Zhang Xiaoli: And this time I think his directing ability in "Life Events" is actually very measured, first of all, the young actor Yang En at that time was only 6 years old, and children and animals are actually the most difficult to direct and difficult to act, so he can guide children to play this role very well. But Zhu Yilong is a relatively mature young actor with many works, so the way he gave Zhu Yilong is obviously to give him a lot of room for self-development, so I think he can target different actors and use different methods, which is his very good work as a new director.
Tan Fei: In fact, Liu Jiangjiang is a person I think has emotional intelligence and is relatively middle-two, in fact, he reflects the particularly interesting side of people of his age, I think such people like to associate with him, he is interesting, and I also have a memory point, just now I also said, when Zhu Yilong went up to receive the award, it was a bit equivalent to Andy Lau giving the young Tony Leung Award, and many people also emerged at the same time with that sense of passage, which is also very wonderful for the film industry.
Zhang Xiaoli: Because Mr. Tan Fei and I recorded a preview before the award, three of the four predictions were correct, and the hit rate was very high, at that time, Mr. Tan Fei guessed that the best actor was Zhu Yilong, when I recorded the series, I asked a wave in private, in fact, they were all professional expert teachers, and the signals they sent me on the matter of Best Actor were all about Zhu Yilong, so at that time, although I was in my heart because I particularly liked comedy, I also liked Shen Teng very much, So I actually think in my heart that Shen Teng is also a very good contender for the award, but I have heard a lot of sayings about Zhu Yilong, and I feel that since it is an expert award, these experts and scholars around me have voted for Zhu Yilong, and there should be no mistake.
Tan Fei: What does Teacher Ni think? Do you feel that there are some tidbits you want to talk about or complain about, and secondly, what is your opinion on this best actor yourself? Of course, everyone remembers that Zhu Yilong said in the acceptance speech, my mother I want to thank because she asked me to thank her, so she has a special personality ha, as if it was a post-80s person who spoke out, and also added some young and personalized colors to the Golden Rooster Award. Teacher Ni, what do you think of Zhu Yilong winning the award? Just now, Xiaoli also said, Shen Teng is also good, Wu Jing is also good, and Yi Yangqianxi is also remarkable.
Ni Jun: In fact, Shen Teng's performance in "Walking on the Moon Alone" is also obvious to all, but I think it is indeed a little difficult for comedy to win the best actor in the recognition of the expert award, maybe the audience will find it very lively and interesting. But I think in the expert award, in fact, if our shaping of the characters by the actors, if it comes from a realistic creation, a more life-like presentation of the state of the characters, and a subversive performance, maybe Zhu Yilong will take the lead, because in fact, the role played by Shen Teng is still the same style as before.
Tan Fei: I happened to sit with Zhao Ningyu yesterday, and Zhao Ningyu said that this award is generally more discriminatory against comedians and action actors, and he still has a good point, because it seems that awards that emphasize artistry and professionalism are really not particularly friendly to comedians and action actors, and I have said such things before.
Ni Jun: Because those two are genre films, genre films are also more typed in terms of characters, and this typification will feel more stereotyped when you watch it, because this kind of character is relatively not too different from their previous performances, Wu Jing is still Wu Jing, Shen Teng is still Shen Teng, but Zhu Yilong is definitely not that Zhu Yilong, he has become Mo Sanmei. Yi Yangqianxi is still young, and I think although he also did a good job in "Miracle Stupid Child", I think he needs to experience more as a young actor.
Tan Fei: Xiaoli, you disagree with Teacher Ni, because Zhu Yilong's biggest advantage in "Life Events" is that it is more subversive, including space, contrast and different feelings, is it the key to his award?
Zhang Xiaoli: Agree, his subversiveness is too great, because sometimes we say that a person does not grow, whether he progresses, whether he performs well or not, and the standard of our judgment is based on what he is, that is, based on people's presets, so what kind of presuppositions do we have for Zhu Yilong, first of all, I think he may be more of a young idol before, he is a young son such a feeling. But this time, Mo Sanmei is a ruffian image, driving a van, putting her feet on that steering wheel, and straightening her head. Before watching "Life Events", I had seen Zhu Yilong's inch-head style, and I was thinking about how this idol went inch-headed, and later learned that he was very subversive and willing to change for this role.
Tan Fei: Actually, I have also seen Zhu Yilong participate in several public events with his head on his head, of course, he did not disclose what he would film, but everyone thinks that Zhu Yilong's appearance is very curious, and there is a little beard, his own natural beard, and no fake beard.
Zhang Xiaoli: So when I see him completely from a young man to a particularly life-like imagination, completely unrelated to the original idol, his character has changed very much, because it is difficult for us to distinguish between roles and actors now, which is strongly bound, including when I usually see Shen Teng, I may think that he is Duguyue, and his actor attributes are so obvious, he does work in front of the stage and in front of the camera. Therefore, Zhu Yilong's selection of such a role with a particularly large range of changes is really a place worthy of recognition, and it is also different from the other four. Because for example, like Shen Teng, I think this time Shen Teng's highlight ah, I myself also particularly appreciate that he is the absolute male protagonist in "Walking on the Moon Alone", with 100% teng, in fact, it is not easy, but this difficulty may feel very natural for many people, I think Shen Teng did this and guessed, he is like this, the level is so good. So I think this breakthrough is indeed Zhu Yilong, this time compared with other actors, it is particularly eye-catching.
Tan Fei: Can it be said that everyone can guess and see Shen Teng's ceiling, but everyone found that Zhu Yilong's ceiling is actually on it, right?
Zhang Xiaoli: I think it should be said that Brother Teng's ceiling is the ceiling that he has been focusing on in this area, but his height has been breaking through, but Zhu Yilong's sky, his area can be different, just like our time zone, he is in different time zones, but it is difficult to say who is taller.
Ni Jun: I think because we may have seen Zhu Yilong before, or the image of the son in many TV series, of course, and the character in "Rebel" is actually very well shaped, you may see more before because he is an idol, such a performance in the TV series, of course, the little father-in-law in "Do You Know If It Should Be Red Fat Green Thin" may be a representative expression. But in fact, I think Zhu Yilong can see him break through himself step by step, first from costume films step by step to "Rebel" such a major theme of spy war drama film, of course, he still has some expression of idol identity ah, this time this movie is a completely subversive character presentation, and the idol is not related, is completely a very bad, Wuhan roadside little riffraff image, he played this growth very convincing, but also made the audience very moved, at the beginning the six relatives did not recognize, to the end very gentle, It was warm.
Tan Fei: From the detailed analysis, Zhu Yilong did achieve a very personalized and systematic expression and performance this time. The first such as the change in his eyes, he went from a cynical, a little ruffian, bastard kind of eyes, to the warmth in the back, the fatherly love for this child, his life to complete a sublimation of human nature on the screen again, quite difficult, just about 120 minutes. The second, you see him in all the details, just talked about the inch, talked about Wuhan dialect, and another is that he smokes, I have seen many actors acting in smoking are particularly fake, the cigarette is immediately spit out in the mouth, a look is the director or screenwriter said you want to smoke, and then learned it now, did not smoke at all, but Zhu Yilong smoked in it is a lot of expressions, how to put the cigarette in the mouth, how to spit out, how to throw it, which fully shows his sense of the market, the sense of punks, because punks are only shaped by details, The inner world lets people know that you are a punk, and the audience can't get it. So he did this subversion this time, and he himself later said that he must experience life, must sink down, prepare for a few months, or run in with the team, and study this matter every day to really reap such results. Perhaps from this point we see these actors, in this regard, at least in this play there is still a certain gap with him.
Ni Jun: I think this theme and this play itself may indeed be more capable of achieving actors, in fact, I think this kind of life and death theme, the dying theme, is actually a lot of space for actors, and it is especially easy to produce good works, this theme is really easy to produce good works. We see that although Liu Jiangjiang is the director of his debut film and making a movie for the first time, it is indeed good, and we can see that behind it is the producer Han Yan, Han Yan is our student, but you can feel that he now feels like a senior in the film industry, Liu Jiangjiang went up to thank our producer Han Yan, but Han Yan did take root in this theme, from "Get Out!" Tumor Jun", and then to "Send You a Little Red Flower", and then to the producer of "Life Events", you can see him in this kind of dying theme, I think he may be the best director in China at the moment.
Tan Fei: Xiaoli, what do you think of Zhu Yilong's next development? Because I also had some exchanges with Cui Rui, the director of Zhu Yilong's next play "Disappearing Her" in Xiamen, he also felt that Mr. Tan must watch a very good movie, and he felt that it might be another side of Zhu Yilong. What do you think Zhu Yilong's future will look like? To be honest, as a movie star, his age is really a little young, we are at least in their 40s and 50s, and they are relatively young in the world.
Ni Jun: Xia Yu won the Venetian actor at such a young age, and he has not yet been in Chinese drama.
Tan Fei: But from another side, winning the award too early is not necessarily a good thing for Xia Yu. Including us this time said Yang En, if Yang En took the queen at the age of 9, it may not necessarily help her, because she needs a lot of accumulation, needs a calm and balanced mentality, and it is actually quite difficult to have no sense of impetuosity, so what do you think Zhu Yilong should do next?
Zhang Xiaoli: I think his next step may be to cooperate with director Tsui Hark.
Tan Fei: Anyway, I heard that he wanted to cooperate with Chen Kaige, and it is also a theme of the War to Resist US Aggression and Aid Korea, "The Great War".
Zhang Xiaoli: Yes, because of the cause of "Changjin Lake", he continues the next work directed by Chen Kaige. At that time, there was an interview just after our channel won the award, and I asked Zhu Yilong to draw lots to choose a question, and he drew a director who had to be cooperated, and he looked around and asked Director Tsui Hark. I think he is very polite and sometimes a little scary, but when he is an actor or has stage tasks, he is very confident and tense. But he was actually a little confused, dumb, and quite cute in private, he was very scared at the time, a little embarrassed to ask, director Tsui Hark said yes, so I was quite looking forward to it.
Tan Fei: Tsui Hark said that I would also like to work with some excellent actors, and Tsui Hark is also very official.
Zhang Xiaoli: So in fact, backwards, I think Zhu Yilong's next step is actually not very worried, or I am not willing to set limits for him, because I think he must have a bright future, has been affirmed by experts, the box office reputation of this movie is so good, even if he is not an actor, as an idol this year, it is already very good, so what to worry about, is to do what he wants to do and is willing to do.
Tan Fei: Your suggestion is to let him relax a little, don't feel that he is carrying a heavy burden, as if the next step has to be, all kinds of attempts will come.
Zhang Xiaoli: Yes, but I think he has always been very relaxed, although he is very happy and excited, but I think he is sober.
Tan Fei: He is afraid and relaxed, in fact, this is the characteristic of some actors.
Ni Jun: Actually, in the comments just now, I saw that many viewers said that Zhu Yilong has actually acted diligently for 14 years, and he is from the Beijing Film Academy, studied well for 4 years, acted in TV series for 14 years, and walked on the big screen to shine, in fact, it can be imagined, and I think it is also deserved. I met such a good and very suitable role for him again. And I think his audience is really good, I think the audience from 10 to 60 years old will like him, my nephew is only in the second grade, see Zhu Yilong's billboard like him, I think this is really rare, there is audience popularity, and have a background in science classes, and have been acting conscientiously for more than ten years, and the personality is also very calm, and there is no mess. He deserves such an honor, and I think he will continue to take root in the matter of acting and walk more steadily. Tony Leung is the same, and we see that Tony Leung is also slowly moving up, from Hong Kong and the mainland, from the whole of China to Asia, to the world, and then become a Cannes actor. I think these are all imaginable, I think as long as we film well, we say that we are innocent and diligent in acting, one day I think he will definitely achieve greater achievements, maybe the awards will be more and more, bigger and bigger.
Tan Fei: Actually, there are two awards that everyone pays attention to, one is the Best Director Award, and the other is the Best Debut Director Award. In fact, I found it particularly strange this time that a best debut director award is so competitive. "This killer is not very calm", "Fame" and "Life Events", just these three, don't even put it on the debut award, it's no problem to put it in a mature director, have you thought of such fierce competition?
Ni Jun: I think it's a very good thing, it means that there are successors, of course, old directors can also blossom new flowers, this is no problem, but I think young directors must keep up. And the pyrotechnic, realistic and realistic nature of "Life Events", including the advantages I said in the subject matter, make director Liu Jiangjiang may have a better chance of winning.
Zhang Xiaoli: I think "Life Events" actually wins where, it has achieved a broken circle, just mentioned "Fame and Fame" and "This Killer is Not Too Calm", they are their own theme and type is very liked in the market, for example, like "Fame and Fame" is a script game, although director Liu Xunzimo said that it is not necessarily a script game, it is actually a script state in his usual work, but in fact, for the audience, everyone is very familiar with that is, this is a script killing movie, This is a scripted game movie, and its audience is very popular. "This Killer Is Not Too Calm" itself eats the dividends of happy twists, the actors are Ma Li and Wei Xiang, naturally it is a very popular work, the market itself is very good, so they get the box office affirmation, I think it is a very natural process. "If I Will Leave You One Day" directed by Li Kan was shot very niche, and its box office was also very niche, so they are all in their own dimension. But you look at Liu Jiangjiang's "Life Events", filmed a funeral theme, funeral themes are actually rare on the big screen before, but they are quite common in the pendant category of art films, it pushes such a rare theme on the big screen to the big screen, and has obtained such a high box office, so its thrust is particularly strong, I think this breaking circle is a very key place to win other directors.
Tan Fei: And I think from another angle, I think Liu Jiangjiang's jump is even greater, because it turns out that the two of you have also heard his background, he turned out to be a TV station program director, so this time you see him on stage and thank Hebei TV, the first time I heard a director thank Hebei TV, it felt like I was at the Golden Eagle award scene. But he is also telling the truth, and the leadership of the TV station at least gave him the opportunity to immerse himself in the fireworks of ordinary people and the way of life of ordinary people every day, so you look at all his things, including the embodiment of the funeral industry, you feel particularly real. That's it, including everyone's state, so everything is not for nothing, and his jump is so big, even he may have said it himself repeatedly, I think winning the award is equivalent to a dream that I dare to dream when I am drunk, and it is true. That's it for today, thank you.