Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
author：Yan Linkan Entertainment
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills are really not just relying on lines, and more advanced performances are the transmission of body language.
Under this dim filter, to express the complex emotions of the characters, Wong Kar-wai neither narrated nor gave them a fixed script, but they were able to express the feeling of wanting to say goodbye between men and women so clearly. Maggie Cheung really deserved the film after taking the film, legend has it that she wore a cheongsam to vomit when filming "In the Mood for Love", but Su Lizhen was played by her as if she was alive. #Entertainment Awards# #八卦手册 #
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
Maggie Cheung's "In the Mood for Love" is so good at acting! Between the movements of her fingers, you can see the transmission of ambiguous emotions between her and Tony Leung, fully demonstrating that acting skills really don't rely on lines alone
