The inscription of "The Lonely Pavilion of the Forest and the Residual Moon Illumination": The landscape master is far from the Tang and the fifth dynasty, the Song and Yuan dynasties of the Middle Emperor, and the Ming and Qing dynasties, and the later scholars take those who follow their intentions rather than their deeds. However, the Tang people were immature, and Dong Ju was a teacher for later generations. If the mold Song people do not avoid craftsmanship, the fall is undoubtedly lagging; The four families of Shi Yuan cannot be transformed, and it is easy to lose the wild. If I can take the character of Song with my nature and spirit, and the scattering of the elements, I will have my own heterogeneous existence.
【Author's Note】
If the painter only places "painting with a book" at the technical level of picking up the pen and dropping the model, he will undoubtedly only touch one ear on the elephant. The brushwork of calligraphy is ever-changing, and it is difficult to count the quality of the calligraphy with different styles and contexts. The essence of "painting with a book" is probably like this: an "elephant" is trampling and rolling over and over in a painting, and only insiders can tell which part of the elephant those traces are left by, and those who are not involved in the matter only see the animal world.
* I believe that after many people have seen this painting, they will probably say to themselves in their hearts: "If you add a person to the pavilion..." can not be added, do not need to add, really good paintings (not clumsy works) have a sense of involvement, with the magnetic force that allows the viewer to actively enter the painting, this feeling of if there is nothing, it is also real and illusionary is called artistic conception. The position of the empty pavilion in the painting is not reserved for others, only for you who are looking at the painting, and it is not empty when you enter it, which is determined by the literary nature of the painting. The artistic conception in literary works is transformed by words, and paintings are created by schematic images, and the common point is attributed to the spiritual desire of the author's heart. Therefore, the state of painting is the state of mind, and the painting "I" is not a painting. If there is no one person, everyone is in the field, the empty pavilion is not empty, not empty and empty, and it will involve philosophical principles, stop.
