinema to see what happened.
However, for me, the first thing that attracted me was not the cast team, but the actresses combing their hands one by one to push the corrugated heads, draw the tail eyebrows, and wear cheongsam and hold the tone.
This is the same feeling as the New Year work "The History of the Demise of Romance", which was also directed by Cheng Er six years ago.
It is also the background of the prosperous old Shanghai under the war of the last century. Indifferent spy in suit, beautiful woman in cheongsam.
A large part of people in China have a certain complex for the era of wearing cheongsam, as said in the movie, people in this era pay attention to decency.
The decency of the men is that the trees are dusted up in the midst of conversation and laughter, and everyone is around; And the decency of women is well-dressed.
Source: Weibo @Nanxiaoxiaoyin
In addition to dressing, makeup and hair are also the focus.
Look at Zhou Xun's style in "Nameless", the makeup is light and elegant, the clothes are plain, and the standing collar of the cheongsam matches her slender skeleton, giving people a feeling of thinness but not easy to break, which is muscular and tough.
Source: @SouthSee-
After Jiang Shuying dressed up, it was closer to the feeling of the female star of that era, which was a strong sense of beauty in line with oriental aesthetics.
Source: @SouthSee-
The corners of the eyes and eyebrows are thinly curved, and the cherry small mouths at both ends are a little ghostly, and the old Shanghai charm and tone are deadly.
On the contrary, Zhang Jingyi is a more modern and profound beauty, and the appropriate blunt sense makes her look more delicate and bright, just like the "Three Princesses of the Great Wall" Chen Sisi, bright and beautiful.
Source: @SouthSee-
Chen Sisi
Compared with the first two, her eyebrows are thick and thick, the peak of her eyebrows is raised at right angles, and the overall line is powerful, contrary to the smooth and soft pursuit of the early Republic of China.
Whether it is the curvature of the hair, the crystal hairpin next to the ear, or the lifting of the hand, it shows the exquisite and exquisite style of purdah.
These details can prove to us one by one that good makeup has character, because good makeup can help the audience to deepen the character and storyline.
Looking back at the History of the Demise of Romance six years ago, this is exactly the case.
Zhang Ziyi's Little Six has three stages in the play, from the courtesan who does not worry about eating and dressing and being cheated and sent away, to being imprisoned, and finally the hatred of the enemy of the Ninja Country and the enemy of the hand, her makeup and hair have also changed.
Of course, she must be able to dress up as a courtesan for female celebrities, so she often wears a Western-style dress with modern hand-push ripples, and uses delicate thin eyebrows to highlight the entire facial contour.
In fact, strictly speaking, this eyebrow shape is not the real appearance of that era, but this shape is more compatible with Zhang Ziyi's bone mass and facial features, which will make people feel that there is no sense of violation in the period drama.
The makeup when the face is full has become a little lighter, the eyebrows have become softer, the eyebrow peaks have also become rounded, and the boundaries of the entire eyebrows appear a little blurred, which is very in line with the mood of the character at that time.
This elongated eye-tail and slightly curved eyebrow design with a slightly vulgar fuchsia pink color makes Zhang Ziyi's face a little enchanting and tricky, which makes people believe that she is a courtesan after cheating.
When she was sent away, the overall trend of her eyebrows became flattened and elongated, and even if her makeup was delicate and her hairstyle was meticulous, she could still show reluctance and loneliness, and gradually changed to the second stage.
After being imprisoned, she lived in a small house in the dark, and there were no servants to make delicate waves for her with fire clippers, and she was less in the mood to dress up.
At this time, the hairstyle has changed to a simple low-coiled bun, and the eyebrows have become shorter and thinner overall, and they are more plain and light.
When she slashes the enemy, her hair becomes groomed, and the lines of her eyebrows are firm and towering, which is the pain of revenge after experiencing the hatred of the country and the family.
In addition to Zhang Ziyi in "The History of the Demise of Romance", Miss Wu played by Yuan Quan is also an extremely outstanding one.
Although the director gave everyone a variety of imaginations, more people are still willing to believe that the prototype of Miss Wu played by Yuan Quan is Hu Die. During the big star period that everyone envied, her eyebrows were delicate and slightly raised, and even she had a smile in her eyes.
When his husband condescended to others, although his face was bleak, he still beat his spirits, dressed appropriately and wore collar buttons.
At this time, the eyebrow peak became longer, which set off the thin face, and this poignant look was reminiscent of "Goddess", which was very in line with the needs of the plot at that time.
Gillian plays Xiao Wu is a snubbed but extremely loyal aunt, and Mr. Lu is her benefactor, so she can throw a sincere heart to Mr. Lu without hesitation.
Even though she didn't know when he would come, she was always dressed up and waiting. Therefore, although there are not many scenes, they are also impressive.
Perhaps because of her relatively young age, her eyebrows were slightly dull compared to other women in the early stage, and the rest of her makeup was more elegant, which was clearly different from the next period.
After Mr. Lu's death, the little woman with Qi bangs decided to sacrifice herself, even if she died, she had to wear delicate red lips, which was her decency.
At this time, the shape of her eyebrows became rounded, as if time had polished her. The towering hairstyle and fur on the side are a bit like Song Meiling's style, even if the age is not very right, the taste and style are home.
There is also the prostitute played by Huo Siyan, whose eyebrows make her the most flamboyant and charming existence in the entire film;
and Mama Wang, the housekeeper who runs the internal affairs of the entire gangster family, and she does not forget to give her work when the bullet enters her chest.
Death is also sitting to die, this is her decency.
Born in the era of change, most women in the Republic of China have a kind of style and integrity that does not admit defeat.
The famous talented woman Lin Huiyin almost marks the color of an era. After graduating from Peihua Girls' High School, she entered the University of Pennsylvania School of Fine Arts and then the Yale University School of Design, where she began to work for the preservation of ancient buildings.
She is not only a talented woman, but also a woman who haunts the soul of talents.
In "April Days on Earth", in the sense of distance, Zhou Xun chose to use her usual sense of stubbornness to present, as soon as her head was raised and her eyes converged, the girl's feeling of having something in mind was performed.
There are many actresses who have played Lin Huiyin, but very few have played Xiao Hong, because this role can not be summarized by "talented woman" or "famous family", and her creation and her suffering life complement each other.
Blossoming in good times is in line with people's consistent thinking, but it is difficult to see Xiao Hong living like Xiao Hong in difficult situations.
Xiao Hong is not a strong fighter, but a slightly girlish aspirant, with unusual freedom. And Tang Wei's body can see such a "contradiction", it is girlish and righteous, which is also where she is suitable for playing Xiao Hong.
Wind and temperament do not only exist in talented women from famous families. Although they are dusty women in "Jinling Thirteen", they do not despise themselves at all.
Even when the female students were unwilling to be humiliated by the Japanese army and prepared to commit mass suicide, they cut their hair short and disguised themselves as students to go to the Japanese "feast" for them.
In the original finale, at the 1946 trial meeting of Japanese war criminals, Zhao Yumo was on the witness stand, weeping bitterly and identifying the crimes of Japanese officers.
Who said that the merchant girl does not know the hatred of the country? They are beautiful, more styled, and never lack integrity.
Therefore, a good movie character is not only a lively look, but also worth savoring. So the question is, which movie are you going to watch on New Year's Day?