#影视杂谈 #
If life is only like the first sight, what is the autumn wind and sad painting fan?
This is the Qing Dynasty literary scholar Naran's beautiful yearning and ardent desire for eternal love.
It is said:
In a lifetime, if men and women are always as attached to each other as they were when they first met, how beautiful it would be!
That would be without the tragic phenomenon of women (men) being abandoned over time.
Eternal love is what everyone has longed for throughout the ages, and in order to get the true love of the heart, some people will not hesitate to pay the price of their lives to pursue.
01, life is only like the first sight, is an eternal beauty and a power to shake people's hearts
On a seashore in Japan, a man, Mr. Tatsuya, successfully proposed to his girlfriend Hitomi.
Hitomi was very happy to share this life event with her girlfriend, and she was looking forward to her married life with great anticipation.
The movie "Star Moon Fairy Tale" began in the jokes of two girls.
However, in less than 10 minutes, a car accident took mr. Tatsuya's young life, and a marriage that should have been happy and happy came to an abrupt end.
Poor Hitomi can only express her thoughts about Mr. Tatsuya by playing back the videos of Mr. Tatsuya in the past and looking through the photos, and feel the injustice of fate.
Hitomi also told her girlfriend that she had first taken the initiative to get to know Mr. Tatsuya, because of a movie, the first sight of life.
The Fairy Tale of the Star Moon is a romantic romance film starring Cheung Kwok Wing and Japanese actress Takako Tokiwa, released in Hong Kong in 1999.
Zhang Guorong played two roles alone, not only performing the Sven and warmth of Mr. Tatsuya, a Japanese businessman, but also releasing the wild and uninhibited nature of the undercover police.
Takako Tokiwa is participating in a film performance for the first time, looking exactly like our Hong Kong singer Chan Wai Lin Oh, interpreting the girl's dedication to love to life.
Because Hitomi was overwhelmed by the grief of Mr. Tatsuya's death, she decided to go to Hong Kong, where Mr. Tatsuya had planned to settle after marriage.
Like Hiroko in the movie "Love Letters", she refuses to forget, nor can she forget.
So in a hotel in Hong Kong, Hitomi meets an undercover policeman Jiabao who looks almost exactly like Mr. Tatsuya.
At that time, the family treasure was hiding from the pursuit, and when he saw Hitomi, who had been staring at him, he kissed Hitomi as a cover for his identity.
This is the first sight of Hitomi and Jiabao's life.
Jiabao lost his beloved girlfriend for the mission of the police.
Jiabao's girlfriend committed suicide because she couldn't stand Jiabao's long-term undercover life.
Since the death of his girlfriend, Jiabao has actually been immersed in the loss of love and self-blame, but the society he lives in wants him to assume his due duties first, regardless of his personal life or death, until the emergence of Hitomi, which is not only Hitomi's self-redemption, but also the dawn of Jiabao's life.
Lin Yutang once said:
When the two words of loneliness are taken apart, there are children, melons and fruits, puppies, and butterflies, which are enough to support the mouth of an alley in the middle of a summer evening, full of humanity.
Under the childish melon and willow peng, the thin dog chases the butterfly in the narrow alley, the world is bustling and laughing, and only I have two sideburns.
--- children's fruit cats and dogs flying butterflies are of course lively, but they have nothing to do with you, which is called loneliness.
Hitomi loses Mr. Tatsuya, Andi loses his girlfriend for his duties, and he is still doing things that he doesn't want to do at all.
Two single-minded people, the prosperity of the world has nothing to do with them.
The more I miss it, the more painful it is, the more I regret that this life is difficult to complete.
Lonely, they met, and Jiabao cherished Hitomi's innocence, accompanied her to play Mr. Tatsuya, and fulfilled her and Mr. Tatsuya's agreement to enjoy the night view of Hong Kong together.
Originally, it was just a meeting of Pingshui, just a scene, just pity for the same disease, just a courtesy exchange.
02, "The old does not go, the new does not come"
In order to complete the task, Jiabao participated in the last anti-drug undercover work, because of the ghosts inside the police station, Jiabao not only "failed the mission" and was betrayed by friends but also became a wanted criminal.
After being injured, the treasure comes to Hitomi's residence and is carefully cared for by Hitomi.
At this time, The family treasure mistakenly regards Hitomi as his deceased girlfriend, and Hitomi mistakenly believes that Mr. Tatsuya has returned home.
Because Jiabao was still entangled in official affairs, he was ready to say goodbye to Hitomi, but he was left by Hitomi's hungry stomach.
Hitomi fulfills her wish to wash Mr. Tatsuya's hair after dinner for "Mr. Tatsuya".
This scene is very warm and interesting.
Unfortunately, Jiabao is not Tatsuya after all, and Hitomi is not Jiabao's deceased girlfriend.
But in the face of Hitomi's innocent persistence, Jiabao gave in.
So they made mistakes and dreamed together for a day to make up for their regrets.
Although they don't speak the same language, they also go shopping together to watch movies and evade the police together.
Just like the American movie "Love Before the Dawn Breaks", the American young Jesse and the French schoolgirl Serena met on the train, because they talked very happily, they toured the city together and sprouted feelings, and they met to see each other half a year later.
Jesse and Selina from acquaintance to acquaintance, without any calculation and hesitation, they are constantly talking, interesting, and all kinds of careful thoughts and small actions in love are perfectly and delicately expressed.
Net map, invasion and deletion
They both start from the heart, love if they want, love for love, love for love, without any twists and turns, and they have a frank expression.
Jiabao and Hitomi began by mistake, but the love gradually sprouted in their frank and sincere relationship.
Because they met each other, both of them showed a heartfelt smile.
In the movie, there are many close-ups of the faces of the family treasures, especially the scene where the family treasure looks in the mirror, which is a sad face, like a walking dead, and does not know where to go in the future.
And the arrival of Hitomi has undoubtedly changed the family treasure, and even the sister (Yang Ziqiong plays the sister of the girlfriend of the family treasure) said that the family treasure has changed and will smile.
After a short time together, the sister also likes the innocent and lovely pupils, and also endures the pain of cutting love to persuade the family treasure to "not go to the old, the new does not come".
When Jiabao took Hitomi to see his baby --- a room full of little yellow ducks, Jiabao had fallen in love with Hitomi and walked out of the predicament.
In the film Adaptation of Lawrence's novel of the same name, Mrs. Chatelet's Lover, there is a scene of Mrs. Chatelle and her lover looking at the chicken together, symbolizing Mrs. Chatelle's strong desire for life consciousness.
In this movie "Star and Moon Fairy Tale", Jiabao's love and patience for the little yellow duck also symbolizes his strong desire for life consciousness, but he is trapped by his previous predicament, unable to get out and unable to change.
Hitomi is also awake in her relationship with The Family Treasure, and she can finally bravely face the fact that Mr. Tatsuya has passed away and left her forever.
Since losing Mr. Tatsuya, Hitomi has not dared to face reality and is always running away.
As she said in her letter to The Family:
My soul trance was also far away from the shell.
Like the walking dead, it seems that it cannot last forever.
There is no hope for everything, and the heart is like water.
Until fate makes me meet you, you and I are equally obsessed with love.
In our days together, you made me regain my lost smile.
Likewise, I expect you to be as happy as I am.
Because of you, I have the courage to face the future.
There is nothing in life that can be as wonderful as love.
Family treasure, this is the inspiration you have given me, whether it is you or me, or anyone.
Why wasn't Jiabao healed by Hitomi?
03, what can be compared to love wonderful in life
Hitomi and Jiabao ate dinner at the hotel, holding the scene of Jiabao crying bitterly, in fact, Hitomi has admitted that Mr. Tatsuya is never there, when the hotel staff thought that Hitomi was moved and cried loudly, only Jiabao understood and understood that Hitomi was sad for The death of Mr. Tatsuya, and the bitterness that had accumulated in his heart for many days was all vented out at this time.
Hitomi's emotional transformation of Jiabao is in the movie theater, and Jiabao pretends to accompany Hitomi to watch movies and go shopping together.
Because Hitomi and Mr. Tatsuya met in the movie theater, and the way Iebo stood in front of the poster and smoked after the movie ended, tatsuya, who attracted Hitomi at that time, was alive.
At this time, Hitomi clearly understood that standing in front of her was Jiabao, not Tatsuya, but she also fell in love with Jiabao unconsciously.
Although Jiabao and Tatsuya look the same but have very different personalities, Hitomi sinks again because they are too pleasant and comfortable to get along.
Jiabao's emotional transformation of Hitomi is in the station fleeing to Shenzhen, and Jiabao, fearing being recognized by the police, offers to separate from Hitomi through customs and then join him.
Although it was a fairly short separation, Jiabao suddenly realized that he was used to having Hitomi's company, so when Jiabao successfully passed the security check to find Hitomi at the station, he couldn't help but kiss Hitomi.
This scene is the true feelings of the two people.
Professor Dai Jinhua said in the book "Film Theory and Criticism":
Our viewing becomes a projection of our desire to be seen, and we "see" ourselves in the object of viewing.
"Gaze" takes us back to the mirror phase/imagination in a moment, where the viewer projects and inscribes the self on the object of view in a moment of confusion between reality and fiction, between the self and others.
In Lacan's view, it is the illusion, not the object, that sustains desire.
Through hitomi's company, Jiabao got rid of the shadow of his girlfriend's suicide that had been trapped in his heart for many years, and Hitomi fulfilled his date with Mr. Tatsuya in Hong Kong because of Jiabao's company, and they all saw the hope of life through each other and walked out of the predicament of life.
Love is a positive, not a negative emotion, something that grows within a person, not an emotion of captivity.
This is what Fromm tells us in his book The Art of Love, where he also says:
The fact that the ability to give love as an act depends on the development of one's character does not seem necessary to emphasize.
A prerequisite for achieving this ability is that man has a dominant creative tendency.
The man who holds this attitude overcomes his demands for dependence, narcissism, and exploitation of others, and can find trust in his own human strength and the courage to achieve his goals.
If these characteristics are lacking, people are afraid to give themselves, that is, to love.
Undoubtedly, both Jiabao and Hitomi have overcome their respective dependence, narcissism, and the demand to exploit others, and they have found trust in their own human strength and the courage to achieve their goals while daring to love.
After Hitomi returned to Japan, Jiabao used a ruse to wash away his grievances, and it can be seen that Jiabao is ready to live a good life again.
epilogue:
The movie "Love Letter" is a beautiful story about love, memory and mourning, "Love Before the Dawn" is a love story that says love is pure love at first sight, then "Star Moon Fairy Tale" is a romantic love story that loves because of love.
Just like Naran Rongruo's attachment to beautiful eternal love, he expects "if life is only like the first sight".
Although love is not the whole of life, it is an indispensable part of life, even more beautiful and wonderful than life itself.
"Star Moon Fairy Tale" gave us a happy ending full of hope fairy tales, and those of us who have seen the movie will bless and look forward to the long-term and happy love between the family treasure and the pupil.
I also hope that every friend who looks forward to and expects love will not be afraid of love, and will be brave to love when encountering love!
Just like the picture of Zhou Runfa and Zhong Chuhong that appear in the movie:
Do you believe in God? I am God!
(The pictures in this article are from the movie "Star Moon Fairy Tale", invaded and deleted)